Murder At Wakehurst

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… For fans of Rhys Bowen comes the new mystery from acclaimed author Alyssa Maxwell, as she takes readers to the turn of the century mansions of famed Newport, Rhode Island . . . where not all is always golden and murder turns a successful reporter into a part-time amateur investigator . . . Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport’s extravagant parties. But to keep Vanderbilt’s reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fête on the lavish grounds of Wakehurst, the Ochre Point “cottage” modeled after an English palace, owned by Anglophile James Van Alen. The festivities include a swordplay demonstration, an archery competition, scenes from Shakespeare’s plays, and even a joust. As Emma wanders the grounds, she overhears a fierce argument between a man and a woman behind a tall hedge. As the joust begins, she’s drawn by the barking of Van Alen’s dogs and finds a man on the ground, an arrow through his chest. The victim is one of the 400’s most influential members, Judge Clayton Schuyler. With the help of her beau Derrick Andrews and Detective Jesse Whyte, Emma begins to learn the judge was not the straight arrow he appeared to be. As their investigation leads them in ever-widening circles, Emma will have to stop the killer from taking another life . . . “Lifestyles of the wealthy combine with social commentary in a mystery set against the backdrop of Newport’s grand estates.” —Kirkus Reviews

Following the death of her uncle, Cornelius Vanderbilt, in September 1899, a somber Emma is in no mood for one of Newport's extravagant parties. But to keep Vanderbilt's reckless son Neily out of trouble, she agrees to accompany him to an Elizabethan fete on the lavish grounds of Wakehurst, the Ochre Point "cottage" modeled after an English palace, owned by Anglophile James Van Alen.

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In late August 1898, reporter Emma Cross attends the final fête of the Newport social season and discovers the party's over for a visiting prince . . . The approaching end of summer means it's time for the Harvest Festival, the last big event of the season, held by Mamie Fish, wife of millionaire tycoon Stuyvesant Fish, at their grand “cottage,” Crossways. The mansion is decked out in artificial autumn splendor and an extravagant scavenger hunt will be held. But the crowning jewel of the evening will be the guest of honor, Prince Otto of Austria. As acting editor-in-chief of the Newport Messenger, Emma had hoped to leave her days as a society reporter behind her. But at the last moment, she must fill in at the Harvest Festival. With nearly every eligible daughter of Newport high society in attendance, Emma can almost hear romantic dreams shattering like glass slippers when the prince finally appears—as a corpse in the garden. The prince was stabbed in the same manner as another man recently found on nearby Bailey's Beach, who strongly resembles a relation of Emma's presumed dead for nearly thirty years. It’s up to Emma to find a connection between the two victims—before a killer slips away like the fading summer . . . “Another tricky mystery set against the backdrop of some great real-life mansions.” —Kirkus Reviews

A trip to Staffordshire for Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, leads to murder in a famed pottery works . . . Following the devastation of the Great War, England's noble class takes comfort in honoring tradition. To celebrate their grandparents' wedding anniversary, Lady Phoebe Renshaw and her siblings travel to Staffordshire to commission a china service bearing the Wroxly coat of arms from the venerated Crown Lily Potteries, a favorite of Queen Mary. The two leading designers at the illustrious china manufacturer offer competing patterns. But when one of them is found dead—his body crushed in a grinding pan and his design pattern book missing—his rival is immediately suspected. The police are also suspicious of the dead designer's resentful young son, a schoolmate of Phoebe's fifteen-year-old brother Fox. When Fox gets involved to help his friend, Phoebe begins to investigate the rival artist. At the same time, Eva is enlisted to go undercover at the works so she can gain the confidence of the female employees, who are only allowed to paint, not design, which may have led to a grudge against the victim. Pursuing a killer who has no compunction about using a kiln as a coffin, Phoebe and Eva take their lives into their hands to discover the shattering truth . . .

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In glittering Newport, Rhode Island, status is everything. But despite being a poorer relation to the venerable Vanderbilts, Emma Cross has shaped her own identity—as a reporter and a sleuth. As the nineteenth century draws to a close,Fancies and Fashion reporter Emma Cross is sent by the Newport Observer to cover an elite house party at Rough Point, a “cottage” owned by her distant cousin Frederick Vanderbilt that has been rented as an artist retreat. To her surprise, the illustrious guests include her estranged Bohemian parents—recently returned from Europe—as well as a variety of notable artists, including author Edith Wharton. But when one of the artists is discovered dead at the bottom of a cliff, Rough Point becomes anything but a house of mirth. After a second murder, no one is above suspicion—including Emma’s parents. As Newport police detective Jesse Whyte searches for a killer, Emma tries to draw her own conclusions—with the help of Mrs. Wharton. But with so many sketchy suspects, she’ll need to canvas the crime scenes carefully, before the cunning culprit takes her out of the picture next . . . Praise for Alyssa Maxwell and her Gilded Newport Mysteries “Another entertaining entry in this cozy series.” —Library Journal on Murder at Beechwood “Maxwell’s second entry has a credible mystery, solved by a female detective who’s likeable.” —Kirkus Reviews on Murder at Marble House

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… In the summer of 1898, reporter Emma Cross investigates a shocking death among the bright lights of Newport's high society . . . After a disappointing year as a society columnist for the Herald, Emma has returned to the salty air, glittering ocean vistas, and grand stately mansions of Newport, Rhode Island, more determined than ever to report on hard news. But for now she’s covering the social event of the season at Ochre Court, a coming-out ball designed to showcase Cleo Cooper-Smith, who will be on display as Cleopatra in an elaborate tableau vivant. But as the deb ascends to her place of honor, the ballroom is plunged into darkness. When the lights come back on, Cleo sits still on her throne, electrocuted to death. Quickly establishing that the wiring was tampered with, Emma now has a murder to investigate. As Emma begins to discover this crime has unseen connections to a nefarious network, she puts her own life at risk to shine a light on the dark motives behind a merciless murder . . . “Plenty of red herrings and an intimate look at the world of the wealthy and famous make for a rich broth of a mystery.” —Kirkus Reviews

For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder darkens a glittering affair at their summer home, reporter Emma Cross learns that sometimes the cream of the crop can curdle one’s blood . . . Newport, Rhode Island, August 1895: She may be a less well-heeled relation, but as second cousin to millionaire patriarch Cornelius Vanderbilt, twenty-one-year-old Emma Cross is on the guest list for a grand ball at the Breakers, the Vanderbilts’ summer home. She also has a job to do—report on the event for the society page of the Newport Observer. But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost . . . “Sorry to see the conclusion of Downton Abbey? Well, here is a morsel to get you through a long afternoon. Brew some Earl Grey and settle down with a scone with this one.” —Washington Independent Review of Books

As England recovers from its costly involvement in the Great War, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, find the steady comforts of their lives unsettled by a local case of murder . . . Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her. When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police—including Eva's beau, Constable Miles Brannock—suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder—and Eva fears her sister was with him. If Alice were to provide Keenan with an alibi, her reputation and marriage would be ruined. She denies being there but is clearly withholding secrets, much to Eva's consternation. Now, to protect her sister, Eva and Phoebe set off to expose the gardener's real killer, putting their own lives at risk . . .