Murther And Walking Spirits

Murther & Walking Spirits is available as an eBook for the first time. “I was never so amazed in my life as when the Sniffer drew his concealed weapon from its case and struck me to the ground, stone dead.” So begins the unusual story of Connor “Gil” Gilmartin when he catches his wife in flagrante with the Sniffer, his former colleague and now his murderer. Though he is struck dead in the very first line of this novel, death is only the first indignity Gil is about to suffer. For he lingers on as a ghost, and from this bleak vantage–made even less endurable by the fact that he must spend the afterlife sitting beside his killer at a film festival–he is forced to view the exploits and failures of his ancestors, from the forerunners who sailed up the Hudson to Canada during the American Revolution right up to his university-professor parents.

The fruits of an eighteen-year tradition of Massey College’s annual Gaudy Nights, Robertson Davies’ High Spirits still delights and amuses to this day. Published as an eBook for the first time. In the Introduction to this collection of charming stories, Robertson Davies notes we all need “ghosts as a dietary supplement . . . to stave off that most dreadful of modern ailments, the Rational Rickets.” In one tale, Mr. Davies introduces the ghost of Henrik Ibsen; in another, he brings us face to face with a bust of Charles Dickens, whose “scarlet lips . . . parted in a terrible smile” and whose “beard stirred in a hiccup of repletion.” Sixteen other apparitions manifest themselves, each rendered with Robertson Davies’ special touch–a bit of parody, a touch of true scariness–and all emanating from high spirits.

The Cunning Man is a perceptive and entertaining memoir of a doctor’s life, available as an eBook for the first time. When Father Hobbes mysteriously dies at the high altar on Good Friday, Dr. Jonathan Hullah—whose holistic work has earned him the label “Cunning Man” (for the wizard of the folk tradition)—wants to know why. The physician-cum-diagnostician’s search for answers compels him to look back over his own long life. He conjures vivid memories of the dazzling intellectual high jinks and compassionate philosophies of his circle, including flamboyant, mystical curate Charlie Iredale; cynical, quixotic professor Brocky Gilmartin; outrageous banker Darcy Dwyer; and jocular, muscular artist Pansy Todhunter. In compelling and hilarious scenes from the divine comedy of life, The Cunning Man reveals profound truths about being human. In Robertson Davies’ last novel, he returns to those issues which concerned him throughout his writing career–the nature of friendship, religion, faith, and artistic life–with his famous wit and humour and his usual rich characterization.

The debut novel that launched Robertson Davies’ literary career, Tempest-Tost is a magnificent display of his legendary wit. The first novel in The Salterton Trilogy is now available as an eBook for the first time. An amateur production of The Tempest provides a colourful backdrop for a hilarious look at unrequited love. Mathematics teacher Hector Mackilwraith, stirred and troubled by Shakespeare’s plays, falls in love with the beautiful Griselda Webster. When Griselda shows she has plans of her own, Hector despairs and tries to commit suicide on the play’s opening night.

The second novel in Robertson Davies’ critically acclaimed Deptford Trilogy, The Manticore is a fascinating exploration, by an exquisite stylist, of those regions beyond reason where monsters live. Available as an eBook for the first time. David Staunton, the son of Percy Boyd Staunton, travels to Switzerland. As he undergoes Jungian analysis for a lifetime of unhappiness and the trauma left by the death of his father, he repeatedly encounters a manticore—a monster with the head of a man, the body of lion, and the tail of a scorpion. “He is to say the least a mature and wise writer.” Anthony Burgess

Hailed as a literary masterpiece, Robertson Davies' The Cornish Trilogy comes to a brilliant conclusion in The Lyre of Orpheus. Available as an eBook for the first time. There is an important decision to be made. The Cornish Foundation is thriving under the directorship of Arthur Cornish when Arthur and his beguiling wife, Maria Theotoky, decide to undertake a project worthy of Francis Cornish– connoisseur, collector, and notable eccentric–whose vast fortune endows the Foundation. The grumpy, grimy, extraordinarily talented music student Hulda Schnakenburg is commissioned to complete E.T.A. Hoffmann’s unfinished opera Arthur of Britain, or The Magnanimous Cuckold; and the scholarly priest Simon Darcourt finds himself charged with writing the libretto. Complications both practical and emotional arise: the gypsy in Maria’s blood rises with a vengeance; Darcourt stoops to petty crime; and various others indulge in perjury, blackmail, and other unsavory pursuits. Hoffmann’s dictum, “the lyre of Orpheus opens the door of the underworld,” seems to be all too true—especially when the long-hidden secrets of Francis Cornish himself are finally revealed. Baroque and deliciously funny, this third book in The Cornish Trilogy shows Robertson Davies at his very considerable best.

Called “an altogether remarkable creation, his most accomplished novel to date” (The New York Times), What's Bred in the Bone is the second brilliant novel in Robertson Davies’ The Cornish Trilogy. Available as an eBook for the first time. Francis Cornish was always good at keeping secrets. From the well-hidden family secret of his childhood to his mysterious encounters with a small-town embalmer, a master art restorer, a Bavarian countess, and various masters of espionage, the events in Francis’s life were not always what they seemed. In this wonderfully ingenious portrait of an art expert and collector of international renown, Robertson Davies has created a spellbinding tale of artistic triumph and heroic deceit. It is a tale told in stylish, elegant prose, endowed with lavish portions of Davies’ wit and wisdom. “Davies’s make-believe universe has the appeal of a mystic’s vision… What’s Bred in the Bone is vintage Davies.” The Globe and Mail

The book that marked the first appearance in the United States of Robertson Davies’ mischievous alter ego, Samuel Marchbanks, is now available as an eBook for the first time. In 1942, two years after returning to Canada from Britain, Robertson Davies took up the role of editor of the Peterborough Examiner. During his tenure as editor at the Examiner, a post he held until 1955, and later as publisher of the newspaper (1955–65), Davies published witty, curmudgeonly, mischievous, and fiercely individualistic editorials under the name of his alter ego, Samuel Marchbanks, “one of the choice and master spirits of his age.” In this single volume, first published in 1985, the “gentle headwaiter to Marchbanks’ splendid banquet” has edited and selected from his alter ego’s observations to bring together previous titles in the Marchbanks bibliography: The Diary (1947), The Table Talk (1949), and Samuel Marchbanks’ Almanack (1967). Here is treasure! Marchbanks on politics, on his furnace, on theatre, on the taxman, on trains, on Christmas, on book-banners, on manners, indeed on everything under the sun! Not only this, but Davies’ copious and quite delectable Notes are “calculated to remove all Difficulties caused by the passage of Time and to offer the Wisdom, not to speak of Whimsicality, of this astonishing man to the Modern Public, in the most convenient form.” Reviewing the first edition of Papers for the New York Times in 1986, Davies’ longtime friend John Kenneth Galbraith said: “Not many journalists would wish to risk having their daily efflux dug out and published after a lapse of 40 years. . . . This writing of four decades ago is consistently incisive, insulting, funny, relevant and altogether interesting.” The Papers of Samuel Marchbanks, best savoured at leisure, and returned to time and again, “offers a humourous and insightful picture of postwar Canadian life as seen through the eyes of a delightful eccentric who reminds . . . of a boozeless W.C. Fields.” Charles Bishop, English Dept., University of New Orleans.