Modern Housing For America

In an era when many decry the failures of federal housing programs, this book introduces us to appealing but largely forgotten alternatives that existed when federal policies were first defined in the New Deal. Led by Catherine Bauer, supporters of the modern housing initiative argued that government should emphasize non-commercial development of imaginatively designed compact neighborhoods with extensive parks and social services. The book explores the question of how Americans might have responded to this option through case studies of experimental developments in Philadelphia and New York. While defeated during the 1930s, modern housing ideas suggest a variety of design and financial strategies that could contribute to solving the housing problems of our own time.

The original guide on modern housing from the premier expert and activist in the public housing movement Originally published in 1934, Modern Housing is widely acknowledged as one of the most important books on housing of the twentieth century, introducing the latest developments in European modernist housing to an American audience. It is also a manifesto: America needs to draw on Europe’s example to solve its housing crisis. Only when housing is transformed into a planned, public amenity will it truly be modern. Modern Housing’s sharp message catalyzed an intense period of housing activism in the United States, resulting in the Housing Act of 1937, which Catherine Bauer coauthored. But these reforms never went far enough: so long as housing remained the subject of capitalist speculation, Bauer knew the housing problem would remain. In light of today’s affordable housing emergency, her prescriptions for how to achieve humane and dignified modern housing remain as instructive and urgent as ever.

High-rise public housing developments were signature features of the post-World War II city. A hopeful experiment in providing temporary, inexpensive housing for all Americans, the "projects" soon became synonymous with the black urban poor, with isolation and overcrowding, with drugs, gang violence, and neglect. As the wrecking ball brings down some of these concrete monoliths, Sudhir Venkatesh seeks to reexamine public housing from the inside out, and to salvage its troubled legacy.

An analysis of the New York professional milieu between the Wall Street Crash of 1929 and the aftermath of WWII reveals an unexpected scenario, in which diverse branches of technical culture and professional and institutional spheres often overlap, and initiatives in the field of architecture are characterised by tensions between designers and technicians, which pave the way for issues of architects’ autonomy, responsibility and social roles in the New Deal. From an initial portrayal of William Lescaze (1896–1969) as an unconventional figure “straddling two continents,” this book challenges a long-established interpretation that sees Lescaze exclusively as promoter of the International Style canons in the United States. Moving beyond it, this book focuses on the role that the Swiss architect played in defining the main features of New York social housing and in the evolution that marks the encounter between European modernity and an American federal scene still profoundly tied to local conventions. From an initially difficult status as an émigré to his involvement in decisional processes and bureaucratic organisations, Lescaze’s professional progress coincides with the gradual acceptance of European forms and models, which, little by little, became part of the institutional language related to public housing which would remain prevalent in New York City until the end of WWII. Drawing from yet-unpublished archival sources pertaining to two fields – housing and architecture – which have traditionally been separate in American historiography, this book sheds light on many crucial issues in a branch of architecture that is particularly relevant today.

In an effort to explain why housing remains among the United States’ most enduring social problems, Housing America explores five of the U.S.’s most fundamental, recurrent issues in housing its population: affordability of housing, homelessness, segregation and discrimination in the housing market, homeownership and home financing, and planning. It describes these issues in detail, why they should be considered problems, the history and fundamental social debates surrounding them, and the past, current, and possible policy solutions to address them. While this book focuses on the major problems we face as a society in housing our population, it is also about the choices we make about what is valued in our society in our attempts to solve them. Housing America is appropriate for courses in urban studies, urban planning, and housing policy.

For Gwendolyn Wright, the houses of America are the diaries of the American people. They create a fascinating chronicle of the way we have lived, and a reflection of every political, economic, or social issue we have been concerned with. Why did plantation owners build uniform cabins for their slaves? Why were all the walls in nineteenth-century tenements painted white? Why did the parlor suddenly disappear from middle-class houses at the turn of the century? How did the federal highway system change the way millions of Americans raised their families? Building the Dream introduces the parade of people, policies, and ideologies that have shaped the course of our daily lives by shaping the rooms we have grown up in. In the row houses of colonial Philadelphia, the luxury apartments of New York City, the prefab houses of Levittown, and the public-housing towers of Chicago, Wright discovers revealing clues to our past and a new way of looking at such contemporary issues as integration, sustainable energy, the needs of the elderly, and how we define "family."

The building and management of public housing is often seen as a signal failure of American public policy, but this is a vastly oversimplified view. In Purging the Poorest, Lawrence J. Vale offers a new narrative of the seventy-five-year struggle to house the “deserving poor.” In the 1930s, two iconic American cities, Atlanta and Chicago, demolished their slums and established some of this country’s first public housing. Six decades later, these same cities also led the way in clearing public housing itself. Vale’s groundbreaking history of these “twice-cleared” communities provides unprecedented detail about the development, decline, and redevelopment of two of America’s most famous housing projects: Chicago’s Cabrini-Green and Atlanta’s Techwood /Clark Howell Homes. Vale offers the novel concept of design politics to show how issues of architecture and urbanism are intimately bound up in thinking about policy. Drawing from extensive archival research and in-depth interviews, Vale recalibrates the larger cultural role of public housing, revalues the contributions of public housing residents, and reconsiders the role of design and designers.

Catherine Bauer changed forever the concept of social housing and inspired a generation of urban activists to integrate public housing into the emerging welfare state of the mid-20th century. She was one of a small group of idealists who called themselves 'Housers' because of their commitment to raising the quality of urban life through improving shelter for low-income families. The story of her life and achievement is full of famous names in art and architecture. Her visionary teachings about the need for housing for the poor and disadvantaged, and the symbiotic relationship between good housing and a healthy society, remain as relevant as ever.