Mrs Keppel And Her Daughter

Alice Keppel, the married lover of Queen Victoria's eldest son and great-grandmother to Camilla Parker-Bowles, was a key figure in Edwardian society. Hers was the acceptable face of adultery. Discretion was her hallmark. It was her art to be the king's mistress and yet to laud the Royal Family and the institution of marriage. Formidable and manipulative, her attentions to the king brought her wealth, power, and status. Her daughter Violet Trefusis had a long tempestuous affair with the author and aristocrat Vita Sackville-West, during which Vita left her husband and two sons to travel abroad with Violet. It was a liaison that threatened the fabric of Violet's social world, and her passion and recalcitrance in pursuit of it pitted her against her mother and society. From memoirs, diaries, and letters, Diana Souhami portrays this fascinating and intense mother/daughter relationship in Mrs. Keppel and Her Daughter. Her story of these women, their lovers, and their lovers' mothers, highlights Edwardian - and contemporary - duplicity and double standards and goes to the heart of questions about sexual freedoms.

Alice Keppel, lover of Queen Victoria's son Edward VII and great-grandmother of Camilla Parker-Bowles, was the acceptable face of Edwardian adultery. It was her art to be the King's mistress yet to laud the Royal Family and the institution of marriage. She partnered the King for yachting at Cowes and helped him choose presents for his wife Queen Alexandra while remaining calmly married to her complaisant husband George. But for her daughter Violet, passionately in love with Vita Sackville-West, romance proved tragic and destructive. Mrs Keppel used all the force at her command to repress the relationship. This fascinating and intense mother-daughter relationship highlights Edwardian and contemporary duplicity and double standards. It goes to the heart of questions about the monarchy, family values and sexual freedoms.

A detailed look at the two women in the life of Edward VII during his last years. Alice Keppel, youngest daughter of a Scottish retired admiral and MP emerged from obscurity in 1898 to become the publicly acknowledged mistress of the portly, fun-loving Prince of Wales, the future Edward VII. Agnes Keyser, daughter of a prominent member of the Stock exchange, defied social expectations by not marrying, instead becoming involved in hospital charity work. Her twelve-year relationship with the king was much less in the public eye, but was just as important.

For Alice Keppel, it was all about appearances. Her precepts were those of the English upper classes: discretion, manners and charm. Nothing else mattered - especially when it came to her infamous affair with King Edward VII. As the King's favourite mistress up until his death in 1910, Alice held significant influence at court and over Edward himself. But it wasn't just Edward she courted: throughout her life, Alice enthusiastically embarked on affairs with bankers, MPs, peers - anybody who could elevate her standing and pay the right price. She was a shrewd courtesan, and her charisma and voracity ensured her both power and money, combined as they were with an aptitude for manipulation. Drawing on a range of sources, including salacious first-hand eyewitness accounts, bestselling author Tom Quinn paints an extraordinary picture of the Edwardian aristocracy, and traces the lives of royal mistresses down to Alice's great-granddaughter, the current Duchess of Cornwall. Both intriguing and astonishing, this is an unadulterated glimpse into a hidden world of scandal, decadence and debauchery.

Alice Keppel, mistress to Edward VII, was a formidable, manipulative woman, whose relationship with the king placed her at the centre of Edwardian high society. Her daughter, Violet, was fascinated by her mother's glamour and power. Yet when she fell in love with Vita Sackville-West and embarked on a long, temptuous love affair, she threatened to break all the moral (or amoral) rules of her mother's duplicitious world.

A Sunday Times Book of the Year Winner of the Polari Prize 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving... There isn't a page without an entertaining vignette' The Times. The extraordinary story of how a singular group of women in a pivotal time and place – Paris, Between the Wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris. 'One of the best books I've read this year.' James Bridle

Star D'Apliese is at a crossroads in her life after the sudden death of her beloved father - the elusive billionaire, named Pa Salt by his six daughters, all adopted by him from the four corners of the world. He has left each of them a clue to their true heritage, but Star - the most enigmatic of the sisters - is hesitant to step out of the safety of the close relationship she shares with her sister CeCe. In desperation, she decides to follow the first clue she has been left, which leads her to an antiquarian bookshop in London, and the start of a whole new world.