Modern Masters Of Miniature Art In America

Miniatures are not simply small paintings: special techniques are used to achieve their unique glow and luminosity. This book explains how to paint in detail in a small format with colour and precision. It gives an introduction to the history and traditions of miniatures set by Holbein, Hilliard and Oliver. Advice is given on materials, paints, bases and framing and there are step-by-step demonstrations of stippling and hatching, watercolour and oil painting, and colour mixing. There is a focus also on portraits, still life and silhouettes. Drawing on her extensive experience, Pauline Denyer-Baker shares her passion for painting miniatures, and inspires both beginners and more experienced artists to master and enjoy this historic art form. With further advice on the importance of drawing and sketchbooks, and featuring work from leading artists with a range of styles and subjects, this is an inspirational guide aimed at all artists, particularly those interested in miniatures and portraits.Fully illustrated with 254 colour images.

An illustrated quarterly magazine.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.