Multi Ethnic Britain

Multi-Ethnic Britain 2000+ provides an encompassing survey of artistic responses to the changes in the British cultural climate in the early years of the 21st century. It traces topical reactions to new forms of racism and religious fundamentalism, to legal as well as 'illegal' immigration, and to the threat of global terror; yet it also highlights new forms of intercultural communication and convivial exchange. Framed by contributions from novelists Patrick Neate and Rajeev Balasubramanyam, Multi-Ethnic Britain 2000+ showcases how artistic representations in literature, film, music and the visual arts reflect and respond to social and political discourses, and how they contribute to our understanding of the current (trans)cultural situation in Britain. The contributions in this volume cover a wide range of writers such as Graham Swift, Ian McEwan, Zadie Smith, Jackie Kay, Nadeem Aslam, Gautam Malkani, Nirpal Dhaliwal and Monica Ali; films ranging from Gurinder Chadha's Bend It Like Beckham and Bride and Prejudice to Michael Winterbottom's In This World and Alfonso Cuarón's Children of Men; paintings and photography by innovative black and Asian British Artists; and dubstep music.

Cool Britannia and Multi-Ethnic Britain: Uncorking the Champagne Supernova attempts to move away from the melancholia of Cool Britannia and the discourse which often encases the period by repositioning this phenomenon through an ethnic minority perspective. In March 1997, the front page of the magazine Vanity Fair announced ‘London Swings! Again!’ This headline was a direct reference to the swinging London of the 1960s – the English capital which became the era-defining epicentre of the world for its burgeoning rock and pop music scene, with its daring new youth culture, and the boutique fashion houses of Carnaby Street captured most indelibly by the Mods, Rockers, and psychedelic hippies of the time. In the 1990s this renewed interest in the swinging 60s seemed to reinvigorate popular culture, after a global period in the 1980s which would see the collapse of traditional communism and the ending of Cold War, while ushering in the beginnings of a new technological age spearheaded by Apple, Microsoft, and IBM. The dawn of the 1990s meant that peace and love would once again reign supreme, with Britannia being at the forefront of ‘cool’ again. Godfathers of the Mancunian Rock scene New Order would declare ‘Love had the world in motion’ and, for a fleeting period, Britain was about to encounter its second coming as the cultural epicentre of the world. Although history proffers a period of utopia, inclusion, and cultural integration, the narrative alters considerably when exploring this euphoric period through a discriminatory and racialised lens. This book repositions the ethnic minority–lived experience during the 1990s from the societal and political margins to the centre. The lexicon explored here attempts to provide an altogether different discourse that allows us to reflect on seminal and racially discriminatory episodes during the 1990s that subsequently illuminated the systemic racism sustained by the state. The Cool Britannia years become a metaphoric reference point for presenting a Britain that was culturally splintered in many ways. This book utilises storytelling and auto-ethnography as an instrument to unpack the historical amnesia that ensues when unpacking the racialised plights of the time.

This is the report of the Commission on the Future of Multi-Ethnic Britain, showing how society is changing, and the policies that have to be put in place. It was launched by the Home Secretary in 1997.

Examines the background of Britain's ethnic minority communities and discusses the problems they face and their many contributions to society as a whole.

During the Second World War, people arrived in Britain from all over the world as troops, war-workers, nurses, refugees, exiles, and prisoners-of-war-chiefly from Europe, America, and the British Empire. Between 1939 and 1945, the population in Britain became more diverse than it had ever been before. Through diaries, letters, and interviews, Mixing It tells of ordinary lives pushed to extraordinary lengths. Among the stories featured are those of Zbigniew Siemaszko - deported by the Soviet Union, fleeing Kazakhstan on a horse-drawn sleigh, and eventually joining the Polish army in Scotland via Iran, Iraq, and South Africa - and 'Johnny' Pohe - the first Maori pilot to serve in the RAF, who was captured, and eventually murdered by the Gestapo for his part in the 'Great Escape'. This is the first book to look at the big picture of large-scale movements to Britain and the rich variety of relations between different groups. When the war ended, awareness of the diversity of Britain's wartime population was lost and has played little part in public memories of the war. Mixing It recovers this forgotten history. It illuminates the place of the Second World War in the making of multinational, multiethnic Britain and resonates with current debates on immigration.

This book presents a lively and engaging picture of multicultural Britain in the 20th century. A wide range of questions and activities encourage students to think about the positive aspects as well as the difficulties of living in a multicultural community. This book is particularly suitable for AQA History specifications.