Misunderstood Monsters

Perhaps Monsters are not really that scary. Maybe, just maybe, they are misunderstood!

Explains how brilliant scientist Bruce Banner was cursed to transform into the rampaging Hulk, why his girlfriend left him, and why Rick Jones blames himself for creating the monster.

Looks at the lives and careers of more than three hundred animators.

When a boy bumps into a monsterin the magical woods, he runs for hislife. But he soon realises with the helpof his woodland friends, that he mayhave made a hasty judgement.A heartwarming tale of acceptanceand friendship.

"A comprehensive modern-day bestiary."--The New Yorker

Humans and Hyenas examines the origins and development of the relationship between the two to present an accurate and realistic picture of the hyena and its interactions with people. The hyena is one of the most maligned, misrepresented and defamed mammals. It is still, despite decades of research-led knowledge, seen as a skulking, cowardly scavenger rather than a successful hunter with complex family and communal systems. Hyenas are portrayed as sex-shifting deviants, grave robbers and attackers of children in everything from African folk tales through Greek and Roman accounts of animal life, to Disney’s The Lion King depicting hyenas with a lack of respect and disgust, despite the reality of their behaviour and social structures. Combining the personal, in-depth mining of scientific papers about the three main species and historical accounts, Keith Somerville delves into our relationship with hyenas from the earliest records from millennia ago, through the accounts by colonisers, to contemporary coexistence, where hyenas and humans are forced into ever closer proximity due to shrinking habitats and loss of prey. Are hyenas fated to retain their bad image or can their amazing ability to adapt to humans more successfully than lions and other predators lead to a shift in perspective? This book will be of great interest to students and scholars in the environmental sciences, conservation biology, and wildlife and conservation issues.

The Year's Work in Medievalism, volume XXV, is based upon but not restricted to the 2010 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for the International Society for the Study of Medievalism, Gwendolyn Morgan, and, for 2009, Dr. Pam Clements. The Year's Work in Medievalism also publishes bibliographies, book reviews, and announcements for conferences and other events. Richard Utz, Pi(o)us Medievalism vs. Catholic Modernism: The Case Of George Tyrell Martha Oberle, The Legacy of the Medieval Mendicant Orders Chelsea Gunter, Mysticism and Messianism in the Poetry of Paul Celan William Calin, Postcolonialism and Medievalism: How French Regional Cultures/Literatures Reshape Their Past and Present Jana K. Schulman, Retelling Old Tales: Germanic Myth and Language in Christopher Paolini's Eragon Arthur Russell, From English Stage to American Page: The Transatlantic Dissemination of Leonard MacNally's Robin Hood; or, Sherwood Forest Gwendolyn Morgan, The Battle of Maldon in Imitative Translation Edward L. Risden, The Battle of Maldon: A One-act Play for Readers' Theater T.S. Miller, A Look at Some New Lays of Beowulf: The Misunderstood Monsters of Contemporary Popular Music Aspen Hougen, Debilitating Dracula: Vampire as Illness Metaphor from the Middle Ages to the Present Day Peter Johnsson, Purged by Fire: The Influence of Medieval Visionary Literature on Post-Apocalyptic Science Fiction Gerald Nachtwey, Unburied Corpses: The Violence of the Past in William Morris's Froissartian Poems Karl Fugelso, Dante as Surfer Medievalism: Sandow Birk's Commedia Illustrations