Mouse Tracks

Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Learn more about the book and the authors at www.mousetracksonline.com.

Organized for in-the-field use or at-home reference, this guide brings together text, line drawings, range maps, and more than 1,000 color photographs to illustrate and describe the tracks and sign left by North American mammals -- feeding signs, scat, burrows, tunnels, bedding areas, rubbings, remains, and 104 life-size tracks.

Detailed track and trail data for 135 species with actual-size track illustrations.

A field guide to mammal tracks with detailed illustrations, concise useful information, and a key for identification

A sign-by-sign guide which is essential for anyone hoping to detect hidden wildlife in Britain and the rest of Europe. There are chapters on feeding signs, homes, droppings, pellets and tracks of creatures including mammals, birds, reptiles, amphibian and insects, with each divided into simple sections. The book is illustrated with photographs from the author's library which he has built up over many years. This book is as visually impressive as it is useful in the field with many stunning full-page images to support the authoritative text. The introduction explains the basics of tracks and tracking, and the identification of the signs that you find.

This all-new edition includes descriptions of the habits, habitats, tracks, signs, and ranges of all the mammals of North America, as well as of selected birds, reptiles, amphibians, and insects. More than 1,000 line drawings and 100 color photographs further enhance the text.

Tracking Made Easy—from the Backyard to the Backwoods You’ve seen animal tracks while hiking, camping, or even in your backyard. Now learn what made them. Animal Tracks of the Midwest Field Guide by expert tracker Jonathan Poppele features the tracks of more than 95 species of mammals found in Illinois, Indiana, Iowa, Kansas, Kentucky, Michigan, Minnesota, Missouri, Nebraska, North Dakota, Ohio, South Dakota, and Wisconsin. This new edition spotlights more species—including common birds and reptiles—as well as updated track illustrations, photographs, and information. Book Features: Animals of the Midwest: More than 95 mammal species, plus common birds and reptiles Designed for your success: Realistic track illustrations and quick identification tips Fact-filled information: Scat photos and descriptions of other signs that animals leave behind Accessible and informative: Easy enough for beginners yet detailed enough for experienced trackers Gait illustrations: Depictions and descriptions for each animal, from walking to trotting and hopping to bounding Species are organized into groups, based on similarities in track appearance and then by track size. So it’s easy to find the tracks in the book once you see them in nature. Bring this handy guide on your next outing, and leave a book at the cabin. You’ll be surprised how often you encounter animal tracks—and how much you can learn from them!

The complexities of speech production, perception, and comprehension are enormous. Theoretical approaches of these complexities most recently face the challenge of accounting for findings on subphonemic differences. The aim of the present dissertation is to establish a robust foundation of findings on such subphonemic differences. One rather popular case for differences in subphonemic detail is word-final /s/ and /z/ in English (henceforth S) as it constitutes a number of morphological functions. Using word-final S, three general issues are investigated. First, are there subphonemic durational differences between different types of word-final S? If there are such differences, how can they be accounted for? Second, can such subphonemic durational differences be perceived? Third, do such subphonemic durational differences influence the comprehension of S? These questions are investigated by five highly controlled studies: a production task, an implementation of Linear Discriminative Learning, a same-different task, and two number-decision tasks. Using not only real words but also pseudowords as target items, potentially confounding effects of lexical storage are controlled for. Concerning the first issue, the results show that there are indeed durational differences between different types of word-final S. Non-morphemic S is longest in duration, clitic S is shortest in duration, and plural S duration is in-between non-morphemic S and clitic S durations. It appears that the durational differences are connected to a word's semantic activation diversity and its phonological certainty. Regarding the second issue, subphonemic durational differences in word-final S can be perceived, with higher levels of perceptibility for differences of 35 ms and higher. In regard to the third issue, subphonemic durational differences are found not to influence the speed of comprehension, but show a significant effect on the process of comprehension. The overall results give raise to a rev