Moshkeleh The Thief

This first English translation of Sholom Aleichem’s rediscovered novel, Moshkeleh the Thief, has a riveting plot, an unusual love story, and a keenly observed portrayal of an underclass Jew replete with characters never before been seen in Yiddish literature. The eponymous hero, Moshkeleh, is a robust chap and horse thief. When Tsireleh, daughter of a tavern keeper, flees to a monastery with the man she loves—a non-Jew she met at the tavern—the humiliated tavern keeper’s family turns to Moshkeleh for help, not knowing he too is in love with her. For some unknown reason, this innovative novel does not appear in the standard twenty-eight-volume edition of Sholom Aleichem’s collected works, published after his death. Strikingly, Moshkeleh the Thief shows Jews interacting with non-Jews in the Russian Pale of Settlement—a groundbreaking theme in modern Yiddish literature. This novel is also important for Sholom Aleichem’s approach to his material. Yiddish literature had long maintained a tradition of edelkeyt, refinement. Authors eschewed violence, the darker side of life, and people on the fringe of respectability. Moshkeleh thus enters a Jewish arena not hitherto explored in a novel.

Winner, 2021 Reference & Bibliography Award in the 'Reference' Section, given by the Association of Jewish Libraries An unprecedented treasury of Yiddish children’s stories and poems enhanced with original illustrations While there has been a recent boom in Jewish literacy and learning within the US, few resources exist to enable American Jews to experience the rich primary sources of Yiddish culture. Stepping into this void, Miriam Udel has crafted an exquisite collection: Honey on the Page offers a feast of beguiling original translations of stories and poems for children. Arranged thematically—from school days to the holidays—the book takes readers from Jewish holidays and history to folktales and fables, from stories of humanistic ethics to multi-generational family sagas. Featuring many works that are appearing in English for the first time, and written by both prominent and lesser-known authors, this anthology spans the Yiddish-speaking globe—drawing from materials published in Eastern Europe, New York, and Latin America from the 1910s, during the interwar period, and up through the 1970s. With its vast scope, Honey on the Page offers a cornucopia of delights to families, individuals and educators seeking literature that speaks to Jewish children about their religious, cultural, and ethical heritage. Complemented by whimsical, humorous illustrations by Paula Cohen, an acclaimed children’s book illustrator, Udel’s evocative translations of Yiddish stories and poetry will delight young and older readers alike.

A delightful sequel to a cherished autobiographical collection by the Nobel Laureate In My Father's Court is one of Isaac Bashevis Singer's most affecting autobiographical works. The stories in it, published serially in the Jewish Daily Forward, depict the beth din in his father's home on Krochmalna Street in Warsaw. A unique institution, the beth din was a combined court of law, synagogue, scholarly institution, and psychologist's office where people sought out the advice and counsel of a neighborhood rabbi. The thirty-one stories gathered here, none previously published in English, show this world as it appeared to a young boy: In "A Guest in the Prayerhouse," a man who has converted to Judaism embarrasses the community with his extreme piety; in "She Will Surely Be Ashamed," a couple come for a divorce after forty years of marriage even though they are still in love; in the extraordinary "He Begs Forgiveness," a jeweler apologizes to his former fiancée for abandoning her twelve years before, igniting the imagination of the young Singer, who dreams of writing stories about dark, eternal love. From the earthy to the ethereal, these stories provide an intimate and powerful evocation of a world.

New York Times bestselling author Charles Belfoure takes readers on a breathless journey from the gilded ballrooms of Imperial Russia to the grim violence of the pogroms, in his latest thrilling historical adventure. St Petersburg, 1903. Prince Dimitri Markhov counts himself lucky to be a close friend of Tsar Nicholas II and Tsarina Alexandra. Cocooned by the glittering wealth of the Imperial court, the talented architect lives a life of luxury and comfort, by the side of his beautiful but spiteful wife, Princess Lara. But when Dimitri is confronted by the death and destruction wrought by a pogrom, he is taken aback. What did these people do to deserve such brutality? The Tsar tells him the Jews themselves were to blame, but Dimitri can’t forget what he’s seen. Educated and passionate, Doctor Katya Golitsyn is determined to help end Russian oppression. When she meets Dimitri at a royal ball, she immediately recognizes a kindred spirit, and an unlikely affair begins between them. As their relationship develops, Katya exposes Dimitri to the horrors of the Tsar’s regime and the persecution of the Jewish people, and he grows determined to make a stand . . . whatever the cost.

Hope Valley is the story of two women, one Jewish-Israeli and one Palestinian-Israeli, who come together to form the unlikeliest of friendships. Tikvah and Ruby meet one summer day right before the outbreak of the 2nd intifada, in the Galilean valley that separates the segregated villages in which they live. The valley Ruby's father had called Hope came to symbolize the political enmity that has defined the history of two nations in this troubled land and which has led to parallel cultures with little meaningful interaction between them. Tikvah, a fifty-two-year old artist from Long Island, is the daughter of Holocaust survivors and was raised in a loveless and lifeless household. Ruby, a world-renowned Palestinian-Israeli artist, returns to her childhood village from a life abroad to be treated for her worsening cancer. At first, Ruby pursues Tikvah's friendship to get into Tikvah's house and retrieve the diary Ruby's father had left behind when his family was expelled from that same house in the 1948 war. But as their friendship grows, they not only open up to each other's narratives and humanity, but uncover secrets from their own lives. Tikvah's and Ruby's stories show both the strength and fragility of family ties, the power that trauma and fear has in shaping our lives, the strength we muster to face death and suffering, the vicissitudes of marriage and the glorious meaning of friendship. Their lives tap into the primal need for connection, as well as the rich and transformative bonds that can be formed from synchronistic encounters. In Hope Valley we meet two strong women from nations in conflict, who circle each other and, in recognizing each other's pain, offer us hope that fear and resentment can grow into love.

'...her short analysis of the Iranian armed forces in the 1980s is first-rate, so too is her much more substantial section on women and the state in Iran...As well as offering useful insights into the workings of the Islamic state in Iran, this readable book also provides a warning of the struggles ahead in many other Muslim societies.' - Anoushiravan Ehteshami, Times Higher Education Supplement ;Islam has been the driving force shaping the ideology and the power base of the Iranian revolution. This volume engages critically with the Islamic perspective and promises offered by the revolution. Looking at the rise of the religious institution as a revolutionary force, the author observes their post-revolutionary policies in the domains of politics, economics, education, the armed forces and women's status. In the event, the volume demonstrates that the Iranian government has failed to deliver on most, if not all, of its Islamic pledges.

"Including selections from the newly discovered Journals of K."

English and Hebrew.