Modern China

Jean-Louis Rocca's admirably concise A Sociology of Modern China wears its scholarship lightly and paints an intimate and complex portrait of Chinese society, all the while avoiding clichés and simplifications. He delves into China's history and examines the country's many different social strata so as to better understand the enormous challenges and opportunities with which its people are confronted. After discussing the long march toward reform and the crises along the way - among them the 1989 protests which culminated in the events in Tiananmen Square and elsewhere - Rocca dedicates the second half of the book to the major questions facing the country (or, at the very least, its political elites) today: new forms of social stratification; the interaction between the market and the state; growing individualism; and the pressures exerted by social conflict and political change. In eschewing culturalist visions, Rocca thoroughly and successfully deconstructs received wisdom about Chinese society to reveal a thriving nation and its people.

China today is never out of the news: from human rights controversies and the continued legacy of Tiananmen Square, to global coverage of the Beijing Olympics, and the Chinese 'economic miracle'. It seems a country of contradictions: a peasant society with some of the world's most futuristic cities, heir to an ancient civilization that is still trying to find a modern identity. This Very Short Introduction offers the reader with no previous knowledge of China a variety of ways to understand the world's most populous nation, giving a short, integrated picture of modern Chinese society, culture, economy, politics and art. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This collection of primary source documents--many translated into English for the first time and available only in this book--gather proclamations, treaties, laws, and other public acts with pieces reflecting everyday life, family, social networks, and culture.

Clear and engaging, this is the definitive history of China, one of the most important political, economic, and cultural players in the modern world. 8-page color photo insert.

This book is a study of a topic that is both extremely important and highly sensitive: how the Chinese have viewed other ethnic groups across time. The issue of racial differences constitutes a highly marked and oblique discourse in modern China. This is the first book to analyse that shielded rhetoric directly.

Amid early twentieth-century China’s epochal shifts, a vital and prolific commercial publishing industry emerged. Recruiting late Qing literati, foreign-trained academics, and recent graduates of the modernized school system to work as authors and editors, publishers produced textbooks, reference books, book series, and reprints of classical texts in large quantities at a significant profit. Work for major publishers provided a living to many Chinese intellectuals and offered them a platform to transform Chinese cultural life. In The Power of Print in Modern China, Robert Culp explores the world of commercial publishing to offer a new perspective on modern China’s cultural transformations. Culp examines China’s largest and most influential publishing companies—Commercial Press, Zhonghua Book Company, and World Book Company—during the late Qing and Republican periods and into the early years of the People’s Republic. He reconstructs editors’ cultural activities and work lives as a lens onto the role of intellectuals in cultural change. Examining China’s distinct modes of industrial publishing, Culp explains the emergence of the modern Chinese intellectual through commercial and industrial processes rather than solely through political revolution and social movements. An original account of Chinese intellectual and cultural history as well as global book history, The Power of Print in Modern China illuminates the production of new forms of knowledge and culture in the twentieth century.

The past hundred years in China have seen almost continuous transformation and upheaval. From Confucianist monarchy to warlordism, from fanatically doctrinaire socialist tyranny to almost doctrineless social-capitalism, China has experienced political, cultural and economic disintegration, reunion, and revolution on an unprecedented scale. Beginning with the overthrow of the Emperor in 1911, Moise guides us through a century of ever-unfolding drama with characteristic clarity and balance. Examining the effects of the communist revolution, he argues that in the early days Mao Zedong established the most effective government China had ever known, and that even during the bizarre excesses and blood-letting of the Cultural Revolution, there were still issues that were dealt with in a rational and effective manner. Moving on to the developments since the death of Mao in 1976, in a section fully revised and updated for this new edition, Moise gives a nuanced account of the two sides of China: its spectacularly successful programme of capitalist economic development, and its continuing dictatorship. He contends that dictatorship is now much less total than it was until the mid-70s; although dissenters are still persecuted, their very existence is evidence of a significant loosening of repression. However, there is a heavy price being paid for the Chinese economic miracle. The environmental effects of this boom already stretch well beyond the borders of China. Modern Chinasends us a clear message: the rapid and fundamental change that has framed the last century has not slowed or stalled but acts as a pointer to the near certainty of significant further change. To understand China’s future we must understand its past. Edwin E. Moise is Professor of History at Clemson University, South Carolina and a specialist in the history of China and Vietnam. His previous works include Land Reform in China and North Vietnam(1983) and Tonkin Gulf and the Escalation of the Vietnam War (1996).

Recent events—from strife in Tibet and the rapid growth of Christianity in China to the spectacular expansion of Chinese Buddhist organizations around the globe—vividly demonstrate that one cannot understand the modern Chinese world without attending closely to the question of religion. The Religious Question in Modern China highlights parallels and contrasts between historical events, political regimes, and cultural movements to explore how religion has challenged and responded to secular Chinese modernity, from 1898 to the present. Vincent Goossaert and David A. Palmer piece together the puzzle of religion in China not by looking separately at different religions in different contexts, but by writing a unified story of how religion has shaped, and in turn been shaped by, modern Chinese society. From Chinese medicine and the martial arts to communal temple cults and revivalist redemptive societies, the authors demonstrate that from the nineteenth century onward, as the Chinese state shifted, the religious landscape consistently resurfaced in a bewildering variety of old and new forms. The Religious Question in Modern China integrates historical, anthropological, and sociological perspectives in a comprehensive overview of China’s religious history that is certain to become an indispensible reference for specialists and students alike.