Monumental Fury

Recent years in America have seen Confederate monuments toppled, statues of colonizers vandalized, and public icons commemorating figures from a history of exploitation demolished. Some were alarmed by the destruction, claiming that pulling down public statues is a negation of an entire cultural heritage. For others, statue-smashing is justified vandalism against a legacy of injustice. Monumental Fury confronts the long-neglected questions of our relationship with statues, icons, and monuments in public spaces, providing a rich historical perspective on iconoclastic violence. Organized according to specific themes that provide insights into the erection and destruction of statues — from religion, war, and revolution to colonialism, ideology, art, and social justice — author Matthew Fraser examines the implications of our monuments from the Buddhas of Bamiyan to those of Napoleon Bonaparte, Abraham Lincoln, Robert E. Lee, Vladimir Lenin, and many more. Above all, the book endeavors to frame moments of statue-toppling throughout history so we can better understand the eruptions of iconoclastic violence that we are witnessing today. Statues are erected as expressions of power, and the impulse to destroy them is motivated by a desire to defy, reject, and eradicate their authority. However, the symbolic power of statues can stubbornly persist even after their destruction. This enduring paradox — between destruction and resurrection – is at the heart of this book. Fraser concludes with reflections that propose new ways of thinking about our relationship with statues and monuments and, more practically, about how we can creatively integrate their legacy into our collective memory in a way that inclusively enriches shared historical experience.

When World War I ended, hundreds of British veterans stayed in France to work for the newly chartered Imperial War Graves Commission. Through the 1920s and 1930s, these veteran-gardeners married local women, raised bilingual children, and dedicated themselves to caring for the graves of their fallen comrades. When World War II swept through Europe in 1940, more than 200 War Graves gardeners were stranded in Nazi-occupied France. Their bosses explicitly ordered them to remain at their posts, even when their villages were under attack by the invading Germans. While some escaped, others were arrested by the Nazis. A handful managed to stay free and join the French Resistance. With their English-language skills and unshakable loyalty to the Allied cause, the gardeners and their families took on crucial roles in the effort to save British and American airmen shot down in France. In some cases, they hid the airmen in World War I cemeteries. In The Caretakers, internationally renowned cemetery expert Caitlin Galante DeAngelis tells the true story of three of these unlikely heroes: Ben Leech, a barman from Manchester who became a cemetery gardener in Beaumont-Hamel and joined the Resistance; Rosine Witton, the wife of a British gardener, who served as a key conductor on the famous Comet Line and survived Ravensbrück; and Robert Armstrong, an Irish gardener who worked for the Resistance until he was captured by the Nazis and sentenced to death. Through meticulous research, never-before-published journals and papers, and compassionate storytelling, DeAngelis honors the sacrifices made by War Graves gardeners and their families.

Building on the long-established success of Ethan Mordden's Opera Anecdotes, The New Book Of Opera Anecdotes continues where the original left off, bringing into view the new corps of major singers that arose after the first book's publication in 1985 -- artists such as Renee Fleming, Roberto Alagna, Deborah Voigt, Jonas Kaufmann, Kathleen Battle, and Jane Eaglen (who tested her family with Turandot's three riddles and got a very original answer). There are also fresh adventures with opera's fabled great -- Rossini, Wagner, Toscanini (whose temper tantrums are always good for a story), Franco Corelli, Luciano Pavarotti, Leontyne Price (who, when the Met's Rudolf Bing offered her the voice-killing role of Abigaille in Verdi's Nabucco, said, "Man, are you crazy?"). Almost all the stories in The New Book Of Opera Anecdotes are completely new, whether from the present or the past, taking in many historical developments, from the rise of the conductor to the appearance of the gymmed-up "bari-hunk" who refuses to play any role in which he can't appear shirtless. While most of Mordden's anecdotes are humorous, some are emotionally touching, such as one recounting a Met production of Mozart's The Marriage Of Figaro in which Renee Fleming sang alongside her own six-year-old daughter. Other tales are suspenseful, as when Tito Gobbi shows off his ability to make anyone turn around simply by staring at his or her back. He tries it on Nazi monster Joseph Goebbels, who does turn around, and then starts to move toward Gobbi, seething with rage, step by step... Mordden recounts these stories in his own unique voice, amplifying events for reading pleasure and adding in background material so the opera newcomer can play on the same field as the aficionado. Witty, dramatoic, and at times a little shocking, The New Book Of Opera Anecdotes will be a welcome addition to any opera fan's library.

George P. McClelland, a member of the 155th Pennsylvania Infantry in the Civil War, witnessed some of the war’s most pivotal battles during his two and a half years of Union service. Death and destruction surrounded this young soldier, who endured the challenges of front line combat in the conflict Lincoln called “the fiery trial through which we pass.” Throughout his time at war, McClelland wrote to his family, keeping them abreast of his whereabouts and aware of the harrowing experiences he endured in battle. Never before published, McClelland’s letters offer fresh insights into camp life, battlefield conditions, perceptions of key leaders, and the mindset of a young man who faced the prospect of death nearly every day of his service. Through this book, the detailed experiences of one soldier—examined amidst the larger account of the war in the eastern theater—offer a fresh, personal perspective on one of our nation’s most brutal conflicts. Your Brother in Arms follows McClelland through his Civil War odyssey, from his enlistment in Pittsburgh in the summer of 1862 and his journey to Washington and march to Antietam, followed by his encounters in a succession of critical battles: Fredericksburg, Chancellorsville, Gettysburg, Spotsylvania Court House, the North Anna River, Petersburg, and Five Forks, Virginia, where he was gravely injured. McClelland’s words, written from the battlefield and the infirmary, convey his connection to his siblings and his longing for home. But even more so, they reflect the social, cultural, and political currents of the war he was fighting. With extensive detail, Robert C. Plumb expounds on McClelland’s words by placing the events described in context and illuminating the collective forces at play in each account, adding a historical outlook to the raw voice of a young soldier. Beating the odds of Civil War treatment, McClelland recovered from his injury at Five Forks and was discharged as a brevet-major in 1865—a rank bestowed on leaders who show bravery in the face of enemy fire. He was a common soldier who performed uncommon service, and the forty-two documents he and his family left behind now give readers the opportunity to know the war from his perspective. More than a book of battlefield reports, Your Brother in Arms: A Union Soldier’s Odyssey is a volume that explores the wartime experience through a soldier’s eyes, making it an engaging and valuable read for those interested in American history, the Civil War, and military history.

Sal’s endless string of Clueless Boyfriends provides material for her standup comedy routines. Her food blog features a made-up recipe about each Mr. Wrong, and her fans eat it up. Jason’s been her best friend since fifth grade, and he samples every joke and food creation, some good, some…not. But when he breaks a promise to Sal, it could be a recipe for disaster—or love.

Katahdin Woods and Waters National Monument is 87,563 acres of mountains, rivers and forest. It is composed of land donated by Roxanne Quimby, cofounder of Burt's Bees, but the beauty of the monument was born long ago out of molten lava and ice from glacial activity, creating a spectacular landscape. From old trails cut deep into the wilderness to sporting camps, logging and a devastating wildfire in 1903, the area has seen and survived many changes. It was declared a National Monument by President Barack Obama on August 24, 2016, and is now overseen by the National Park Service. Join local author and guide Eric Hendrickson as he reveals how an industrial forest has been returned to a pristine wilderness for future generations to enjoy.