Mondays With Norman

My purpose in life now is to encourage, inspire, and uplift others to greatness in their lives, thus making this a better place for all of God's children.

Gay marriage is at the forefront of America's political battles. The human story at the center of this debate is told in Double Life: A Love Story, a dual memoir by a gay male couple in a 50 plus year relationship. With high profiles in the entertainment, advertising and art communities, the authors offer a virtual timeline of how gay relationships have gained acceptance in the last half-century. At the same time, they share inside stories from film, television and media featuring the likes of Marlon Brando, Katharine Hepburn, Rock Hudson, Barbra Streisand, Laurence Olivier, Truman Capote, Bette Davis, Robert Redford, Lee Radziwill and Frances Lear. "We both grew up at a time when homosexuality was not even spoken about," the couple writes. "There were certainly no books that could help a young person understand that two people of the same sex could build a happy, productive and loving life together. When we entered our 50th year, another same sex couple told us we were 'an inspiration', so we began to feel we had the responsibility to make what we've experienced available to others. We also wanted to show people who were not gay that our life was not unlike theirs. We are all pretty much the same, so we deserve equal protection under the Constitution." Alan Shayne retired as President of Warner Brothers Television in 1986, following a career that included Broadway, playing opposite Lena Horne and spanned forty years. As a leading casting director, he worked on such films as Catch 22, All the President's Men and many others. At Warner Brothers, he shepherded such long-running television series as Alice, Night Court and The Dukes of Hazard. Norman Sunshine was a successful magazine illustrator in New York who went on to be a painter and sculptor whose works are in museums and in important collections. In the early years of his career, he was vice president, creative director of an advertising agency, and coined the phrase, "What Becomes a Legend Most?" as well as "Danskins are not just for Dancing." He interrupted his painting career when Frances Lear asked him to spearhead Lear's Magazine in the 1980s. Upon the two men meeting in New York in 1958, "We didn't want to live together," says Shayne. "We didn't have any examples of what a good love relationship between two men could be. And there was always the problem of hiding so no one would know we were gay. There was no question that if I were known to be gay, living with another man, it would make it more difficult for me to get work as an actor." As an artist, Sunshine was able to maintain a moderately out lifestyle. But when the first exhibition of his paintings in New York brought on a profile in The New York Times in 1968, he was photographed in the apartment that he admitted sharing with Shayne. At both his advertising agency and Shayne's television production company, the article was met with absolute silence. Even in the 1970s, when Sunshine won an Emmy for the graphics and title design he had created for one of Shayne's television productions, "Alan and I agreed it was not a good idea for us to be seen together at an industry event," he remembers. "Alan, after all, was one of the very few homosexuals who had such a powerful, high profile job, and who lived openly with a man. Homophobia had its adherents and some ruthless climber up the executive ladder would certainly love an opportunity to use it...'Better to be seen with a woman, ' we were advised by a very trusted friend, 'Makes everyone more comfortable.'" Happily, in 2008, the State of Massachusetts allowed the opportunity for the couple to be married on a beach in Nantucket. "We were like a long, empty, closed-up house where the windows have just been opened," writes Shayne. "The fresh air thrilled through us, and after years of only being who we were in the privacy of our homes or with a few friends, we were out in the world, under the sky, no longer pretending. We were at last free." Double Life is a trip through the entertainment world and a gay partnership in the latter half of the 20th century. As more and more same sex couples find it possible to say "I do," the book serves as an important document of how far we've come.

In The Design of Future Things, best-selling author Donald A. Norman presents a revealing examination of smart technology, from smooth-talking GPS units to cantankerous refrigerators. Exploring the links between design and human psychology, he offers a consumer-oriented theory of natural human-machine interaction that can be put into practice by the engineers and industrial designers of tomorrow's thinking machines. A fascinating look at the perils and promise of the intelligent objects of the future, The Design of Future Things is a must-read for anyone interested in the dawn of a new era in technology.

Norman, the doorman of a mouse hole in an art museum, uses his own art talent and finds a way to see the art treasures in the galleries upstairs. Copyright © Libri GmbH. All rights reserved.

At Work With Norman is a story about a team of people that undertake a big construction job by the sea. There are many aspects to the job involving a lot of interesting machines. It's not all work and no play, though,as Norman organises a team building exercise buthe has a different kind of "building" in mind. Norman's family get a new addition that not everyone I happy about. Norman, Sara, Craig and Scruffy head to the school fair for a fun day out and are surprised by Nigel, one of Norman's workers who joins the family for some fun events. Scruffy gets himself into a spot of trouble. A surprise party is organised for Norman on his birthday and one of his gifts is a small key that turns out to be a very big surprise. Norman organises a fishing trip for everyone unfortunately Nigel's lucky hat proves to be not so lucky after all.

BEAUTIFULLY written and designed, Brightening Our Inner Skies: Yin and Yoga practically and provocatively explores yoga, self-transformation and social responsibility. Both a meditation on the role of yoga practice in the world and a Yin yoga manual with over 140 photographs of poses as well as suggested sequences, this book takes the practice of yoga and self to profound levels through stories, images and well-researched debates. It provides the principles and practicalities of Yin, highlighting how it acts as a bridge to a meditation practice and can allow the practitioner to experience the energy channels of Traditional Chinese Medicine (with a helpful chart of meridians, health issues and emotions). Each pose has its own spread with photos and information on how to get into the pose, modifications, alternatives and relevant anatomy and meridians. Photos include close-ups and are taken from various angles (side, above, face on). The role of props is discussed, with suggestions for their use. Sequencing is covered in depth, with a separate coverage of meridian-related sequences. A Further Reading list helps the reader to explore Yoga; Anatomy and meridians; Meditation and Buddhism; and general related topics further. Designed as a book to practise from, it opens flat, with the narrative in short sections and evocative photos of nature bringing in a breathing space of mind and eye. Useful and inspirational to newcomers to yoga as well as experienced teachers, Brightening Our Inner Skies draws together decades of practice, teaching experience with thousands of students and a deep desire to help the practitioner change themselves and change the world, one posture, one practice at a time. Students and teachers have said it is that rare thing: a yoga book that's a page turner!

The mysterious stone figures known as inuksuit can be found throughout the circumpolar world. Built from whatever stones are at hand, each one is unique. Inuksuit are among the oldest and most important objects placed by humans upon the vast Arctic landscape and have become a familiar symbol of the Inuit and their homeland.In author Norman Hallendy’s forty years of travels throughout the Arctic, he developed deep and lasting friendships with a number of Inuit elders. Through them, he learned that inuksuit are a nuanced, complex and vital form of communication. Hallendy’s dramatic color photos of many different kinds of inuksuit and objects of veneration capture not only a sense of wonder and power but reveal the unfamiliar Arctic landscape in all its magical beauty.