Mocambo Nights

Award-winning poet Patrick Lane is the editor of this remarkable anthology of poetry featuring Canada's most revered writers alongside emerging poets and brand new writers - all readers at the Mocambopo readings series in Victoria, BC.

Like a lovingly guided midnight tour, this book covers the seductive shadows of the most fascinating horror films and melodramas from the 1930s and 1940s. From the bloody censorship battles behind 1935's Bride of Frankenstein, to the sexual controversies of 1941's Dr. Jekyll and Mr. Hyde and the gruesome Nazi atrocities of 1943's Women in Bondage, this book delves into newly excavated research to tell the behind-the-scenes sagas of some of Hollywood's most frightening films. Peek behind the scenes, revel in on-the-set anecdotes and get a look at the script notes illuminating characters like WereWolf of London, Richard III, Panther Woman and Rasputin. Included are profiles of the performers and filmmakers who made the nightmares feel all too real in the darkened theaters of yesteryear, and an examination of the factors that have kept these films popular so many decades later.

In this first poetry collection by a talented young writer, Yvonne Blomer vividly recreates the experience of being a foreigner in Japan, while reflecting on the nature of strangeness and familiarity - how that strangeness can itself be familiar, and the way we carry the places we love with us wherever we go.

John Burton is a co-founding member of the notorious band Doug and The Slugs. Introduced to Doug Bennett by John ‘Wally’ Watson in the summer of 1977, Doug and the author quickly formed the personal and musical chemistry that led to the meteoric rise of the band from a basement Halloween party to national recognition in less than two years. Doug and The Slugs—50,000 Slug Fans Can’t be Wrong is a real page turner written in a conversational style and definitely the author’s own voice. There is humility and humour, triumph and tragedy, defeat and redemption in this compelling read of the legendary party band’s rise, fall, and rise again. The memoir has larger than life characters one would expect from the entertainment industry. Especially interesting is the intel into how the records were made, where they were made and with whom. Burton’s analysis of the finished recorded products and marketing is equally engaging for both readers familiar with and not familiar with the music business. As you might expect there is insider information only someone with Burton’s experience could share about some giants of the industry like Ritchie Cordell, Levon Helm, Sam Feldman and Denise Donlon. From cover to cover Doug and The Slugs--50,000 Slug Fans Can’t be Wrong is a good read. The narrative is well illustrated by amusing and nostalgic photographs with captions throughout. All in All Highly Entertaining!

Besides Walt Disney, no one seemed more key to the development of animation at the Disney Studios than Ward Kimball (1914-2002). Kimball was Disney's friend and confidant. In this engaging, cradle-to-grave biography, award-winning author Todd James Pierce explores the life of Ward Kimball, a lead Disney animator who worked on characters such as Mickey Mouse, Donald Duck, Jiminy Cricket, the Cheshire Cat, and the Mad Hatter. Through unpublished excerpts from Kimball's personal writing, material from unpublished interviews, and new information based on interviews conducted by the author, Pierce defines the life of perhaps the most influential animator of the twentieth century. As well as contributing to classics such as Snow White and the Seven Dwarfs and Pinocchio, from the late 1940s to the early 1970s, Kimball established a highly graphic, idiosyncratic approach to animation alongside the studio's more recognizable storybook realism. In effect, Ward Kimball became the only animator to run his own in-studio production team largely outside of Walt Disney's direction. Through Kimball, the studio developed a series of nonfiction animation programs in the 1950s that members of Congress pointed to as paving the way for NASA. The studio also allowed Kimball's work to abandon some ties to conventional animation, looking instead to high art and graphic design as a means of creating new animated forms, which resulted in films that received multiple Academy Award nominations and two awards.

NEW YORK TIMES BESTSELLER NATIONAL BESTSELLER Malibu 1983. Four famous siblings throw an epic party to celebrate the end of the summer. But over the course of one night, each of their lives will be changed forever in this propulsive novel from the New York Times bestselling author of Daisy Jones & The Six. Malibu is buzzing with anticipation for Nina Riva's annual party. Everyone wants to be in the company of the famous Rivas: Nina, the surfer and model; her brothers, Jay and Hud, one a championship surfer, the other his renowned photographer; and Kit, the adored baby of the family. As if that picture-perfect family isn't enough, their father is Mick Riva, the legendary singer. By morning, the Riva mansion will have burned to the ground. And no one will know how the fire started. But before that first spark in the early hours before dawn, the alcohol will flow, the music will play and the loves and secret yearnings that shaped this family across generations will all come bubbling to the surface to make for a night no one will ever forget. This is a story about family: about what you choose to keep from the people who made you, and what you must leave behind.

The story of how Toronto became a music mecca. From Yonge Street to Yorkville to Queen West to College, the neighbourhoods that housed Toronto’s music scenes. Featuring Syrinx, Rough Trade, Martha and the Muffins, Fifth Column, Shadowy Men on a Shadowy Planet, Rheostatics, Ghetto Concept, LAL, Broken Social Scene, and more! “Jonny Dovercourt, a tireless force in Toronto’s music scene, offers the widest-ranging view out there on how an Anglo-Saxon backwater terrified of people going to bars on Sundays transforms itself into a multicultural metropolis that raises up more than its share of beloved artists, from indie to hip-hop to the unclassifiable. His unique approach is to zoom in on the rooms where it’s happened – the live venues that come and too frequently go – as well as on the people who’ve devoted their lives and labours to collective creativity in a city that sometimes seems like it’d rather stick to banking. For locals, fans, and urban arts denizens anywhere, the essential Any Night of the Week is full of inspiration, discoveries, and cautionary tales.” —Carl Wilson, Slate music critic and author of Let’s Talk About Love: A Journey to the End of Taste, one of Billboard’s ‘100 Greatest Music Books of All Time’ “Toronto has long been one of North America’s great music cities, but hasn’t got the same credit as L.A., Memphis, Nashville, and others. This book will go a long way towards proving Toronto’s place in the music universe.” —Alan Cross, host, the Ongoing History of New Music “The sweaty, thunderous exhilaration of being in a packed club, in collective thrall to a killer band, extends across generations, platforms, and genre preferences. With this essential book, Jonny has created something that's not just a time capsule, but a time machine.” —Sarah Liss, author of Army of Lovers