Mountain Blues

A sweeping, tragic novel spanning five generations and two continents Gold Mountain Blues is a rich saga chronicling the lives of five generations of a Chinese family from Guangdong Province, which are transformed by the promise of a better life in Gold Mountain, the Chinese name for Canada’s majestic West Coast. In 1879, 16-year-old Fong Tak-Fat boards a ship to Canada determined to make a life for himself and to support his family back home. He will blast rocks for the Pacific Railway, launder linens for his countrymen, and save every penny he makes to reunite his family because his heart remains in China. From the 1860s to the present day, Gold Mountain Blues relates the struggles and sacrifices of the labourers who built the Canadian Pacific Railway and who laid the groundwork for the evolution of the modern Chinese-Canadian identity. A novel about family, hope, and sacrifice, Gold Mountain Blues is a marvellous saga from a remarkable new Canadian voice.

Discusses the development of Tucson, Arizona, and its impact on local environment, describes the beauty and fragility of the Catalina Mountains, and argues that they must be protected

Welcome to Eldorado, a small mountain town in the Kootenays, chock-a-block with aging hippies, eccentrics, loggers, and protestors. When Roy Breen moves to Eldorado after over a decade of working as a journalist in Vancouver, he is impressed by the soaring glacial vistas and the friendliness of the townsfolk, as well as the quality of the coffee they pour. Unfortunately the threat of cutbacks is looming over the local hospital and Roy must find a way to balance his journalistic integrity with the need to join his new neighbours in fighting to keep the hospital open. In the vein of Stephen Leacock's Sunshine Sketches of a Little Town, poet Sean Arthur Joyce's debut novel Mountain Blues is a tale of warmth and joviality.

The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.

he popular Encyclopedia of the Blues, first published by the University of Arkansas Press in 1992 and reprinted six times, has become an indispensable reference source for all involved with or intrigued by the music. The work alphabetizes hundreds of biographical entries, presenting detailed examinations of the performers and of the instruments, trends, recordings, and producers who have created and popularized this truly American art form.

Jazz, Rags & Blues, Books 1-5contain original solos for late elementary to early advanced-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music. The CD includes dynamic recordings of each song in the book.

More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.

The 1980s and 1990s are a historically crucial period in the development of Asian Canadian literature. Slanting I, Imagining We: Asian Canadian Literary Production in the 1980s and 1990s contextualizes and reanimates the urgency of that period, illustrates its historical specificities, and shows how the concerns of that moment—from cultural appropriation to race essentialism to shifting models of the state—continue to resonate for contemporary discussions of race and literature in Canada. Larissa Lai takes up the term “Asian Canadian” as a term of emergence, in the sense that it is constantly produced differently, and always in relation to other terms—often “whiteness” but also Indigeneity, queerness, feminism, African Canadian, and Asian American. In the 1980s and 1990s, “Asian Canadian” erupted in conjunction with the post-structural recognition of the instability of the subject. But paradoxically it also came into being through activist work, and so depended on an imagined stability that never fully materialized. Slanting I, Imagining We interrogates this fraught tension and the relational nature of the term through a range of texts and events, including the Gold Mountain Blues scandal, the conference Writing Thru Race, and the self-writings of Evelyn Lau and Wayson Choy.