Murder In Bollywood

‘Someone at this table has killed before, and someone at this table will kill again.’ Nikhil Kapoor, Bollywood’s biggest film director, made this shocking proclamation to his friends one night. Sameer Ali Khan, Bollywood’s badshah, seethed with rage. Nyra Oberoi, filmdom’s queen-in-waiting, turned her face away. Ishan Malhotra, producer extraordinaire, laughed out loud, while Kiki Fernandez, dress designer to the stars, looked afraid. Two nights later, both Nikhil and his wife, leading actress Mallika Kapoor, were found dead. It is up to Senior Inspector Hoshiyar Khan to solve the puzzle.

Confirmation Bias in Criminal Cases takes a multi-disciplinary approach to assessing confirmation bias among criminal justice practitioners, combining criminal law, psychology, criminology, medicine, and anthropology. The book analyses case studies from international jurisdictions and utilizes a research-based approach to confirmation bias.

Bollywood Storm is a lyrical and mystical murder mystery, set in Bollywood-style. With a dash of Kill Bill thrown in, this novel will not disappoint those readers expecting action; it’s also a meditation on self, identity, ego, intimacy, sensuality, spirituality, privilege and loss; and it’s got five song and dance numbers in it, too. The mazza of this story unfolds in two Books, spanning two continents Elanna Forsythe George is a Boston born, New York forensic scientist who takes on only cold cases, stone cold dead cases. She solves mysteries in unusual ways with her accidentally acquired, para-mystical abilities. Her cases come to her a few years after high-powered mainstream investigations, police and legal proceedings have all failed, and there's a dead end. But she doesn't take every case. Book I: New York Elanna is hired by the Bollywood starlet Simryn Gill to reopen the case of Rajesh Sharma, a Bollywood director who died of a supposed heart attack two years previous. Although it appears a simple heart attack, there is no drama, no gossip and no controversy anywhere in the Bollywood media. Somewhere, in that odd, conspicuous silence, Elanna smells a big rat.

Here is the astonishing true story of Bollywood, a sweeping portrait about a country finding its identity, a movie industry that changed the face of India, and one man's struggle to become a star. Shah Rukh Khan's larger than life tale takes us through the colorful and idiosyncratic Bollywood movie industry, where fantastic dreams and outrageous obsessions share the spotlight with extortion, murder, and corruption. Shah Rukh Khan broke into this $1.5 billion business despite the fact that it has always been controlled by a handful of legendary film families and sometimes funded by black market money. As a Muslim in a Hindu majority nation, exulting in classic Indian cultural values, Shah Rukh Khan has come to embody the aspirations and contradictions of a complicated culture tumbling headlong into American style capitalism. His story is the mirror to view the greater Indian story and the underbelly of the culture of Bollywood. "A bounty for cinema lovers everywhere." --Mira Nair, Director, The Namesake and Monsoon Wedding "King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars." -- Gurinder Chadha, director of Bend it Like Beckham "The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan." --Emma Thompson, actress "Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters." --Kirkus

Yes, sir, I killed my Dad! Is a father and son story and how a son loses his father to a spree of gruesome murders that shook Mumbai over a period of two months? This back to back murder spree by a serial killer called Vijay Palande has been chronicled in this book. This is the story of the only survivor of that killing spree, who lives to tell the tale of the brutal murder of his own father. The elations and trauma that he went through and how the entire gory episode unfolded in-front of his very eye, as he was numbed by drugs and alcohol. It’s a tale of deceit and deception, of how greed consumes man to do the most heinous things to other men. How young people can go to any length to full fill their dreams. The story is full of twists and turns. It is also story that highlights the alertness and efficacy of the Mumbai Police and how they managed to solve a complex case as the Tikku Murder.

Bollywood is India's most popular entertainment and one of its most powerful social forces. Its blockbusters contest ideas about state formation, capture the nation's dispersed anxieties, and fabricate public fantasies of what constitutes "India." Written by an award-winning scholar of popular culture and postcolonial modernity, Bollywood's India analyzes the role of the cinema's most popular blockbusters in making, unmaking, and remaking modern India. With dazzling interpretive virtuosity, Priya Joshi provides an interdisciplinary account of popular cinema as a space that filters politics and modernity for its viewers. Themes such as crime and punishment, family and individuality, vigilante and community capture the diffuse aspirations of an evolving nation. Summoning India's tumultuous 1970s as an interpretive lens, Joshi reveals the cinema's social work across decades that saw the decline of studios, the rise of the multi-starrer genre, and the arrival of corporate capital and new media platforms. In elegantly crafted studies of iconic and less familiar films, including Awara (1951), Ab Dilli Dur Nahin (1957), Deewaar (1975), Sholay (1975), Dil Se (1998), A Wednesday (2008), and 3 Idiots (2009), Joshi powerfully conveys the pleasures and politics of Bollywood blockbusters.

TIMES ARE TOUGH FOR SAMSON RYDER. a Melbourne-based, Anglo-Indian private investigator who likes his facts cold and his curries hot. A secret guilt over the death of his sister has left him guarded and closed, costing him his relationship with his girlfriend, his parents and his faith. When a wealthy Indian industrialist engages him to investigate how his daughter, a rising Bollywood starlet, died on a location shooting in Australia, Samson treats it as easy money. After all, the police had ruled out foul play. He soon comes to realise that this is also his opportunity for redemption, to help a family find the answers to their grief, the answers he couldn't give to his own parents. To uncover the truth, Samson goes back to the city of his birth, Mumbai and teams up with Mabel, his interpreter, Godmother and second-best cook in the world. Together, they prise off the glittering mask of Bollywood and unveil an industry where friendships are fickle, affairs are currency, black magic and curses are rampant and hidden dangers lurk all around. Will Sam uncover the truth or will he be the next victim?

As the first detailed English-language book on the subject, Korean Horror Cinema introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox), to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s with The Housemaid, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and introducing readers to films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Thirst, A Tale of Two Sisters, and Phone, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway, Woman's Wail and The Fox With Nine Tails. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike.