More Fiya

A SUNDAY TIMES BEST POETRY BOOK OF THE YEAR In this blistering anthology, poet, editor and DJ Kayo Chingonyi brings together a selection of exceptional Black British poets. This is his dream mixtape featuring a cross-generational span of current poets extending and inhabiting the spirits of the ancestors. Following in the tread of Lemn Sissay's The Fire People, More Fiya aims to lodge in the mind of its readers for a lifetime, radiating to touch the lives of many. Including work from: Jason Allen-Paisant, Raymond Antrobus, Janette Ayachi, Dean Atta, Malika Booker, Eric Ngalle Charles, Dzifa Benson, Inua Ellams, Samatar Elmi, Khadijah Ibrahiim, Keith Jarrett, Anthony Joseph, Safiya Kamaria Kinshasa, Vanessa Kisuule, Rachel Long, Adam Lowe, Nick Makoha, Karen McCarthy Woolf, Momtaza Mehri, Bridget Minamore, Selina Nwulu, Gboyega Odubanjo, Louisa Adjoa Parker, Roger Robinson, Denise Saul, Kim Squirrell, Warsan Shire, Rommi Smith, Yomi Sode, Degna Stone, Keisha Thompson, Kandace Siobhan Walker, Warda Yassin, Belinda Zhawi

Volumes in the Trends in Linguistics. Documentation series focus on the presentation of linguistic data. The series addresses the sustained interest in linguistic descriptions, dictionaries, grammars and editions of under-described and hitherto undocumented languages. All world-regions and time periods are represented.

Publishes in-depth articles on labor subjects, current labor statistics, information about current labor contracts, and book reviews.

The Routledge Handbook of the New African Diasporic Literature introduces world literature readers to the transnational, multivocal writings of immigrant African authors. Covering works produced in Europe, North America, and elsewhere in the world, this book investigates three major aesthetic paradigms in African diasporic literature: the Sankofan wave (late 1960s–early 1990s); the Janusian wave (1990s–2020s); and the Offshoots of the New Arrivants (those born and growing up outside Africa). Written by well-established and emerging scholars of African and diasporic literatures from across the world, the chapters in the book cover the works of well-known and not-so-well-known Anglophone, Francophone, and Lusophone writers from different theoretical positionalities and critical approaches, pointing out the unique innovative artistic qualities of this major subgenre of African literature. The focus on the “diasporic consciousness” of the writers and their works sets this handbook apart from others that solely emphasize migration, which is more of a process than the community of settled African people involved in the dynamic acts of living reflected in diasporic writings. This book will appeal to researchers and students from across the fields of Literature, Diaspora Studies, African Studies, Migration Studies, and Postcolonial Studies.

A Guardian Best Book of the Year Finalist for the T. S. Eliot Prize and The Costa Poetry Award “Exquisite.” —The New York Times Book Review “Brave, tender and generous. . . . A haunting study of what we can find in the silences of history when history is recognized as more than a noun, when recognized as something alive and kinetic.” —Camonghne Felix, author of Build Yourself a Boat On the heels of his much-lauded debut collection, Raymond Antrobus continues his essential investigation into language, miscommunication, place, and memory in All The Names Given, while simultaneously breaking new ground in both form and content. The collection opens with poems about the author’s surname—one that shouldn’t have survived into modernity—and examines the rich and fraught history carried within it. As Antrobus outlines a childhood caught between intimacy and brutality, sound and silence, and conflicting racial and cultural identities, the poem becomes a space in which the poet reckons with his own ancestry, and bears witness to the indelible violence of the legacy wrought by colonialism. The poems travel through space—shifting fluidly between England, South Africa, Jamaica, and the American South—and brilliantly move from an examination of family history into the wandering lust of adolescence and finally, vividly, into a complex array of marriage poems—matured, wiser, and more accepting of love’s fragility. Throughout, All The Names Given is punctuated with [Caption Poems] partially inspired by Deaf sound artist Christine Sun Kim, in which the art of writing captions attempts to fill in the silences and transitions between the poems as well as moments inside and outside of them. Formally sophisticated, with a weighty perception and startling directness, All The Names Given is a timely, tender book full of humanity and remembrance from one of the most important young poets of our generation.

"This is an anthology to contemplate, revisit and relish" - LoveReading4Kids 'It's time we told our story too. The melanin speaks for itself.' - George the Poet Part of a Story That Started Before Me is an extraordinary new collection of poems chosen by acclaimed spoken-word performer and social commentator George the Poet. Taking readers on a thought-provoking poetical journey through Black British history, the anthology brings together some of the most exciting wordsmiths from across the diaspora and fascinating era-by-era notes from historian Dr Christienna Fryar. From Africans in Roman Britannia to the first Black actor to play Othello on stage, from Malcolm X's visit to the West Midlands to highlighting an organizer of the UK's first Gay Pride, this important collection reveals unsun people and events from our past to recognize the intrinsic impact they've had on Britain today. Featuring: Abi Simms, Adesayo Talabi, AFLO. the poet, Amina Jama, Anu Balofin, Ashley Hickson-Lovence, Becksy Becks, Benjamin Zephaniah, Bridget Minamore, Cara Thompson, Casey Bailey, Deanna Rodger, Derek Walcott, Dorothea Smartt, Dzifa Benson, Edward Kamau Brathwaite, Eno Mfon, Evan the Poet, Fred D'Aguiar, FULAANI onda 3s, George The Poet, Grace Nichols, Henry Stone, Highwater Ell aka Elliott Henry, Ife Grillo, Inua Ellams, Irenosen Okojie, Isaiah Hull, Jade LB, Jeffrey Boakye, Jenny Mitchell, Jeremiah Brown, John Agard, Joseph Coelho, Jude Yawson, Kat Francois, Keith Jarrett, Kelechi Okafor, M. NourbeSe Philip, Malika Booker, Michael Groce, Miles Chambers, Muneera Pilgrim, Nick Makoha, Nii Ayikwei Parkes, Nile Faure-Bryan, Olaudah Equiano, Olivette Otele, Patience Agbabi, Peter deGraft-Johnson aka The Repeat Beat Poet, Phillis Wheatley, Priss Nash, Rakaya Fetuga, Raymond Antrobus, Reece Williams, Safiya Kamaria Kinshasha, Samuel King, Sophia Thakur, Stretch the Top Boy, Thembe Mvula, Theresa Lola, Tré Ventour, Vanessa Kisuule, Wretch 32 and Zena Edwards.

DEREK OWUSU NAMED GRANTA'S BEST OF YOUNG BRITISH NOVELISTS 2023 LONGLISTED FOR THE JHALAK PRIZE 2023 LONGLISTED FOR THE DYLAN THOMAS PRIZE 2023 SHORTLISTED FOR PEOPLE'S BOOK PRIZE - FICTION 2023 LONGLISTED FOR THE DIVERSE BOOK AWARDS 2023 'A highly enigmatic, affectionate and robustly written portrayal of a mother-son relationship . . . very relatable' Diana Evans Driven by a deep-seated desire to understand his mother’s life before he was born, Derek Owusu offers a powerful imagining of her journey. As she moves from Ghana to the UK and navigates parenthood in a strange and often lonely environment, the effects of her displacement are felt across generations. Told through the eyes of both mother and son, Losing the Plot is at once emotionally raw and playful as Owusu experiments with form to piece together the immigrant experience and explore how the stories we share and tell ourselves are just as vital as the ones we don’t.

Medieval Jewish literature from the 10th century onwards drew heavily on Arabic literary models. This important new study discusses the impact of Arabic literature on Jewish literature and medieval Jewish culture.