Murder Considered As One Of The Fine Arts

On Murder Considered as one of the Fine Arts is an essay by Thomas De Quincey. A fictional account of a report made to a gentleman's club regarding the visual appreciation of murder. For friends of satire!

Thomas De Quincey's three essays 'On Murder Considered as One of the Fine Arts' centre on the notorious career of the murderer John Williams, who in 1811 brutally killed seven people in London's East End. De Quincey coolly dissects the art of murder and its perfections, in a mixture of reportage, black satire, and aesthetic criticism. The volume also contains 'On the Knocking at the Gate in Macbeth' and De Quincey's finest tale of terror, 'The Avenger'.

An artist of death is stalking Victorian London, recreating earlier masterpieces of murder. Police suspicion falls on the notorious 'opium-eater' Thomas De Quincey, recently returned to the capital, who wrote in detail about the original crimes. Someone is using his essays as inspiration - and he must uncover the truth before the killer completes his work. In MURDER AS A FINE ART, London becomes a battleground between a literary star and a brilliant murderer - whose lives are linked by secrets long buried, but never forgotten.

Take a look at the entertainment landscape today -- the most popular books, movies, and television shows all revolve around murder and its dissection by brilliant investigators. Renowned British essayist Thomas de Quincey stumbled on this truth early in the nineteenth century, prompting him to pen the satirical piece "On Murder Considered as One of the Fine Arts." In it, de Quincey gets to the very heart of our ongoing obsession with the finer points of killing.

Former Police Chief Katherine Sullivan has been called brilliant, brave, compassionate, and quirky, but after decades of crime fighting, this resilient grandmother with an artist's soul is discovering that retirement can be just as deadly as being on the job. When Katherine returned to her hometown, her only thought was to comfort her recently divorced daughter. That was before a young woman was found murdered on the estate of the town's richest family. Now, in order to track down the killer, Katherine must uncover the generations of secrets that at least one person as already killed to protect in this charming and smart series debut, The Fine Art of Murder.

"On Murder Considered as one of the Fine Arts" is an essay by Thomas De Quincey first published in 1827 in Blackwood's Magazine. The essay is a fictional, satirical account of an address made to a gentleman's club concerning the aesthetic appreciation of murder. It focuses particularly on a series of murders allegedly committed in 1811 by John Williams in the neighborhood of Ratcliffe Highway, London. The essay was enthusiastically received and led to numerous sequels, including "A Second Paper on Murder Considered as one of the Fine Arts" in 1839 and a "Postscript" in 1854. These essays have exerted a strong influence on subsequent literary representations of crime and were lauded by such critics as G. K. Chesterton, Wyndham Lewis and George Orwell. De Quincey also refers to the Williams murders in his "On the Knocking at the Gate in Macbeth."

In 1811 John Williams was buried with a stake in his heart. Was he the notorious East End killer or his eighth victim in the bizarre and shocking Ratcliffe Highway Murders? In this vivid and gripping reconstruction P. D. James and police historian T. A. Critchley draw on forensics, public records, newspaper clippings and hitherto unpublished sources, expertly sifting the evidence to shed new light on this infamous Wapping mystery. This true crime novel begins amid the horror of a dark, wintry London in the year 1811. Using elegant historical detection P.D. James and police historian T.A. Critchley piece together new and unpublished sources in an original portrayal of the Ratcliffe Highway Murders. P.D. James, the bestselling author of Death Comes to Pemberley and Children of Men, here explores the mysterious and intense emotions responsible for the unique crime of murder, with authority and sensitivity. Her only work of true crime, this novel uses forensics, unpublished sources and forgotten documents to create a vivid image of early-nineteenth century London and a gripping reconstruction of the Ratcliffe Highway Murders.

This is the story of a national obsession. Ever since the Ratcliffe Highway Murders caused a nation-wide panic in Regency England, the British have taken an almost ghoulish pleasure in 'a good murder'. This fascination helped create a whole new world of entertainment, inspiring novels, plays and films, puppet shows, paintings and true-crime journalism - as well as an army of fictional detectives who still enthrall us today. A Very British Murder is Lucy Worsley's captivating account of this curious national obsession. It is a tale of dark deeds and guilty pleasures, a riveting investigation into the British soul by one of our finest historians.