Moving Subjects

Procession, arguably the most ubiquitous and versatile public performance mode until the seventeenth century, has received little scholarly or theoretical attention. Yet, this form of social behaviour has been so thoroughly naturalised in our accounts of western European history that it merited little comment as a cultural performance choice over many centuries until recently, when a generation of cultural historians using explanatory models from anthropology called attention to the processional mode as a privileged vehicle for articulation in its society. Their analyses, however, tended to focus on the issue of whether processions produced social harmony or reinforced social distinctions, potentially leading to conflict. While such questions are not ignored in this collection of essays, its primary purpose is to reflect upon salient theatrical aspects of processions that may help us understand how in the performance of "moving subjects" they accomplished their often transformative cultural work.

Investigating how intimacy is constructed across the restless world of empire

Most theories of material culture, transnationalism, and globalization have failed to incorporate a focus on emotions even though an increasing number of scholars in recent years have explored emotion-dense processes. This book fills the gap and examines how emotions can be theorized and serve as a useful analytical tool for understanding the interrelated mobility of humans, objects, and images. Through diverse, ethnographically rich and theoretically grounded case studies, these chapters offer new perspectives that relate migration, material culture, and emotions by addressing: the ways in which migrants and migrant artists express their emotions through objects and images in transnational contexts; the ways in which particular works of art, everyday objects, and artifacts evoke specific feelings in migrants and members of migrant communities; and the ways in which artists, academics, and policy makers may stimulate positive interaction between migrants and members of local communities. -- Provided by publisher.

In recent years an increasing number of scholars have incorporated a focus on emotions in their theories of material culture, transnationalism and globalization, and this book aims to contribute to this field of inquiry. It examines how 'emotions' can be theorized, and serves as a useful analytical tool for understanding the interrelated mobility of humans, objects and images. Ethnographically rich, and theoretically grounded case studies offer new perspectives on the relations between migration, material culture and emotions. While some chapters address the many different ways in which migrants and migrant artists express their emotions through objects and images in transnational contexts, other chapters focus on how particular works of art, everyday objects and artefacts can evoke feelings specific to particular migrant groups and communities. Case studies also analyse how artists, academics and policy makers can stimulate positive interaction between migrants and non-migrant communities.

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Jean Gerson and Gender examines the deployment of gendered rhetoric by the influential late medieval politically active theologian, Jean Gerson (1363-1429), as a means of understanding his reputation for political neutrality, the role played by royal women in the French royal court, and the rise of the European witch hunts.