Mortal Eclipse

FBI Agent Nick Bellamy's world is shattered when the phantom assassin he's been tracking for years brutally murders his wife. Now a broken man driven by vengeance and guilt, Nick is suddenly drawn into an investigation of a ghastly plot to annihilate the human race as well as a 1960's top-secret government project, Mortal Eclipse, which resulted in the accidental release of a monstrous, unearthly killer. Nick must reconcile his personal demons as he battles a sinister underworld of murderous mutants and witches in order to save mankind. But time is running out . . .

When this volume of Shakespeare's poems first appeared in 1609, he had already written most of the great plays that made him famous. The 154 sonnets - all but two of which are addressed to a beautiful young man or a treacherous 'dark lady' - contain some of the most exquisite and haunting poetry ever written, and deal with eternal subjects such as love and infidelity, memory and mortality, and the destruction wreaked by Time. Also included is A Lover's Complaint, originally published with the sonnets, in which a young woman is overheard lamenting her betrayal by a heartless seducer.

This volume is designed to pay homage to the scholarship of James G. McManaway, and at the same time to make the best of that scholarship available to a wider audience. Twenty-one essays testify to the distinguished career of this editor, scholar, and teacher. Illustrated.

Kuber – the God of Wealth and Fortune, hid his precious jewel somewhere deep inside the mountains while deploying his army of Yakshas to safeguard every treasure on earth. A fable of the hilly folks turns out to be a secret discovery of a renowned organisation in the US. Nakshatra, a perfectly ordinary girl, suddenly discovers her supernatural abilities while chasing an intruder who comes to steal a notebook with an ancient map from her dad. She learns that her dad is one of the scientists who once discovered a secret place hidden somewhere in the mountains, where lay the mythical treasure of the God of Wealth. The greedy mortals plan to get their hands on the celestial treasure. Nakshatra discovers that she is not any ordinary mortal but a Yakshini – the chosen one with divine and mystical powers. Her journey begins with a thrilling adventure and mystical encounters to protect and save ‘The Goldmines of Himavat’.

This book explores the history of invented encounters between Shakespeare and the Queen Elizabeth I, and examines how and why the mythology of these two cultural icons has been intertwined in British and American culture. It follows the history of meetings between the poet and the queen through historical novels, plays, paintings, and films, ranging from works such as Sir Walter Scott's Kenilworth and the film Shakespeare in Love to lesser known examples. Raising questions about the boundaries separating scholarship and fiction, it looks at biographers and critics who continue to delve into links between these two. In the Shakespeare authorship controversy there have even been claims that Shakespeare was Elizabeth's secret son or lover, or that Elizabeth herself was the genius Shakespeare. The author examines the reasons behind the lasting appeal of their combined reputations, and locates this interest in their enigmatic sexual identities, as well as in the ways they represent political tensions and national aspirations.

Over the course of literary history there have been many instances of ghost writing between husband and wife, where the wife has been the genius while the husband takes the kudos for any success. A recent film, The Wife, is but one instance of how a wife may allow her husband to take the credit for her genius. In this book you will find the greatest instance of a wife sacrificing her literary genius in order to immortalise her husband. The name William Shakespeare conjures up images of an uneducated man becoming the greatest writer in English history, fêted from the stages of London to his famous poems going through several reprints. After over 400 years of bardolatry, his name appears unassailable. What if, though, the adoration and the fame afforded him has been tragically misplaced? What if, contrary to common acceptance, it was to be proven that he is not the author? What if it can be shown that the real author of Shake-speares Sonnets, and by extension, the plays and poems attributed to him have to be re-imagined as being from the pen of someone so close to him that she has been overlooked for centuries? What if, like so many other women geniuses hidden from view, the real author is none other than his wife, Anne Shakespeare? This book presents evidence that the real author of Shake-speares Sonnets is his wife, Anne, and the young man who is the subject of them is none other than her husband, William Shakespeare.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

Helen Vendler, widely regarded as our most accomplished interpreter of poetry, here serves as an incomparable guide to some of the best-loved poems in the English language. In detailed commentaries on Shakespeare’s 154 sonnets, Vendler reveals previously unperceived imaginative and stylistic features of the poems, pointing out not only new levels of import in particular lines, but also the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect. The commentaries—presented alongside the original and modernized texts—offer fresh perspectives on the individual poems, and, taken together, provide a full picture of Shakespeare’s techniques as a working poet. With the help of Vendler’s acute eye, we gain an appreciation of “Shakespeare’s elated variety of invention, his ironic capacity, his astonishing refinement of technique, and, above all, the reach of his skeptical imaginative intent.”