Modern Shunga

In a series of 24 full-color drawings satirical cartoonist Matthew Martin captures of the essence of Modern Shunga, and updates it with witty and often unlikely cultural and artistic references. Modern Shunga is perfect gift for lovers of, well, high-class dirty pictures. The project began when Martin, a well known Australian cartoonist and illustrator, was asked by a friend to paint the identifying icons on the mens and ladies room doors in a new, upscale Japanese restaurant outside of Sydney. After countless and generally inappropriate attempts, Martin rekindled his great admiration for shunga, and developed the series of drawings in this book. The works were exhibited at a distinguished Sydney gallery to rave reviews and the development of a cult following.

In a series of 24 full-color drawings, satirical cartoonist Matthew Martin, captures of the essence of Modern Shunga, and updates it with witty-and often unlikely-cultural and artistic references. Discreetly packaged in a postcard-sized fold-out accordion format, Modern Shunga is perfect gift for lovers of, well, high-class dirty pictures. The project began when Martin, a well-known Australian cartoonist and illustrator, was asked by a friend to paint the identifying icons on the mens and ladies room doors in a new, upscale Japanese restaurant out of Sydney. After countless and generally inappropriate attempts, Martin rekindled his great admiration for shunga, and developed the series of drawings in this book. The works were exhibited at a distinguished Sydney gallery to rave reviews and the development of a cult following.

In early modern Japan, thousands of sexually explicit paintings, prints, and illustrated books with texts were produced, euphemistically called spring pictures (shunga). Frequently tender, funny and beautiful, shunga were mostly done within the popular school known as pictures of the floating world (ukiyo-e), by celebrated artists such as Utamaro and Hokusai. Erotic Japanese art was heavily suppressed in Japan from the 1870s, and as a result it has only been made possible to publish unexpurgated examples in Japan within the last 20 years. This publication presents this fascinating art in its historical and cultural context, drawing on the latest scholarship and featuring over 400 images of works from major public and private collections.

This publication offers the reader a ravishing selection of erotic prints ("shunga") by the first full-color woodblock-print masters: Suzuki Harunobu (c. 1725-70) and Isoda Kory{sai (act. c. 1764-88). It is based on a private collection of prints of remarkable quality, their radiant colors perfectly preserved by the albums in which they were kept. The first volume in a popular series on erotic prints by famous Japanese woodblock-print artists, this book contains a detailed general introduction to the genre of "shunga." In addition to a description of the historical and cultural settings of the prints, it focuses in particular on the locations and interiors where the erotic action takes place.

This sumptous guide explains the cultural forces behind Shunga images and why the Japanese find them so erotic. It also reveals the influence of Shunga on great Western art movements such as Impressionism. Exquisitely and abundantly illustrated, this is the most comprehensively informative book ever to be written on the subject - truly a masterclass'.'

A gorgeous presentation devoted to the art of Japanese eroticism, drawn from the Honolulu Museum of Art's rare and distinguished collection. The Japanese paintings and prints called shunga (literally "spring pictures") reflected the thriving sexual culture of early modern Japan and depicted with sensitivity and nuance the private lives of various social types, from courtesans and Kabuki actors to ordinary townspeople. Organized around a series of exhibitions at the Honolulu Museum of Art, this sumptuous volume presents art from the museum's vast holdings of ukiyo-e prints, woodblock-printed books, and paintings, particularly those originating from the collections of scholar Richard D. Lane and famed author James A. Michener. These fascinating works, dating from the seventeenth through the twentieth centuries, explore Japan's sexual culture (including issues of gender and the country's ever-evolving sex industry) with humor as well as a surprisingly sophisticated literary and art-historical approach. Sure to become a collector's item, this gorgeously designed publication offers stunning color plates showcasing numerous and unusual examples of exquisite Japanese erotica. Texts by leading scholars of shunga and ukiyo-e complete this treasure album of a book.

In this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay Gender in Japanese Art, which introduced feminist theory to Japanese art. This is followed by a closer look at a famous thirteenth-century battle scroll and the production of bijin (beautiful women) prints within the world of Edoperiod advertising. A rare homoerotic picture-book is used to extrapolate the grammar of desire as represented in late seventeenth-century Edo. In the modern period, contributors consider the introduction to Meiji Japan of the Western nude and oil-painting and examine Nihonga (Japanese-style painting) and the role of one of its famous artists. The book then shifts its focus to an examination of paintings produced for the Japanese-sponsored annual salons held in colonial Korea. The post-war period comes under scrutiny in a study of the novel Woman in the Dunes and its film adaptation. The critical discourse that surrounded women artists of the late twentieth-century - the Super Girls of Art - i

The definitive book on Japanese erotic art or shunga