Muggins

The unusual and moving tale of Muggins, a famed fundraising dog who became a mascot of the Canadian Red Cross during the First World War. Born in 1913 in the home of a millionaire philanthropist, Muggins was a purebred Spitz, a sharp-eared, sharp-nosed, fluffy-tailed sort of dog most often seen in the lap of a lady of leisure. But Muggins defied the odds, rising to unlikely fame during the First World War, when he became Victoria, BC’s most diminutive fundraiser. He was taught to wander through downtown during the war with two change donation boxes tied to his back, and ultimately collected the equivalent of $400,000 for charities and causes including the Red Cross, the Blue Cross, food for poor children and prisoners of war, victims of Jewish pogroms, to name a few. During his short life, Muggins visited ferries and freight liners stopping in Victoria. He appeared in photos with the Prince of Wales and with famous Canadian general Sir Arthur Currie, among other celebrated admirers. He was also a favourite of the rank and file, helping cheer up wounded soldiers at Esquimalt Military Hospital. Muggins was made an honourary first lieutenant by the United States military for his service raising funds in Seattle. And he was so loved by departing soldiers he was more than once nearly taken along to the theatre of war. Based on valuable documents, memorabilia, newspaper and newsreel accounts of Muggins's brief but brilliant career, this book tackles the difficult question of human use of animals in war, at home and on the battlefield. It explores how crucial animals, specifically dogs, have been to wounded veterans recovering from physical and emotional damage—both in Muggins's lifetime and now.

It's 1944 in France, over a month after the bloody D-Day landings. Allied armies are engaged in a life and death struggle against a determined German army. The outcome of the war hangs in the balance. In the middle of the hellish fighting a bomb disposal unit of the Royal Canadian Army Engineers is assigned to disarm a tall boy, or earthquake bomb, the largest bomb in the British arsenal. The unexploded bomb is buried in the centre of a road critical to the allied armies advance and the German's are determined to stop them. Lieutenant Gus Aimes must decide which of his remaining men will defuse this deadly bomb or die trying. The problem is no one has successfully disarmed a tall boy bomb before.

William Muggins, an impoverished but highly literate weaver-poet, lived and wrote in London at the turn of the seventeenth century, when few of his contemporaries could even read. A Weaver-Poet and the Plague’s microhistorical approach uses Muggins’s life and writing, in which he articulates a radical vision of a commonwealth founded on labor and mutual aid, as a gateway into a broader narrative about London’s “middling sort” during the plague of 1603. In debt, in prison, and at odds with his livery company, Muggins was forced to move his family from the central London neighborhood called the Poultry to the far poorer and more densely populated parish of St. Olave’s in Southwark. It was here, confined to his home as that parish was devastated by the plague, that Muggins wrote his minor epic, London’s Mourning Garment, in 1603. The poem laments the loss of life and the suffering brought on by the plague but also reflects on the social and economic woes of the city, from the pains of motherhood and childrearing to anxieties about poverty, insurmountable debt, and a system that had failed London’s most vulnerable. Part literary criticism, part microhistory, this book reconstructs Muggins’s household, his reading, his professional and social networks, and his proximity to a culture of radical religion in Southwark. Featuring an appendix with a complete version of London’s Mourning Garment, this volume presents a street-level view of seventeenth-century London that gives agency and voice to a class that is often portrayed as passive and voiceless.