Muses Madmen And Prophets

Smith presents the strange history of auditory hallucination and reevaluates the popular conception of the phenomenon today and through the ages. He reveals the roots of the medical understanding and treatment of it along with its relationship to the nature of pure faith.

An inquiry into hearing voices-one of humanity's most profound phenomena Auditory hallucination is one of the most awe-inspiring, terrifying, and ill- understood tricks of which the human psyche is capable. In the age of modern medical science, we have relegated this experience to nothing more than a biological glitch. Yet as Daniel B. Smith puts forth in Muses, Madmen, and Prophets, some of the greatest thinkers, leaders, and prophets in history heard, listened to, and had dialogues with voices inside their heads. In a fascinating quest for understanding, Smith examines the history of this powerful phenomenon, and delivers a ringing defense of the validity of unusual human experiences.

We live immersed in thought. But do we actually know what a thought is? To answer this question, psychology professor Charles Fernyhough draws on everything from neuroscience to literary history to grasp the true nature of this most inscrutable of acts: thinking. Whether a medieval saint who hears voices or a writer absorbed in an imagined world, a daydreamer riding the subway or a captivated reader, we experience thought as a creative inner dialogue featuring multiple voices. Fernyhough uses this conception to demystify mental illness, showing that imagining voices is intimately linked to the feeling of artistic production. Drawing on literature, film, and psychology, as well as cognitive science, The Voices Within is a poetic venture into the depths of our mind. It will revolutionize the way we hear and understand the voices in our heads.

In this book, Barbara Ellison and Thomas B. W. Bailey lay out and explore the mystifying and evanescent musical territory of 'sonic phantoms': auditory illusions within the musical material that convey a 'phantasmatic' presence. Structured around a large body of compositional work developed by Ellison over the past decade, sonic phantoms are revealed and illustrated as they arise through a diverse array of musical sources, materials, techniques, and compositional tools: voices (real and synthetic), field recordings, instrument manipulation, object amplification, improvisation, and recording studio techniques. Somehow inherent in all music--and perhaps in all sound--sonic phantoms lurk and stalk with the promise of mystery and elevation. We just need to conjure them.

This collection of papers explores the sacred and magical aspects of ethno-medicine. The subject area is marked out by the points of connection between religious anthropology, ethno-medicine and medical anthropology, focusing on topics such as magical and religious concepts of health and disease, causes of disease, religious and magical averting and healing rites, healing gods, saints and, last but not least, the role that these play in the society, religion, mentality and everyday life of a community, as well as their various representations in folklore, literature or art. This volume includes, without restrictions of a methodological, temporal or geographical nature, works from the fields of folklore studies, anthropology, cultural history, comparative historical and textual philology, as well as research findings using the latest methods of analysis in textual folklore or based on archival research or fieldwork in or outside of Europe. This book will appeal to researchers and students of religion, folklore, and medical anthropology, as well as general readers interested in the humanities and cultural history.

No one knows exactly what happened two thousand years ago in the Holy Land. The four Gospel authors proclaimed their versions, and the fathers of the emerging Christian church trumpeted them to be the Gospel Truth. In The Anatomies of God, the Bible, and Religion, author Donald R. Nuss examines evidence that contravenes what has been accepted for centuries. It asks questions that ministers and priests cannot or will not answer, such as: Is the Bible historically accurate, the word of God, or an amalgam of half truths, myths, and fiction? The result of fifty years of research, The Anatomies of God, the Bible, and Religion serves as a Biblical handbook. Insightful commentary explains how each author of the Old Testament influenced the conduct of the ancient Israelis and how some provided source material for New Testament Gospel authors. Nuss explores the Bibles mystique, reveals its beauty, exposes its blemishes, and analyzes, praises, and criticizes its inconsistencies, contradictions, and mendacity. In this thorough examination, Nuss seeks to explain why religion inspires, elevates, and gives encouragement to many, but incites, irritates, and inflames others.

West Africa's Women of God examines the history of direct revelation from Emitai, the Supreme Being, which has been central to the Diola religion from before European colonization to the present day. Robert M. Baum charts the evolution of this movement from its origins as an exclusively male tradition to one that is largely female. He traces the response of Diola to the distinct challenges presented by conquest, colonial rule, and the post-colonial era. Looking specifically at the work of the most famous Diola woman prophet, Alinesitoué, Baum addresses the history of prophecy in West Africa and its impact on colonialism, the development of local religious traditions, and the role of women in religious communities.

Delusions play a fundamental role in the history of psychology, philosophy and culture, dividing not only the mad from the sane but reason from unreason. Yet the very nature and extent of delusions are poorly understood. What are delusions? How do they differ from everyday errors or mistaken beliefs? Are they scientific categories? In this superb, panoramic investigation of delusion Jennifer Radden explores these questions and more, unravelling a fascinating story that ranges from Descartes’s demon to famous first-hand accounts of delusion, such as Daniel Schreber’s Memoirs of My Nervous Illness. Radden places delusion in both a clinical and cultural context and explores a fascinating range of themes: delusions as both individually and collectively held, including the phenomenon of folies á deux; spiritual and religious delusions, in particular what distinguishes normal religious belief from delusions with religious themes; how we assess those suffering from delusion from a moral standpoint; and how we are to interpret violent actions when they are the result of delusional thinking. As well as more common delusions, such as those of grandeur, she also discusses some of the most interesting and perplexing forms of clinical delusion, such as Cotard and Capgras.