Molotov S Magic Lantern

When the British journalist Rachel Polonsky moves to Moscow, she discovers an apartment on Romanov Street that was once home to the Soviet elite. One of the most infamous neighbors was the ruthless apparatchik Vyacheslav Molotov, a henchman for Stalin who was a participant in the collectivizations and the Great Purge—and also an ardent bibliophile. In what was formerly Molotov's apartment, Polonsky uncovers an extensive library and an old magic lantern—two things that lead her on an extraordinary journey throughout Russia and ultimately renew her vision of the country and its people. In Molotov's Magic Lantern, Polonsky visits the haunted cities and vivid landscapes of the books from Molotov's library: works by Chekhov, Dostoevsky, Pushkin, Akhmatova, and others, some of whom were sent to the Gulag by the very man who collected their books. With exceptional insight and beautiful prose, Polonsky writes about the longings and aspirations of these Russian writers and others in the course of her travels from the Arctic to Siberia and from the forests around Moscow to the vast steppes. A singular homage to Russian history and culture, Molotov's Magic Lantern evokes the spirit of the great artists and the haunted past of a country ravaged by war, famine, and totalitarianism.

When Rachel Polonsky went to live in Moscow, she found an apartment block in Romanov Street, once a residence of the Soviet elite. One of those ghostly neighbours was Stalin's henchman Vyacheslav Molotov. In Molotov's former apartment, Rachel Polonsky discovered his library and an old magic lantern. Molotov - ruthless apparatchik, participant in the collectivizations and the Great Purge - was also an ardent bibliophile. Molotov's library and his magic lantern became the prisms through which Rachel Polonsky renewed her vision of Russia. She visited cities and landscapes associated with the books in the library - Chekhov, Dostoevsky, Pushkin, Akhmatova and many less well-known figures. Some were sent to the Gulag by the man who collected their books. She writes exceptionally well about the longings and aspirations of Russian writers in the course of a journey that takes her to the Arctic and Siberia, the Crimean summer and Lake Baikal, from the forests around Moscow to the vast steppes. In each place she encountered the spirit of great artists and the terrible past of a country ravaged by war, famine, and totalitarianism.

Russian playwright and historian Radzinsky mines sources never before available to create a fascinating portrait of the monarch, and a minute-by-minute account of his terrifying last days.

Two centuries ago, the Russians pushed out of the cold north towards the Caucasus Mountains, the range that blocked their access to Georgia, Turkey, Persia and India. They were forging their colonial destiny, and the mountains were in their way. The Caucasus had to be conquered and, for the highlanders who lived there, life would never be the same again. If the Russians expected it to be an easy fight, however, they were mistaken. Their armies would go on to defeat Napoleon and Hitler, as well as lesser foes, but no one resisted them for as long as these supposed savages. To hear the stories of the conquest, I travelled far from the mountains. I wandered through the steppes of Central Asia and the cities of Turkey. I squatted outside internment camps in Poland, and drank tea beneath the gentle hills of Israel. The stories I heard amplified the outrages I saw in the mountains themselves. As I set out, in my mind was a Chechen woman I had met in a refugee camp. She lived in a ragged, khaki tent in a field of mud and stones, but she welcomed me with laughter and kindness. Like the mountains of her homeland, her spirit had soared upwards, gleaming and pure. Throughout my travels, I met the same generosity from all the Caucasus peoples. Their stories have not been told, and there fame is not great, but truly it deserves to be.

With the writers of the golden age as her guides—Pushkin, Tolstoy, Gogol, and Turgenev, among others—Sara Wheeler searches for a Russia not in the news, traveling from rinsed northwestern beet fields and the Far Eastern Arctic tundra to the cauldron of nationalities, religions, and languages in the Caucasus. Bypassing major cities as much as possible, she goes instead to the places associated with the country’s literary masters. Wheeler weaves these writers’ lives and works around their historical homes, giving us rich portraits of the many diverse Russias from which these writers spoke. Illustrated with both historical images and contemporary snapshots of the people and places that shaped her journey, Mud and Stars gives us timely, witty, and deeply personal insights into Russia, then and now. One of Smithsonian’s Ten Best Travel Books of the Year

The first English-language book to document the men who emerged from the gulags to become Russia's much-feared crime class: the vory v zakone Mark Galeotti is the go-to expert on organized crime in Russia, consulted by governments and police around the world. Now, Western readers can explore the fascinating history of the vory v zakone, a group that has survived and thrived amid the changes brought on by Stalinism, the Cold War, the Afghan War, and the end of the Soviet experiment. The vory--as the Russian mafia is also known--was born early in the twentieth century, largely in the Gulags and criminal camps, where they developed their unique culture. Identified by their signature tattoos, members abided by the thieves' code, a strict system that forbade all paid employment and cooperation with law enforcement and the state. Based on two decades of on-the-ground research, Galeotti's captivating study details the vory's journey to power from their early days to their adaptation to modern-day Russia's free-wheeling oligarchy and global opportunities beyond.

This book gives a radically new reading of Russia’s culturalhistory. Alexander Etkind traces how the Russian Empire conqueredforeign territories and domesticated its own heartlands, therebycolonizing many peoples, Russians included. This vision ofcolonization as simultaneously internal and external, colonizingone’s own people as well as others, is crucial for scholarsof empire, colonialism and globalization. Starting with the fur trade, which shaped its enormous territory,and ending with Russia’s collapse in 1917, Etkind exploresserfdom, the peasant commune, and other institutions of internalcolonization. His account brings out the formative role of foreigncolonies in Russia, the self-colonizing discourse of Russianclassical historiography, and the revolutionary leaders’illusory hopes for an alliance with the exotic, pacifistsectarians. Transcending the boundaries between history andliterature, Etkind examines striking writings about Russia’simperial experience, from Defoe to Tolstoy and from Gogol toConrad. This path-breaking book blends together historical, theoretical andliterary analysis in a highly original way. It will be essentialreading for students of Russian history and literature and foranyone interested in the literary and cultural aspects ofcolonization and its aftermath.