Murder By Misadventure

What happens when two writers who have worked together for years start to hate each other? The team has won awards and made money. Harry Kent has saved and invested and now lives with a glamorous wife in a sun drenched luxury flat high above the Sussex coast, where the play is set. It is a hi tech paradise with only one snag: it's build on the site of an Ancient British sacrificial stone where black magic was practiced and now there are strange noises in the night. Paul Riggs has spent his fees on booze and birds, and he lives in dread of bookie's heavies. Harry wants to break the partnership that is Paul's lifeline, but Paul knows a sinister secret from Harry's past. They are therefore locked together in a dance from which murder seems the only escape and they have just plotted the perfect crime for the latest TV film.

Murder, manslaughter, suicide, mishap - the very public business of determining death in colonial Sydney. Murder in colonial Sydney was a surprisingly rare occurrence, so when it did happen it caused a great sensation. People flocked to the scene of the crime, to the coroner's court and to the criminal courts to catch a glimpse of the accused. Most of us today rarely see a dead body. In nineteenth century Sydney, when health was precarious and workplaces and the busy city streets were often dangerous, witnessing a death was rather common. And any death that was sudden or suspicious would be investigated by the coroner. Henry Shiell was the Sydney City Coroner from 1866 to 1889. In the course of his unusually long career he delved into the lives, loves, crimes, homes and workplaces of colonial Sydneysiders. He learnt of envies, infidelities, passions, and loyalties, and just how short, sad and violent some lives were. But his court was also, at times, instrumental in calling for new laws and regulations to make life safer. Catie Gilchrist explores the nineteenth century city as a precarious place of bustling streets and rowdy hotels, harbourside wharves and dangerous industries. With few safety regulations, the colourful city was also a place of frequent inquests, silent morgues and solemn graveyards. This is the story of life and death in colonial Sydney. PRAISE 'Catie Gilchrist draws back the veil on death in nineteenth-century Sydney to reveal life - ordinary, tragic and hopeful' David Hunt, author of Girt and True Girt

In early twentieth-century New York City, in the golden age of magic, Leo, an orphaned magician's apprentice, becomes involved in a murder mystery when he trusts a dishonest man.

Murder, manslaughter, suicide, mishap - the very public business of determining death in colonial Sydney. Murder in colonial Sydney was a surprisingly rare occurrence, so when it did happen it caused a great sensation. People flocked to the scene of the crime, to the coroner's court and to the criminal courts to catch a glimpse of the accused. Most of us today rarely see a dead body. In nineteenth century Sydney, when health was precarious and workplaces and the busy city streets were often dangerous, witnessing a death was rather common. And any death that was sudden or suspicious would be investigated by the coroner. Henry Shiell was the Sydney City Coroner from 1866 to 1889. In the course of his unusually long career he delved into the lives, loves, crimes, homes and workplaces of colonial Sydneysiders. He learnt of envies, infidelities, passions, and loyalties, and just how short, sad and violent some lives were. But his court was also, at times, instrumental in calling for new laws and regulations to make life safer. Catie Gilchrist explores the nineteenth century city as a precarious place of bustling streets and rowdy hotels, harbourside wharves and dangerous industries. With few safety regulations, the colourful city was also a place of frequent inquests, silent morgues and solemn graveyards. This is the story of life and death in colonial Sydney.

Echoes of Twin Ponds' past reaches out to the present with disastrous results. Two people have died in mysterious circumstances, sending Sheriff Cammie Farnsworth and her staff on a search for a killer who proves elusive and difficult to uncover.When Cammie almost dies, was she the intended victim? Or was the killer targeting someone close to her instead? Fast paced and suspenseful, return to Twin Ponds, Maine where winters are long, summers are short, and murder stalks its streets, seeking revenge for a crime that could destroy Cammie's whole world. This is Book 2 in the highly successful Twin Ponds Mystery Series.

Jack Hopkins, an ill-fated real-estate agent with an unhappy past, doesn't like what he does for a living. Luckily, though, he has two new job offers: Darlene Hunt wants to pay him ten million dollars to kill her husband, and her husband wants to hire him to kill Darlene Hunt. Before he can figure out who to work for, though, or how a private island off the coast of Mexico fits into it all, the dead bodies have already started piling up. The second novel from Millard Kaufman--nonagenarian author, Oscar-nominated screenwriter, and World War II Marine--Misadventure is a serpentine murder mystery set against a backdrop of LA real-estate schemes, ruby-wearing femmes fatale, and more love triangles than any one man should attempt to get into. Written with a style and flair that's reminiscent of Chinatown by way of the Coen Brothers, it's an unforgettable addition to the genre--a noir par excellence, with wit to match.

In 1970s England, a broke nobleman and a body in a suit of armor present a puzzling mystery in this witty novel by a Diamond Dagger Award winner. It is the early 1970s, and times are tough in the upper reaches of British society. To survive the changing times, the Earl of Ornum has done the previously unthinkable and opened his estate to wandering tourists. One day, a hyperactive little boy and his family are roaming Ornum House delightedly. The curious tyke sees a full suit of armor and lifts the visor . . . only to see a face staring out at him. As Detective Inspector C. D. Sloan soon finds, the man in the suit of armor is dead—and there’s a slew of suspects waiting to be interviewed. Was it the ditzy duchess? The disappointing nephew? One of the servants? The earl himself? It’s up to Sloan and his wisecracking sidekick, Detective Constable Crosby, to find out before the murderer strikes again.

Short-tempered Enid Marley had a foolproof system for answering queries from the many fans of her advice column in You magazine, but she had no sense at all when it came to solving her own problems. When her latest husband strays, she decides to get his attention with a fake suicide attempt, but her plan misfires horribly. While she's teetering on the window ledge outside her office waiting to be noticed, hands reach out for her, causing her to lose her balance. She survives, thanks to a well-placed awning and an unfortunate passer-by, leaving everyone to wonder: did she fall, or was she pushed? 'Incomparable Pamela Branch' Carolyn G Hart