More Than The Eye Can See Memoirs Of Gopinath Pillai

More Than The Eye Can See tells the story of Gopinath Pillai, a Singaporean businessman and diplomat who served as Singapore's Non-Resident Ambassador to Iran (1989-2008) and High Commissioner to Pakistan (1994-2001). Alongside working with prominent members of Singapore's pioneering generation to strengthen the country's manufacturing profile and international trade during the Cold War, he broke into liberalising India as a trailblazing entrepreneur and contributed to the nation's public life as the first Chairman of NTUC Fairprice and Founder Chairman of the Institute of South Asian Studies.A self-described 'Jack of All Trades', Gopi's memoirs frame episodes of personal struggle against milestones in the progress of the nation. Born in Singapore to Malayalee parents in 1937, Gopi spent his early childhood in India throughout the Japanese Occupation, where he witnessed the Communist Movement in Kerala first-hand. When he returned to Singapore in 1946, Gopi grew up in a multi-racial society taking its fledgling steps as a democracy. His career took him all over — to Thailand and Malaysia as an economist and journalist and the Middle East and America as a manager — reflecting Singapore's early industrialisation and the pursuit of its values and interests abroad and at home.Co-written with John Vater, More Than The Eye Can See offers a panorama of a man and his century.

Open-access edition: DOI 10.6069/9780295748856 Beginning in the late nineteenth century, India played a pivotal role in global conversations about population and reproduction. In Reproductive Politics and the Making of Modern India, Mytheli Sreenivas demonstrates how colonial administrators, postcolonial development experts, nationalists, eugenicists, feminists, and family planners all aimed to reform reproduction to transform both individual bodies and the body politic. Across the political spectrum, people insisted that regulating reproduction was necessary and that limiting the population was essential to economic development. This book investigates the often devastating implications of this logic, which demonized some women’s reproduction as the cause of national and planetary catastrophe. To tell this story, Sreenivas explores debates about marriage, family, and contraception. She also demonstrates how concerns about reproduction surfaced within a range of political questions—about poverty and crises of subsistence, migration and claims of national sovereignty, normative heterosexuality and drives for economic development. Locating India at the center of transnational historical change, this book suggests that Indian developments produced the very grounds over which reproduction was called into question in the modern world. The open-access edition of Reproductive Politics and the Making of Modern India is freely available thanks to the TOME initiative and the generous support of The Ohio State University Libraries.

Struggle. Revolution. Change. Are these words simply meant for chanting or do they emerge as real agents of social justice in a country where the divides stand taller than multistoried shopping malls and sky-licking urban ghettoes? Footprints in the Bajra is a novel about the dark realities that even today hound India, a thriving modern democracy in the eye of the world; about a young Maoist recruit named Muskaan from Bihar who meets Nora, a student-activist from New Delhi. The story of Muskaan's transition in belief and action unfolds in this work that delights readers and travels with ease across idioms and identities to engage with the personal interaction of the author with popular cultures, histories and myths.

Focusing on politics and society in India, this book explores new areas enmeshed in the complex social, economic and political processes in the country. Linking the structural characteristics with the broader sociological context, the book emphasizes the strong influence of sociological issues on politics, such as social milieu shaping and the articulation of the political in day-to-day events. Political events are connected with the ever-changing social, economic and political processes in order to provide an analytical framework to explain ‘peculiarities’ of Indian politics. Bidyut Chakrabarty argues that three major ideological influences of colonialism, nationalism and democracy have provided the foundational values of Indian politics. Structured thematically and chronologically, this work is a useful resource for students of political science, sociology and South Asian studies.

