Mists Of Dawn

A 17-year-old makes an unplanned trip through space and time to Europe 50,000 years ago where Neanderthal and Cro-Magnon man engage in conflict for survival.

A 17-year-old makes an unplanned trip through space and time to Europe 50,000 years ago where Neanderthal and Cro-Magnon man engage in conflict for survival.

ORIGINAL MASS MARKET. STORIES OF THINGS FROM SPACE. Mostly very, very bad things that want to harm humans and destroy Earth. Or take it for their own. Original stories and reprints of classics from the scary side of science fiction! THE THINGS ARE COMING . . . As we all know, in space, no one can hear you scream. Which doesn’t mean that anyone is safe just because they’re standing on the soil of planet Earth, because if a thing from out there drops in, screaming probably won’t save you. Earth has spawned myriad unpleasant life forms which are bad news for humans, ranging in size from the Ebola virus to the great white shark up to the Tyrannosaurus Rex (extinct, fortunately for us)—and that’s just one planet. What even more deadly life forms might the billions of planets in our galaxy have spawned? And suppose the things are intelligent and capable of crossing space and coming here . . . Considering that very possibility are the masters of science fiction starring in this book, including Robert Silverberg, David Drake, Sarah A. Hoyt, James H. Schmitz, Fritz Leiber, Robert Sheckley, Murray Leinster and John W. Campbell, as well as classic stories of extraterrestrial horrors by H.P. Lovecraft, George Allan England and more. E.T. might have been happy eating Reese’s Pieces, but other visitors from the void might have less dainty appetites. And there are probably worse things than merely being eaten . . . At the publisher's request, this title is sold without DRM (Digital Rights Management). Praise for previous anthologies edited by Hank Davis: In Space No One Can Hear You Scream “. . . the 13 tales in this collection blend SF with horror to demonstrate the resiliency of both genres. . . . offers strong tales by the genre’s best storytellers.”—Library Journal “. . . first-rate science fiction, demonstrating how short stories can still entertain.”—Galveston County Daily News A Cosmic Christmas 2 You: “This creative and sprightly Christmas science fiction anthology spins in some surprising directions. . . . A satisfying read for cold winter evenings . . . a great stocking stuffer for SF fans.”—Publishers Weekly As Time Goes By: “As Time Goes By . . . does an excellent job of exploring not only romance through time travel—relationships enabled or imperiled by voyaging through time—but the intrinsic romance of time travel itself. . . . The range of styles and approaches is as wide as the authors' sensibilities and periods might suggest . . . full of entertaining and poignant stories . . .”—Alvaro Zinos-Amaro, IntergalacticMedicineShow.com

The dream of “progress” that animated many nineteenth-century artistic and political movements gave way at the turn of the century to a dissatisfaction with the Industrial Civilization and a recurrent pessimism about a future dominated by mechanization. Art Nouveau, which was both a style and a movement, embodied this dissatisfaction, marking the turn-of-the-century period with an aesthetic that consciously set out to revolutionize literature, the arts, and society within the framework of a brutalizing, wildly burgeoning Industrial Civilization. Generally associated with northern European culture, Art Nouveau also had a great impact in the south, particularly in Spain. A Dream of Arcadia is the first work to explore Spain’s fertile and imaginative Art Nouveau. Through the eyes of four major Spanish writers, Lily Litvak views several different aspects of the turn-of-the-century struggle against the advances of industrialism in Spain. Her interpretation of the early works of Ramón del Valle Inclán, Miguel de Unamuno, José Martínez Ruiz (Azorín), and Pío Baroja exposes a longing for a preindustrial arcadia based on a return to nature, the revival of handicrafts and medieval art, an attraction to rural primitive societies, and a revulsion against the modern city. Set against the European literary and artistic background of the period, her observations place the Spanish manifestations of Art Nouveau within the context of the better-known northern phenomena. Of particular interest is her discussion of the influences of John Ruskin, William Morris, and the Pre-Raphaelites, which demonstrates how the general European mood was articulated in Spain. Litvak concludes that Valle Inclán, Unamuno, Azorín, and Baroja must be considered as more than simply fin de siècle writers, for they became part of a general movement, generated by Art Nouveau, that spans an entire century. A Dream of Arcadia demonstrates that Art Nouveau was more than a flash on Europe's artistic horizon; it is a philosophy with ramifications that have led to communes, handcrafted articles, and nomadic adolescents in search of truth.