Murder Most Queer

A fascinating look at the shifting meanings of murderous gay characters in American theater over a century

"In this work of nonfiction, Elon Green reports on a series of baffling and brutal crimes. The victims of the serial murderer dubbed the 'Last Call Killer' were all gay men, and Green tries to shine a light onto their complicated lives and the queer community in New York City in the 1980s and 1990s as well. Peter Stickney Anderson was the first of the known victims"-- Adapted from the publisher's description.

A murdered heiress, a missing necklace, and a train full of shifty, unusual, and suspicious characters leaves Daisy and Hazel with a new mystery to solve in this third novel of the Wells & Wong Mystery series. Hazel Wong and Daisy Wells are taking a vacation across Europe on world-famous passenger train, the Orient Express—and it’s clear that each of their fellow first-class travelers has something to hide. Even more intriguing: There’s rumor of a spy in their midst. Then, during dinner, a bloodcurdling scream comes from inside one of the cabins. When the door is broken down, a passenger is found murdered—her stunning ruby necklace gone. But the killer has vanished, as if into thin air. The Wells & Wong Detective Society is ready to crack the case—but this time, they’ve got competition.

Hazel and Daisy step into the spotlight to find the stage is set for murder in this thrilling seventh novel of the Murder Most Unladylike Mystery series. Hazel Wong and Daisy Wells return to London to face an entirely new challenge: acting. Danger has a nasty habit of catching up with the Detective Society though, and it soon becomes clear that there is trouble waiting in the wings at the Rue. And when one of the cast members is found dead, the friends and investigative partners must work together to untangle the web of jealousy and threats that surround them to catch the culprit before the curtains rise on opening night…and the murderer returns for an encore.

Murder Most Gay: Book One A serial killer is targeting gay men, preying on them in popular bars and parks. Assigned to the case, rookie cop Pat St. James feels all too close to the victims. He's gay and firmly in the closet at work. The fact that he's sent undercover as a gay man is a stroke of irony. Pat and his fellow cop, Hank, are hanging out in bars, trying to get a lead on the killer. At the same time, Pat's looking for Mr. Right - juggling three men, hoping he'll find the perfect match for himself. He picked up Bill at a bar, Dean's a longtime friend ... and in yet another ironic twist, his partner, Hank, is also gay and on the list of possible beaus. As the killer continues to rampage, strangling and raping his victims, Pat has to focus on his work and hope that his personal life survives the stress. But when his hopes and dreams for happiness overlap with the investigation, Pat may be headed for big trouble.

**WINNER OF THE EDGAR® AWARD FOR BEST FACT CRIME** A "terrific, harrowing, true-crime account of an elusive serial killer who preyed upon gay men in the 1990s." -The New York Times (Editor's Pick) "In this astonishing and powerful work of nonfiction, Green meticulously reports on a series of baffling and brutal crimes targeting gay men. It is an investigation filled with twists and turns, but this is much more than a compelling true crime story. Green has shed light on those whose lives for too long have been forgotten, and rescued an important part of American history." -David Grann, #1 New York Times bestselling author of Killers of the Flower Moon The gripping true story, told here for the first time, of the Last Call Killer and the gay community of New York City that he preyed upon. The Townhouse Bar, midtown, July 1992: The piano player seems to know every song ever written, the crowd belts out the lyrics to their favorites, and a man standing nearby is drinking a Scotch and water. The man strikes the piano player as forgettable. He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim. Nor will he be his last. The Last Call Killer preyed upon gay men in New York in the ‘80s and ‘90s and had all the hallmarks of the most notorious serial killers. Yet because of the sexuality of his victims, the skyhigh murder rates, and the AIDS epidemic, his murders have been almost entirely forgotten. This gripping true-crime narrative tells the story of the Last Call Killer and the decades-long chase to find him. And at the same time, it paints a portrait of his victims and a vibrant community navigating threat and resilience.

Daisy and Hazel leap into action when a murder is committed on their cruise along the River Nile in Egypt.

Hamas has taken power in Palestine, and the Israeli government is rounding up threats. When Palestinian policewoman Rania Bakara finds herself thrown in prison, though she has never been part of Hamas, her friend Chloe flies in from San Francisco to get her out. Chloe begs an Israeli policeman named Benny for help—and Benny offers Rania a way out: investigate the death of a young man in a village near her own. The young man’s neighbors believe the Israeli army killed him; Benny believes his death might not have been so honorable. Initially, Rania refuses; she has no interest in helping the Israelis. But she is released anyway, and returns home to find herself without a job and suspected of being a traitor. Searching for redemption, she launches an investigation into the young man’s death that draws her into a Palestinian gay scene she never knew existed. With Chloe and her Palestinian Australian lover as guides, Rania explores a Jerusalem gay bar, meets with a lesbian support group, and plunges deep into the victim’s world, forcing her to question her beliefs about love, justice, and cultural identity.