Modern John Buchan

This book offers an introduction to the breadth and diversity of the literary and non-literary work of John Buchan (1875–1940). It stakes a claim for him as an engaged interpreter of twentieth-century modernity, and provides evaluative readings of his output. In addition to demonstrating how Buchan’s work complicates the reductive view of early twentieth-century literature as neatly cordoned-off into “low” and “high” forms of production, this book discusses his theories of empire and imperialism, his account of historiography, and his response to the First World War. In addition to his many roles as a journalist, propagandist, war reporter, editor, civil servant, and statesman, Buchan was a committed literary critic, philosopher, and writer of history. This book explores the many connections between his work and such modernists as Joseph Conrad, Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis, and it situates Buchan as an intellectual figure who provided a distinctive set of readings of his modern times. Running throughout is a consideration of Buchan’s fascination with binaries, doubles, and duality, which his work variously upholds and investigates. It ends with a discussion of Buchan’s most famous work—The Thirty-Nine Steps (1915)—in relation to paranoia and pathology.

The fourth of the five Richard Hannay novels by John Buchan. Here we find our hero Richard Hannay living a quiet life in the countryside with a wife and young child but his past comes back to haunt him and he once more must face up to an arch-enemy.

This book offers an introduction to the breadth and diversity of the literary and non-literary work of John Buchan (1875â "1940). It stakes a claim for him as an engaged interpreter of twentieth-century modernity, and provides evaluative readings of his output. In addition to demonstrating how Buchanâ (TM)s work complicates the reductive view of early twentieth-century literature as neatly cordoned-off into â oelowâ and â oehighâ forms of production, this book discusses his theories of empire and imperialism, his account of historiography, and his response to the First World War. In addition to his many roles as a journalist, propagandist, war reporter, editor, civil servant, and statesman, Buchan was a committed literary critic, philosopher, and writer of history. This book explores the many connections between his work and such modernists as Joseph Conrad, Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis, and it situates Buchan as an intellectual figure who provided a distinctive set of readings of his modern times. Running throughout is a consideration of Buchanâ (TM)s fascination with binaries, doubles, and duality, which his work variously upholds and investigates. It ends with a discussion of Buchanâ (TM)s most famous workâ "The Thirty-Nine Steps (1915)â "in relation to paranoia and pathology.

John Buchan's name is known across the world for The Thirty-Nine Steps. In the past one hundred years the classic thriller has never been out of print and has inspired numerous adaptations for film, television, radio and stage, beginning with the celebrated version by Alfred Hitchcock. Yet there was vastly more to 'JB'. He wrote more than a hundred books – fiction and non-fiction – and a thousand articles for newspapers and magazines. He was a scholar, antiquarian, barrister, colonial administrator, journal editor, literary critic, publisher, war correspondent, director of wartime propaganda, member of parliament and imperial proconsul – given a state funeral when he died, a deeply admired and loved Governor-General of Canada. His teenage years in Glasgow's Gorbals, where his father was the Free Church minister, contributed to his ease with shepherds and ambassadors, fur-trappers and prime ministers. His improbable marriage to a member of the aristocratic Grosvenor family means that this account of his life contains, at its heart, an enduring love story. Ursula Buchan, his granddaughter, has drawn on recently discovered family documents to write this comprehensive and illuminating biography. With perception, style, wit and a penetratingly clear eye, she brings vividly to life this remarkable man and his times.

The Power House is the first adventure of the classic Buchan hero, the prosperous Scots lawyer and MP Sir Edward Leithen, whose measured daily routine of 'flat, chambers, flat, club' is enlivened by the sudden disappearance of Charles Pitt-Heron, one of his Oxford contemporaries. Leithen steps up to the mark, coordinating efforts to thwart those responsible for his friend's departure; meanwhile, fellow politician Tommy Deloraine heads to Moscow to track down the missing man. As the investigation develops, Leithen finds himself pitted against green-spectacled villain Andrew Lumley and a terrifying interntional anarchist network called 'The Power-House'. With an introduction by Stella Rimington. This edition is authorised by the John Buchan Society.

Famous as the basis for several films, including the brilliant 1935 version directed by Alfred Hitchcock, The Thirty-Nine Steps is a classic of early twentieth-century popular literature. Richard Hannay has just returned to England after years in South Africa and is thoroughly bored with his life in London. But then a murder is committed in his flat, just days after a chance encounter with an American who had told him about an assassination plot that could have dire international consequences. An obvious suspect for the police and an easy target for the killers, Hannay goes on the run in his native Scotland where he will need all his courage and ingenuity to stay one step ahead of his pursuers.

“Mr Standfast” is a spy novel featuring Richard Hannay, written by John Buchan and published in 1919 by Hodder & Stoughton. Richard Hannay is recalled from the Western Front by his good friend Bullivant in order to be assigned a new mission. As always, the whole action revolves around identifying a master German spy who operates in Britain along with his agents. In order to find him out, he must adopt a disguise he truly dislikes, the one of a pacifist. He then travels to the Cotswolds as Cornelius Brand, a South African war objector, in order to penetrate a group of war-hating intellectuals. He falls in love with a young woman called Mary who is also part of the group. John Buchan is the inventor of the modern British spy novel.

The town of Kirkcaple, of which and its adjacent parish of Portincross my father was the minister, lies on a hillside above the little bay of Caple, and looks squarely out on the North Sea. Round the horns of land which enclose the bay the coast shows on either side a battlement of stark red cliffs through which a burn or two makes a pass to the water’s edge. The bay itself is ringed with fine clean sands, where we lads of the burgh school loved to bathe in the warm weather. But on long holidays the sport was to go farther afield among the cliffs; for there there were many deep caves and pools, where podleys might be caught with the line, and hid treasures sought for at the expense of the skin of the knees and the buttons of the trousers. Many a long Saturday I have passed in a crinkle of the cliffs, having lit a fire of driftwood, and made believe that I was a smuggler or a Jacobite new landed from France. There was a band of us in Kirkcaple, lads of my own age, including Archie Leslie, the son of my father’s session-clerk, and Tam Dyke, the provost’s nephew. We were sealed to silence by the blood oath, and we bore each the name of some historic pirate or sailorman. I was Paul Jones, Tam was Captain Kidd, and Archie, need I say it, was Morgan himself. Our tryst was a cave where a little water called the Dyve Burn had cut its way through the cliffs to the sea. There we forgathered in the summer evenings and of a Saturday afternoon in winter, and told mighty tales of our prowess and flattered our silly hearts. But the sober truth is that our deeds were of the humblest, and a dozen of fish or a handful of apples was all our booty, and our greatest exploit a fight with the roughs at the Dyve tan-work...FROM THE BOOKS.