This book aims to celebrate the many contributions of Professor Tommy Koh as a Singaporean diplomat, public intellectual and social changemaker. It is an account of the ideas and ideals of an extraordinary Singaporean public servant who was not only born with the talent and ability to traverse many areas of society, but one who, when given the opportunity, had the drive and ambition to make the most of it to create a better world for Singaporeans and the global community. Experts in the various fields of endeavour and people who have worked with him examine his significant contributions in essays that are organised in four main sections: Diplomacy and International Relations; Arts, Culture and Heritage; Progressive Society; International Law; and a fifth section that features tributes contributed by his colleagues and former classmates. Set in the context of Singapore — a nation known for its socio-economic progress, its ability to punch above its own weight in international relations, as well as its increasing appreciation for heritage, the arts, and sustainable development — this book illustrates the power of the individual and sense of agency that can create the systems and structures to achieve all those things. The story of Professor Tommy Koh as captured in this book should energise other change agents to go out and create the progressive, inclusive and sustainable world they want. An inspirational collection for general readers, this book reflects the spirit of Singapore's pioneer generation whose determination and tenacity turned the nation into the modern-day miracle that Singapore is today. Contents: Diplomacy and International Relations: Diplomacy, International Relations and Singapore's Foreign Policy (Yeo Lay Hwee)A Professor and His International Stage (Ong Keng Yong)The Master Multilateral Diplomat: The Seven Pillars of Tommy Koh's Wisdom (Kishore Mahbubani)Tommy Koh: The Master Distiller and His Legacy as a Negotiator (Daren Tang)Singapore's Envoy to the United States (1984–1990) (Chan Heng Chee)Engaging China and the China-Singapore Forum (Lye Liang Fook)Keeping the Kizuna Strong (Chang Li Lin)Professor Tommy Koh's Contributions to APEC (Manu Bhaskaran)Regional Integration for Peace, Prosperity and People: Tommy Koh and Europe (Yeo Lay Hwee)A Founding Vision to Connect the Peoples of Asia and Europe (Peggy Kek)Expertise, Personality, Persistence: Different Diplomatic Tracks and Tommy Koh (Simon SC Tay)The Arts, Culture and Heritage: Tommy Koh and the Ideal of a Well-Lived Life (Kwok Kian-Woon)Tommy Koh and the Arts (Khor Kok Wah)Tommy Koh on the Censorship Review Committee 1991–1992 (Koh Buck Song)A Heart for the Written Word (Paul Tan)Tommy Koh: A Faithful Friend to Artists (Jeremy Monteiro)Tommy Koh: A Champion of Heritage and Museums (Kenson Kwok)Tommy Koh and "The Artist, The State and The Market" (Kwok Kian Chow)My "Historical" Encounters with Professor Tommy Koh (Tan Tai Yong)Best Chairman, Cultural Diplomat and Heritage Champion (Michael Koh)Tommy Koh: A Reader and a Gentleman (Elaine Ng)A Master Himself (Danny Yeo)Progressive Society: Progressive Society: Tommy Koh's Imprints (Gillian Koh)Against the Tide (Donald Low)Professor Tommy Koh and the Nature Society (Singapore) (1990–1995) (Wee Yeow Chin)Professor Tommy Koh's Green Legacy (Geh Min)The Art of Making In

The study of technical treatises in Indian art has increasingly attracted much interest. This work puts forward a critical re-examination of the key Indian concepts of painting described in the Sanskrit treatises, called citrasutras. In an in-depth and systematic analysis of the texts on the theory of Indian painting, it critically examines the different ways in which the texts have been interpreted and used in the study of Indian painting, and suggests a new approach to reading and understanding their concepts. Contrary to previous publications on the subject, it is argued that the intended use of such texts as a standard of critique largely failed due to a fundamental misconceptualization of the significance of ‘text’ for Indian painters. Isabella Nardi offers an original approach to research in this field by drawing on the experiences of painters, who are considered as a valid source of knowledge for our understanding of the citrasutras, and provides a new conceptual framework for understanding the interlinkages between textual sources and the practice of Indian painting. Filling a significant gap in Indian scholarship, Nardi's study will appeal to those studying Indian painting and Indian art in general.

A masterful novel that confronts the dilemmas of race, family, and forbidden love in the wake of America's Civil War Fifteen years after the publication of his acclaimed novel Mason's Retreat, Christopher Tilghman returns to the Mason family and the Chesapeake Bay in The Right-Hand Shore. It is 1920, and Edward Mason is making a call upon Miss Mary Bayly, the current owner of the legendary Mason family estate, the Retreat. Miss Mary is dying. She plans to give the Retreat to the closest direct descendant of the original immigrant owner that she can find. Edward believes he can charm the old lady, secure the estate and be back in Baltimore by lunchtime. Instead, over the course of a long day, he hears the stories that will forever bind him and his family to the land. He hears of Miss Mary's grandfather brutally selling all his slaves in 1857 in order to avoid the reprisals he believes will come with Emancipation. He hears of the doomed efforts by Wyatt Bayly, Miss Mary's father, to turn the Retreat into a vast peach orchard, and of Miss Mary and her brother growing up in a fractured and warring household. He learns of Abel Terrell, son of free blacks who becomes head orchardist, and whose family becomes intimately connected to the Baylys and to the Mason legacy. The drama in this richly textured novel proceeds through vivid set pieces: on rural nineteenth-century industry; on a boyhood on the Eastern Shore of Maryland; on the unbreakable divisions of race and class; and, finally, on two families attempting to save a son and a daughter from the dangers of their own innocent love. The result is a radiant work of deep insight and peerless imagination about the central dilemma of American history. The Right-Hand Shore is a New York Times Notable Book of 2012.

Acclaimed for its unique ecosystem and Royal Bengal tigers, the mangrove islands that comprise the Sundarbans area of the Bengal delta are the setting for this pioneering anthropological work. The key question that the author explores is: what do tigers mean for the islanders of the Sundarbans? The diverse origins and current occupations of the local population produce different answers to this question – but for all, ‘the tiger question’ is a significant social marker. Far more than through caste, tribe or religion, the Sundarbans islanders articulate their social locations and interactions by reference to the non-human world – the forest and its terrifying protagonist, the man-eating tiger. The book combines rich ethnography on a little-known region with contemporary theoretical insights to provide a new frame of reference to understand social relations in the Indian subcontinent. It will be of interest to scholars and students of anthropology, sociology, development studies, religion and cultural studies, as well as those working on environment, conservation, the state and issues relating to discrimination and marginality.