Mistress Bradstreet

Though her work is a staple of anthologies of American poetry, Anne Bradstreet has never before been the subject of an accessible, full-scale biography for a general audience. Anne Bradstreet is known for her poem, To My Dear and Loving Husband, among others, and through John Berryman's Homage to Mistress Bradstreet. With her first collection, The Tenth Muse Lately Sprung Up in America, she became the first published poet, male or female, of the New World. Many New England towns were founded and settled by Anne Bradstreet's family or their close associates -- characters who appear in these pages.

This volume represents the first appearance in paperback of one of America's most outstanding poets, John Berryman. It contains, besides the long title poem, Homage to Mistress Bradstreet, the major portion of Short Poems; a selection from The Dispossessed, which drew on two earlier collections; some poems from His Thought Made Pockets & The Plane Buckt; and one poem from Sonnets. "It seems to me the most distinguished long poem by an American since The Waste Land." - Edmund Wilson

Homage to Mistress Bradstreet, long poem by John Berryman, written in 1948–53 and published in 1956. Noted for its intensity, it is a tribute to colonial poet Anne Bradstreet that also reveals much about the author. The poem examines the tension between Bradstreet’s personal life and her artistic life, concluding in a spirit of fatalism. It shows throughout a loving and intimate grasp of the details of American history. The work primarily examines creative repression, religious apostasy, and the temptation to adultery.

The Dream Songs is widely seen as Berryman's masterpiece, an impressively vast and varied collection of poems that is in itself a single, sprawling, ever-shifting poem. The songs in this great work are thus offered in many different tones, moods, and guises, although their form, Berryman's idiosyncratic reworking of the sonnet, remains more or less constant. Combining all of Berryman's earlier 77 Dream Songs (which won the 1965 Pulitzer Prize) and His Toy, His Dream, His Rest (which won the 1969 National Book Award), this one-volume edition contains no fewer than 385 entries in what the critic Denis Donoghue has called Berryman's "dream diary." The book also has an index of first lines, an index of titles, and a note by the author.

The saga of Abraham, Sarah, and Hagar is the tale of origin for all three monotheistic faiths. Abraham must choose between two wives who have borne him two sons. One wife and son will share in his wealth and status, while the other two are exiled into the desert. Long a cornerstone of Western anxiety, the story chronicles a very famous and troubled family, and sheds light on the ongoing conflict between the Judeo-Christian and Islamic worlds. How did this ancient story become one of the least understood and most frequently misinterpreted of our cultural myths? Gordon explores this legendary love triangle to give us a startling perspective on three biblical characters who -- with their jealousies, passions, and doubts -- actually behave like human beings. The Woman Who Named God is a compelling, smart, and provocative take on one of the Bible's most intriguing and troubling love stories.

A collection of poetry and prose by early feminist author Anne Bradstreet, written in the seventeenth century after her arrival in the American colonies.

A lively sampling from the work of one of the most celebrated and daring poets of the twentieth century John Berryman was perhaps the most idiosyncratic American poet of the twentieth century. Best known for the painfully sad and raucously funny cycle of Dream Songs, he wrote passionately: of love and despair, of grief and laughter, of longing for a better world and coming to terms with this one. The Heart Is Strange, a new selection of his poems, along with reissues of Berryman's Sonnets, 77 Dream Songs, and the complete Dream Songs, marks the centenary of his birth. The Heart Is Strange includes a generous selection from across Berryman's varied career: from his earliest poems, which show him learning the craft, to his breakthrough masterpiece, "Homage to Mistress Bradstreet," then to his mature verses, which find the poet looking back upon his lovers and youthful passions, and finally, to his late poems, in which he battles with sobriety and an increasingly religious sensibility. The defiant joy and wild genius of Berryman's work has been obscured by his struggles with mental illness and alcohol, his tempestuous relationships with women, and his suicide. This volume, which includes three previously uncollected poems and an insightful introduction by the editor Daniel Swift, celebrates the whole Berryman: tortured poet and teasing father, passionate lover and melancholy scholar. It is a perfect introduction to one of the finest bodies of work yet produced by an American poet.

In 1942, Eileen Simpson—then Eileen Mulligan—married John Berryman. Both were in their twenties; Eileen had just graduated from Hunter College and John had but one slim volume of poetry to his name. They moved frequently—from New York to Boston, then Princeton—chasing jobs, living simply, relying on the hospitality of more successful friends like Robert Lowell and Jean Stafford, or R. P. Blackmur and his wife, Helen. Rounding out their circle of intimates were other struggling poets like Randall Jarrell and Delmore Schwartz. Berryman alternately wrote and despaired of writing. Everyone stayed up late arguing about poetry. Poets in Their Youth is a portrait of their marriage, yes, but it is also a portrait of a group of spectacularly intelligent friends at a particular time, in a particular place, all aflame with literature. Simpson's recollections are so tender, her narrative so generous, it is almost possible to imagine the story has a different ending—even as Schwartz's marriage crumbles, as Lowell succumbs to a manic episode, as her own relationship with Berryman buckles under the strain of his drinking, his infidelity, his depression. Filled with winning anecdotes and moments of startling poignancy, Simpson's now classic memoir shows some of the most brilliant literary minds of the second half of the twentieth century at their brightest and most achingly human.