Murder Among Friends

How did two teenagers brutally murder an innocent child...and why? And how did their brilliant lawyer save them from the death penalty in 1920s Chicago? Written by a prolific master of narrative nonfiction, this is a compulsively readable true-crime story based on an event dubbed the "crime of the century." In 1924, eighteen-year-old college students Nathan Leopold and Richard Loeb made a decision: they would commit the perfect crime by kidnapping and murdering a child they both knew. But they made one crucial error: as they were disposing of the body of young Bobby Franks, whom they had bludgeoned to death, Nathan's eyeglasses fell from his jacket pocket. Multi-award-winning author Candace Fleming depicts every twist and turn of this harrowing case--how two wealthy, brilliant young men planned and committed what became known as the crime of the century, how they were caught, why they confessed, and how the renowned criminal defense attorney Clarence Darrow enabled them to avoid the death penalty. Following on the success of such books as The Rise and Fall of Charles Lindbergh and The Family Romanov, this acclaimed nonfiction writer brings to heart-stopping life one of the most notorious crimes in our country's history.

"Take an aging, exceedingly vain actor; his very rich wife; a double dealing, double loving agent plunk them down in an elegant New York duplex and add dialogue crackling with wit and laughs and you have the basic elements for an evening of pure, sophisticated entertainment. Angela, the wife and Ted, the agent, are lovers and plan to murder Palmer, the actor, during a contrived robbery on New Year's Eve. But actor and agent are also lovers and have an identical plan to do in the wife. A murder occurs, but not one of the planned ones"--Publisher's website.

This book argues that Greek tragedy as a genre is characterized by plots centering on kin killing. It contains a detailed analysis of five plays, and comprehensive documentation of this plot pattern in all of the extant tragedies, and in the lost plays of the fifth and fourth centuries B.C.E.

Kriminalroman.

Bewitched meets Murder She Wrote in this delightful new cozy mystery series featuring Ophelia Jensen, small town librarian and reluctant psychic, and her grandmother Abby, a benevolent witch. Thirty something Ophelia Jensen wants to live a quiet life as a small town librarian. She's created a comfortable existence with her kooky, colorful grandmother Abby, and if it were up to her, they could live out their days—along with Ophelia's dog Lady and cat Queenie—in peace and quiet. But, to Ophelia's dismay, she and Abby aren't a typical grandmother/granddaughter duo. She possesses psychic powers, and Abby is a kindly witch. And while Ophelia would do anything to dismiss her gift—harboring terrible guilt after her best friend was killed and she was unable to stop it—threatening events keep popping up, forcing her to tap into her powers of intuition. To make matters worse, a strange—yet devastatingly attractive—man is hanging around Ophelia's library, and no matter how many times she tells him she's sworn off men forever, he persists. Soon this handsome newcomer reveals he's following a lead on a local drug ring, and then a dead body shows up right in Abby's backyard. And much as Ophelia would like to put away her spells forever, she and Abby must use their special powers to keep themselves, and others, out of harm's way.

Perfect for readers looking for a darker twist on Bridgerton, this first in a vibrant, inclusive historical mystery series from an acclaimed author Vanessa Riley portrays the true diversity of the Regency-era, as an aristocrat whose skin color and notorious family history have left her with few friends she can rely on is named as the prime suspect in a murder case… “A great read to add to your current must-read lists.” —Essence Magazine “Riley’s storytelling gift is strong and her prose is lovely and evocative…particularly clever.” – Mystery Scene Magazine “Snappy dialogue, abundant intrigue, and Abbie and Stapleton’s increasingly flirtatious antagonism keep the tension high and the narrative drive strong. Smart, fun, and full of moxie.”—Kirkus Reviews A BiblioLifestyle Most Anticipated Mystery Discovering a body on her property presents Lady Abigail Worthing with more than one pressing problem. The victim is Juliet, the wife of her neighbor, Stapleton Henderson. Although Abigail has little connection with the lady in question, she expects to be under suspicion. Abigail’s skin color and her mother’s notorious past have earned her a certain reputation among the ton, and no amount of wealth or status will eclipse it. Abigail can’t divulge that she was attending a secret pro-abolition meeting at the time of the murder. To her surprise, Henderson offers her an alibi. Though he and Juliet were long estranged, he feels a certain loyalty to his late wife. Perhaps together, he and Abigail can learn the truth. . . . Abigail, whose marriage was not a love match, knows well how appearances can deceive—and how treacherous London’s high society can be. Yet who would have killed Juliet, and why? Taking the reins of her life in a way she never has before, Abby intends to find out—but she may uncover more danger than she ever imagined . . .

Modern scholars have followed Aristotle in noting the importance of philia (kinship or friendship) in Greek tragedy, especially the large number of plots in which kin harm or murder one another. More than half of the thirty-two extant tragedies focus on an act in which harm occurs or is about to occur among philoi who are blood kin. In contrast, Homeric epic tends to avoid the portrayal of harm to kin. It appears, then, that kin killing does not merely occur in what Aristotle calls the "best" Greek tragedies; rather, it is a characteristic of the genre as a whole. In Murder Among Friends, Elizabeth Belfiore supports this thesis with an in-depth examination of the crucial role of philia in Greek tragedy. Drawing on a wealth of evidence, she compares tragedy and epic, discusses the role of philia relationships within Greek literature and society, and analyzes in detail the pattern of violation of philia in five plays: Aeschylus' Suppliants, Sophocles' Philoctetes and Ajax, and Euripides' Iphigenia in Tauris and Andromache. Appendixes further document instances of violation of philia in all the extant tragedies as well as in the lost plays of the fifth and fourth centuries B.C.E.

From bestselling author Ben Macintyre, the true untold story of history's most famous traitor