Mrs Brown Series

Mrs Brown's Family Handbook, the first and only official book from Brendan O'Carroll's brilliant comic creation, is filled with useful advice and gives us a unique look into the lives of the Brown family. Millions of us have wondered how Agnes Brown does it. Keeping her end up while seven grown-up children tear about the fecking place like the eejits haven't got a home to go to. Packed with Mammy's tips for keeping a perfect family, or at least a family, as well as contributions from her children, neighbours and other hangers on, Mrs Brown's Family Handbook dispenses advice in her own inimical fecking style. You'll learn: • why every mammy's secret weapon is the tea towel • the dos and don't of cleaning up Granddad • what Dermot doesn't know about farting (not much) • what Winnie knows about seks (not enough) • all about the Five-Sausages-A-Day Diet (hint: contains sausages) • from Maria all about pain relief in child birth (if its free, take it) The perfect gift for anyone in a large family - it's one present and cheap - or with no family at all (seeing what they're missing might cheer the miserable feckers up), Mrs Brown's Family Handbook is also ideal for anyone sick and tired of giving out bloody DVDs for Christmas. Brendan O'Carroll is an Irish writer, producer, comedian, actor, director and author. He is best known for playing Agnes Brown in Mrs Brown's Boys, which won the best sitcom BAFTA in 2012. He has written four films and nine comedy shows, including The Course (1995), The Last Wedding (1999) and last year saw the release of his DVD for the live tour Good Mourning Mrs Brown. He has also published seven novels, including The Mammy, The Scrapper and The Young Wan - a number of which have been translated into 12 languages.

"Mammy" is what Irish children call their mothers and The Mammy is Agnes Browne—a widow struggling to raise seven children in a North Dublin neighborhood in the 1960s. Popular Irish comedian Brendan O'Carroll chronicles the comic misadventures of this large and lively family with raw humor and great affection. Forced to be mother, father, and referee to her battling clan, the ever-resourceful Agnes Browne occasionally finds a spare moment to trade gossip and quips with her best pal Marion Monks (alias "The Kaiser") and even finds herself pursued by the amorous Frenchman who runs the local pizza parlor. Like the novels of Roddy Doyle, The Mammy features pitch-perfect dialogue, lightning wit, and a host of colorful characters. Earthy and exuberant, the novel brilliantly captures the brash energy and cheerful irreverence of working-class Irish life. Now a major motion picture starring Anjelica Huston

The Agnes Browne Trilogy includes: * The Mammy * The Chisellers * The Granny

The Mrs. Browne trilogy became an instant bestselling success in author Brendan O'Carroll's native Ireland. Similarly, when Plume introduced The Mammy (the first book in the series, May 1999) in the United States, it was greeted with overwhelming enthusiasm from American readers. Fans of Agnes Browne craving further hilarious and heartwarming adventures will be delighted with The Chisellers. Agnes, the lovable and determined heroine, returns with her seven children—whom she affectionately calls "the chisellers"—all struggling to make their way in the world with varying degrees of success. To make matters more difficult, as Agnes struggles along the bumpy road of parenting, she learns that the family is about to be forced out of their tenement home in the name of urban renewal. Pierre, Agnes' persistent suitor, is thankfully on hand to console her. Like all good Irish stories, The Chisellers includes a wedding and a funeral, much laughter and some tears—and it is sure to please newcomers as well as loyal fans of this terrific series.

Who'd have thought a potty-mouthed Dublin mammy with a cream cardigan and elasticated tan tights could storm British TV screens and leave a nation helpless with laughter? Brendan O'Carroll performs to tens of thousands of people a night in packed-out stadiums across the country. In the last four years his TV show has become a number 1 ratings success and he's even making a movie. But Brendan has had to battle hard for success. The youngest of eleven children, his mother was Maureen O'Carroll, a former nun who went on to become the first woman to be elected to the Irish parliament. Brendan adored his strong, widowed mother - and she later became the inspiration for his indomitable character Agnes Brown. However, the family endured poverty reminiscent of Angela's Ashes and Brendan saw no option but to leave school at 12 to work. He married young and for decades struggled to make ends meet. Eventually, bankrupt and desperate, Brendan went to see a fortune teller who told him she could see his future achieving worldwide success as a comedian and actor. At first Brendan laughed at the notion, but then he thought of how much his friends loved his gags, and decided to give it a go... This is the magical story of how a loveable Irishman with a wig and a wit as caustic as battery acid surprised everyone - most of all himself - by becoming one of the best-loved comedians in the world. It is a story of hardship, heartbreak, and talent and will remind readers afresh that sometimes the facts can be even more extraordinary than the fiction.

'Mr. Bennett and Mrs. Brown' is an essay by Virginia Woolf published in 1924 which explores modernity. Woolf addresses what she sees as the arrival of modernism, with the much-cited phrase "that in or about December, 1910, human character changed", referring to Roger Fry's exhibition Manet and the Post-Impressionists. She argued that this in turn led to a change in human relations, and thence to change in "religion, conduct, politics, and literature". She envisaged modernism as inherently unstable, with society and culture in flux. She develops her argument through the examination of two generations of writers. Her argument is that as times change, writers and the tools that they use must evolve, "the tools of one generation are useless to the next". She places Bennett in the Edwardians, and the subjects of his attacks as "Georgians" to reflect the change of monarch in 1910 that coincided with Fry's exhibition. She characterizes Georgian writers in modernist terms as impressionistic, and those that are "telling the truth."

Reprint of the original, first published in 1875.