Monsters Animals And Other Worlds

Monsters, Animals, and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic, featuring demons, samurai, talking animals, amorous plants, and journeys to supernatural realms. The most comprehensive compendium of short medieval Japanese fiction in English, Monsters, Animals, and Other Worlds illuminates a rich world of literary, Buddhist, and visual culture largely unknown today outside of Japan. These stories, called otogizōshi, or Muromachi tales (named after the Muromachi period, 1337 to 1573), date from approximately the fourteenth through seventeenth centuries. Often richly illustrated in a painted-scroll format, these vernacular stories frequently express Buddhist beliefs and provide the practical knowledge and moral education required to navigate medieval Japanese society. The otogizōshi represent a major turning point in the history of Japanese literature. They bring together many earlier types of narrative—court tales, military accounts, anecdotes, and stories about the divine origins of shrines and temples––joining book genres with parlor arts and the culture of itinerant storytellers and performers. The works presented here are organized into three thematically overlapping sections titled, “Monsters, Warriors, and Journeys to Other Worlds,” “Buddhist Tales,” and “Interspecies Affairs.” Each translation is prefaced by a short introduction, and the book features images from the original scroll paintings, illustrated manuscripts, and printed books.

This one-volume encyclopedia introduces readers to the world's cryptids-those hidden or secret animals believed to exist at the margins of human society-including Bigfoot, Yeti, the Loch Ness Monster, and the Mothman. Comprehensive in its scope, this book is a valuable resource for anyone who wants to know more about well-known creatures of myth and legend, such as the Chupacabra and the Jersey Devil, and discover lesser-known animals, such as the Bunyip of Australia and the Mamlambo of South Africa. Rather than purport to prove or deny the existence of these creatures, however, this volume classifies them within their respective cultural, historical, and social contexts, allowing readers to appreciate cryptids as cultural artifacts important to societies around the globe. Finally, this book goes beyond the study of the unknown to investigate who believes in cryptids, why they do, and why the study of cryptozoology is as much about understanding cryptids as it is about understanding ourselves.

In Edo-period Japan, readers relished works known as kibyōshi that combined text and illustration on the same page, much like comic books and manga. Monsters often took center stage in these stories. This book presents a selection of Edo monster comics in English for the first time, introducing readers to a captivating, humorous, and eye-opening genre of popular fiction. The River Imp and the Stinky Jewel and Other Tales collects five kibyōshi published between 1778 and 1807, chosen for both entertainment value and stylistic variety. Their authors reinvent traditional Japanese monsters as contemporary characters who mirror the foibles of the human world. They tell stories such as: The lover of the long-necked rokuro-kubi makes a ridiculous attempt to rescue her from her human captor. A mischievous river creature steals a jewel lodged deep inside a boy’s buttocks, setting off a curious chain of events involving a historical samurai and a real-life “fart man.” A demon girl from hell is sent to the world of the living in order to destroy a sacred Buddhist statue—but things don’t go quite as she plans. Exploring the grotesque, comic, bumbling, salacious, and charming world of these creatures, the stories also provide a glimpse into the society and culture of Edo-period Japan through the monsters’ distorted lens. The kibyōshi are reproduced in their entirety, conveying the feel of the original comics and allowing readers to experience the full visual impact of the monsters.

At a time when speculative fiction seems less and less far-fetched, Margaret Atwood lends her distinctive voice and singular point of view to the genre in a series of essays that brilliantly illuminates the essential truths about the modern world. This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer. This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias. In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.

Scientist and psychonaut David Luke weaves personal experience and scientific research in this comprehensive exploration of chemically mediated extra ordinary human experiences."Emphasizing parapsychological aspects of the psychedelic experience, Luke's new book fills in a fascinating and previously neglected lacuna in the burgeoning field of human studies with these compounds. " - Rick Strassman, PhD "A psychedelic Indiana Jones. " - Matt Colborn, PhD "David Luke's delightful one-liner about his book is that it's 'about weird people in weird places taking weird substances doing weird things and, importantly, having weird experiences' . . . On reflection, it's much more profound than that . . . So weird reader, forge ahead without fear. " - Dean Radin, PhD "In his fascinating book David plunges into this controversial topic and gives the backstory, the front story, and possible ways forward to bring paranormal and psychedelic research together, and further our understanding of both. " - Dennis J. McKenna, PhD "A remarkable collection and a necessary one. This body of research illuminates aspects of psychedelic experiences usually obscured or denied in the medical and clinical research and sensationalized in the popular press. " - James Fadiman, PhD "A real Dr Gonzo. " - Will Self

Text and photographs present some of the ugliest and strangest animals in nature, with explanations of how their repugnant looks are helpful to them in some way.

Monsters are real—and they're everywhere in nature! Animal Planet meets Godzilla in this nonfiction picture book that puts the "Ack!" into backyard science. Some people think monsters are the stuff of nightmares—the stuff of scary movies and Halloween. But monsters can also be found right in your backyard. Animals like aye-ayes, goblin sharks and vampire bats may look scary, but they pose no threat to humans. Others, such as the prairie dog, seem innocent—cute, even—yet their behavior could give you goose bumps. What makes a monster? Read this book to find out, if you dare. . . . Jess Keating and David DeGrand, the author illustrator team behind Pink Is for Blobfish will have readers shrieking with laughter at this latest installment to the World of Weird Animals series.

The mythic creature expert and author of Phoenix takes readers through a bestiary of sea monsters featured on the famous 16th century map Carta Marina. In the sixteenth century, sea serpents, giant man-eating lobsters, and other monsters were thought to swim the waters of Norther Europe, threatening seafarers who ventured too far from shore. Thankfully, Scandinavian mariners had Olaus Magnus, who in 1539 charted these fantastic marine animals in his influential map of the Nordic countries, the Carta Marina. In Sea Monsters, mythologist Joseph Nigg brings readers face-to-face with these creatures and other magnificent components of Magnus’s map. Nearly two meters wide in total, the map’s nine wood-block panels comprise the largest and first realistic portrayal of the region. But in addition to its important geographic significance, Magnus’s map goes beyond cartography to scenes both domestic and mystic. Close to shore, Magnus shows humans interacting with common sea life—boats struggling to stay afloat, merchants trading, children swimming, and fisherman pulling lines. But from the offshore deeps rise some of the most terrifying sea creatures imaginable—like sea swine, whales as large as islands, and the Kraken. In this book, Nigg draws on Magnus’s own text to further describe and illuminate these inventive scenes and to flesh out the stories of the monsters. Sea Monsters is a stunning tour of a world that still holds many secrets for us land dwellers, who will forever be fascinated by reports of giant squid and the real-life creatures of the deep that have proven to be as bizarre and otherworldly as we have imagined for centuries. It is a gorgeous guide for enthusiasts of maps, monsters, and the mythic. “[A] beautiful new exploration of the Carta Marina.”—Wired