Modernity And Crisis In The Thought Of Michel Foucault

Few studies of Foucault have examined his thought from a sustained interdisciplinary perspective. Through the interpretative prism of the concept of the ‘Totality of Reason’, this book suggests an original analytical reading of Foucault's thought. This book addresses Foucault’s characterizations of the Enlightenment, asking whether the developmental history of the modern conception of knowledge – from the Renaissance to the Enlightenment – warrants the conclusion he draws. From the perspective of a critical evaluation of Foucault's thesis on ‘the crisis of modernity’, the book examines whether Foucault, the philosophical and social critic, truly belongs to those intellectual trends known as a ‘deconstruction’ and ‘post-modernism’ that advocate a wholesale rejection of the project of modernity, demonstrating how a classification of this kind contributes to an impoverishment of our understanding of Foucault's thought. This book will attract the attention of readers interested in Foucault, and what is broadly perceived to be the ‘crisis of modernity’. It will appeal to scholars and advanced students of sociology, political philosophy and political science, psychology, philosophy, interdisciplinary studies and cultural studies.

Few studies of Foucault have examined his thought from a sustained interdisciplinary perspective. Through the interpretative prism of the concept of the ‘Totality of Reason’, this book suggests an original analytical reading of Foucault's thought. This book addresses Foucault’s characterizations of the Enlightenment, asking whether the developmental history of the modern conception of knowledge – from the Renaissance to the Enlightenment – warrants the conclusion he draws. From the perspective of a critical evaluation of Foucault's thesis on ‘the crisis of modernity’, the book examines whether Foucault, the philosophical and social critic, truly belongs to those intellectual trends known as a ‘deconstruction’ and ‘post-modernism’ that advocate a wholesale rejection of the project of modernity, demonstrating how a classification of this kind contributes to an impoverishment of our understanding of Foucault's thought. This book will attract the attention of readers interested in Foucault, and what is broadly perceived to be the ‘crisis of modernity’. It will appeal to scholars and advanced students of sociology, political philosophy and political science, psychology, philosophy, interdisciplinary studies and cultural studies.

This book probes the sources and nature of the ‘discontents of modernity’. It proposes a new approach to the philosophic-critical discourse on modernity. The Enlightenment is widely understood to be the foundational moment of modernity. Yet despite its appeal to reason as the ultimate ground of its authority and legitimacy, the Enlightenment has had multiple historical manifestations and, therefore, can hardly be said to be a homogenous phenomenon. The present work seeks to identify a unitive element that allows us to speak of the Enlightenment. To do so, it enjoins the concept of ‘ethos’ and its relation to the ‘discontents of modernity’. This book proposes a new theoretical framework for the examination of the interrelationships between ‘critical thought’ and ‘modernity’, based on a fundamental distinction between criticism and negation. It will appeal to scholars and students of critical theory, the history of ideas, philosophy, the sociology of knowledge, and political science.

This edition of a 1995 book (Sage Publications) contains a new introduction by the series editor and a new preface. Readers familiar with Foucault's work will appreciate the difficulty in critically studying its arresting paradoxical nature. Dumm (political science, Amherst College) negotiates the problem by creating a thematic framework--the idea of being "free" in a modern Western capitalist democracy--and examining it through a Foucaultian lens. He focuses on the politics of freedom, negative freedom, the disciplinary society, ethics, seduction, governments, and provides an enlightening companion to Foucault's postmodern philosophy. Annotation copyrighted by Book News, Inc., Portland, OR

This book addresses the possibilities of analyzing the modern international through the thought of Michel Foucault. The broad range of authors brought together in this volume question four of the most self-evident characteristics of our contemporary world-'international', 'neoliberal', 'biopolitical' and 'global'- and thus fill significant gaps in both international and Foucault studies. The chapters discuss what a Foucauldian perspective does or does not offer for understanding international phenomena while also questioning many appropriations of Foucault's work. This transdisciplinary volume will serve as a reference for both scholars and students of international relations, international political sociology, international political economy, political theory/philosophy and critical theory more generally.

At once a literary-philosophical meditation on the question of modernity and a manifesto for a new form of literary criticism, Modernity at Sea argues that the nineteenth-century sea narrative played a crucial role in the emergence of a theory of modernity as permanent crisis. In a series of close readings of such works as Herman Melville's White-Jacket and Moby Dick, Joseph Conrad's The Nigger of the "Narcissus" and The Secret Sharer, and Karl Marx's Grundrisse, Cesare Casarino draws upon the thought of twentieth-century figures including Giorgio Agamben, Louis Althusser, Walter Benjamin, Leo Bersani, Gilles Deleuze, Félix Guattari, and Antonio Negri to characterize the nineteenth-century ship narrative as the epitome of Michel Foucault's 'heterotopia'-a special type of space that simultaneously represents, inverts, and contests all other spaces in culture. Elaborating Foucault's claim that the ship has been the heterotopia par excellence of Western civilization since the Renaissance, Casarino goes on to argue that the nineteenth-century sea narrative froze the world of the ship just before its disappearance-thereby capturing at once its apogee and its end, and producing the ship as the matrix of modernity.

​For decades Foucault was mostly known for his diagnosis of modernity as a form of entrapment, both in our modes of thought and our behaviors. This book argues that Foucault's reappraisal of modernity occurs with the 1978 and 1979 lectures, in which he sketches modern power as governmentality and neoliberalism. From this perspective, Foucault’s once surprising studies on the Greeks' constitution of the ‘self’ can be seen as a continuation of his diagnosis of late modernity, and as an attempt to retrieve a form of autonomy for our modern selves. One finds in the late Foucault a postmodern conception of reason and not a destruction of reason; but this is possible only if postmodernity is seen as a critical exercise of reason in the analysis of norms.

This work provides an introduction to the work of Michel Foucault. It offers an assessment of all of Foucault's work, including his final writings on governmentality and the self. McNay argues that the later work initiates an important shift in his intellectual concerns which alters any retrospective reading of his writings as a whole. Throughout, McNay is concerned to assess the normative and political implications of Foucault's social criticism. She goes beyond the level of many commentators to look at the values from which Foucault's work springs and reveals the implicit assumptions underlying his social critique. The author also provides an account and assessment of recent literature on Foucault, including that of Habermas and Taylor. She discusses Foucault's position in the modernity/postmodernity debate, his own ambivalence to Enlightenment thought and his place in recent developments in feminist and cultural theory.