The Fine Art Of Murder

Former Police Chief Katherine Sullivan has been called brilliant, brave, compassionate, and quirky, but after decades of crime fighting, this resilient grandmother with an artist's soul is discovering that retirement can be just as deadly as being on the job. When Katherine returned to her hometown, her only thought was to comfort her recently divorced daughter. That was before a young woman was found murdered on the estate of the town's richest family. Now, in order to track down the killer, Katherine must uncover the generations of secrets that at least one person as already killed to protect in this charming and smart series debut, The Fine Art of Murder.

An artist of death is stalking Victorian London, recreating earlier masterpieces of murder. Police suspicion falls on the notorious 'opium-eater' Thomas De Quincey, recently returned to the capital, who wrote in detail about the original crimes. Someone is using his essays as inspiration - and he must uncover the truth before the killer completes his work. In MURDER AS A FINE ART, London becomes a battleground between a literary star and a brilliant murderer - whose lives are linked by secrets long buried, but never forgotten.

FRAMED? Jessica’s art-viewing Italian vacation is interrupted by a pair of gunmen who steal a painting and kill a retired police officer in the process. Agreeing to help identify the crooks should they be caught, Jessica returns to Cabot Cove and puts the shocking experience behind her. Months later, Wayne Simsbury, the stepson of an old friend, comes to her for help. Wayne’s father has been shot to death. Not only has Wayne’s stepmother, Marlise, been charged with the murder, but Wayne himself claims to have witnessed the crime. Unsure what to do, he has sought out Jessica—the one person his stepmother had always claimed could help with any problem. Now, on top of a seemingly open-and-shut murder case to crack in Chicago, Jessica finds herself back in Italy helping the police make their case against the art thieves—and she faces a looming danger that may connect the Italian killers to the fate of her old friend....

On Murder Considered as one of the Fine Arts is an essay by Thomas De Quincey. A fictional account of a report made to a gentleman's club regarding the visual appreciation of murder. For friends of satire!

A quiet lakeside town in western New York state is the new home of Manhattan artist Chloe Abbington and the backdrop for murder in this series debut by Bailee Abbott. For Chloe Abbington, the transition from fine art painter in New York City to painting-event business owner in charming Whisper Cove is more than a little jarring. But when poison-pen journalist Fiona Gimble writes a viciously negative review of the newly opened Paint with a View, Chloe learns that critics are the same everywhere. And when she finds Fiona's body behind her shop with a painting knife in her neck, Chloe realizes that this picture-perfect town offers anything but peace and quiet. Suddenly, bustling Artisan Alley is a crime scene, and Chloe is the prime suspect. Her sister and business partner, Izzie, isn't much help--she's busy running the shop, and besides, she has secrets of her own. As shrewd Detective Barrett tries to paint her into a corner, Chloe soon finds that Fiona had plenty of enemies. The Whisper Cove Gazette columnist wielded her pen like a sword, slicing and dicing just about every shop owner in the lakeside town. With the help of her affectionate canine buddy, Max, Chloe sets out to prove that she's been framed for Fiona's murder. But she'd better learn the fine art of detection quickly, before the real killer paints the town red again. Otherwise, she may end up trading in her paint smock for an orange jumpsuit...or a green burial plot.

The #1 ebook from the Sunday Times bestseller 'He's the high priest of plot ... deftly woven, but also beautifully written ... I loved it' Mel Giedroyc 'One of the finest crime writers of any generation' Daily Mail -------------- An unlikely heroine. An even more unlikely detective. And a cold case that's resurfacing with deadly consequences. Umiko Wada has recently had quite enough excitement in her life. With her husband recently murdered and a mother who seems to want her married again before his body is cold, she just wants to keep her head down. As a secretary to a private detective, her life is pleasingly uncomplicated, filled with coffee runs, diary management and paperwork. That is, until her boss takes on a new case. A case which turns out to be dangerous enough to get him killed. A case which means Wada will have to leave Japan for the first time and travel to London. Following the only lead she has, Wada quickly realises that being a detective isn't as easy as the television makes out. And that there's a reason why secrets stay buried for a long time. Because people want them to stay secret. And they're prepared to do very bad things to keep them that way... The new novel from Robert Goddard, THE FINE ART OF UNCANNY PREDICTION, is available for pre-order now. -------------------- What readers are saying: ***** 'Guaranteed and satisfying escapism' ***** 'Twists and turns right up to the last page' ***** 'Edge-of-the-seat stuff' ***** 'Fresh and inventive' ***** 'The master of twists and suspense ... sublime' ***** 'Scintillating and wickedly twisty'

Murder threatens to disturb the creativeness of Sherebury’s art college One late-summer’s evening, before the beginning of the new term, Dorothy Martin and her husband, retired police detective Alan Nesbitt, are guests at Sherebury University art department’s drinks party to introduce the new teaching assistant, sculptress Gillian Roberts However, tragedy strikes on a tour of the sculpture department, when the lift breaks down and a corpse is discovered at the bottom of the lift shaft. Dorothy and Alan become involved in the ensuing investigation, putting their local knowledge and sleuthing skills to good use once again. But when another member of the art faculty goes missing and someone receives threatening phone calls, it seems the killer still has something to hide and may very well strike again . . .

This study of the technique of Agatha Christie's detective fiction--sixty-seven novels and over one hundred short stories--is the first extensive analysis of her accomplishment as a writer. Earl F. Bargannier demonstrates that Christie thoroughly understood the conventions of her genre and, with seemingly inexhaustible ingenuity, was able to develop for more than fifty years surprising variations within those conventions.