Museums Of World Religions

Critically examining the notion of 'world religions', Charles D. Orzech compares five purpose-built museums of world religions and their online extensions. Inspired by the 19th and 20th century discipline of comparative religion, these museums seek to promote religious tolerance by representing religious diversity and by arguing for underlying kinship among religions. From locations in Europe (Marburg, Glasgow and St Petersburg), to North America (Quebec) to Asia (Taipei), each museum advances a particular cultural history. This book shows how the curation of the objects they contain shapes public perceptions of religion, giving material form to the discourses about religion and world religions. Raising important questions about religion and secularity, museum displays and religious piety, Museums of World Religions questions the ideology that informs these museums. Building on recent anthropological work on the agency of religious objects, the author critiques these museums and suggests new approaches to displaying the matter of religion.

Critically examining the notion of 'world religions', Charles Orzech examines and compares five purpose-built museums of world religions, as well as a number of online sites structured according to the category. These museums are located in Europe (Marburg, Glasgow and St Petersburg), North America (Quebec) and Asia (Taipei) and, inspired by the 19th and 20th-century discipline of comparative religions, museums now seek to promote religious tolerance by representing religious diversity and by arguing for underlying kinship among religions. 0Each museum advances a particular cultural history, and this book shows how the curation of the objects they contain shapes public perceptions of religion, giving material form to the discourses about religion and world religions. Raising important questions about religion and secularity, museum displays and religious piety, World Religions Museums questions the ideology that informs these museums. Building on recent anthropological work on the agency of religious objects, the author both critiques and suggests new approaches to displaying the matter of religion.

Bringing together scholars and practitioners from North America, Europe, Russia, and Australia, this pioneering volume provides a global survey of how museums address religion and charts a course for future research and interpretation. Contributors from a variety of disciplines and institutions explore the work of museums from many perspectives, including cultural studies, religious studies, and visual and material culture. Most museums throughout the world – whether art, archaeology, anthropology or history museums – include religious objects, and an increasing number are beginning to address religion as a major category of human identity. With rising museum attendance and the increasingly complex role of religion in social and geopolitical realities, this work of stewardship and interpretation is urgent and important. Religion in Museums is divided into six sections: museum buildings, reception, objects, collecting and research, interpretation of objects and exhibitions, and the representation of religion in different types of museums. Topics covered include repatriation, conservation, architectural design, exhibition, heritage, missionary collections, curation, collections and display, and the visitor's experience. Case studies provide comprehensive coverage and range from museums devoted specifically to the diversity of religious traditions, such as the State Museum of the History of Religion in St Petersburg, to exhibitions centered on religion at secular museums, such as Hajj: Journey to the Heart of Islam, at the British Museum.

In the past, museums often changed the meaning of icons or statues of deities from sacred to aesthetic, or used them to declare the superiority of Western society, or simply as cultural and historical evidence. The last generation has seen faith groups demanding to control 'their' objects, and curators recognising that objects can only be understood within their original religious context. In recent years there has been an explosion of interest in the role religion plays in museums, with major exhibitions highlighting the religious as well as the historical nature of objects.Using examples from all over the world, Religious Objects in Museums is the first book to examine how religious objects are transformed when they enter the museum, and how they affect curators and visitors. It examines the full range of meanings that religious objects may bear - as scientific specimen, sacred icon, work of art, or historical record. Showing how objects may be used to argue a point, tell a story or promote a cause, may be worshipped, ignored, or seen as dangerous or unlucky, this highly accessible book is an essential introduction to the subject.

Critically examining the notion of 'world religions', Charles D. Orzech compares five purpose-built museums of world religions and their online extensions. Inspired by the 19th and 20th century discipline of comparative religion, these museums seek to promote religious tolerance by representing religious diversity and by arguing for underlying kinship among religions. From locations in Europe (Marburg, Glasgow and St Petersburg), to North America (Quebec) to Asia (Taipei), each museum advances a particular cultural history. This book shows how the curation of the objects they contain shapes public perceptions of religion, giving material form to the discourses about religion and world religions. Raising important questions about religion and secularity, museum displays and religious piety, Museums of World Religions questions the ideology that informs these museums. Building on recent anthropological work on the agency of religious objects, the author critiques these museums and suggests new approaches to displaying the matter of religion.

We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled now that they are in museums? Are they still sacred objects, or formerly sacred objects that are now art objects, or are they simultaneously objects of religious and artistic significance, depending on who is viewing the object? These objects not only raise questions about their own identities, but also about the ways we understand the religious traditions in which these objects were created and which they represent in museums today. Bringing together religious studies scholars and museum curators, Sacred Objects in Secular Spaces is the first volume to focus on Asian religions in relation to these questions. The contributors analyze an array of issues related to the exhibition in museums of objects of religious significance from Hindu, Buddhist, and Sikh traditions. The "lives†? of objects are considered, along with the categories of "sacred†? and "profane†?, "religious†? and "secular†?. As interest in material manifestations of religious ideas and practices continues to grow, Sacred Objects in Secular Spaces is a much-needed contribution to religious and Asian studies, anthropology of religion and museums studies.

Although museums and art galleries are often compared in role and function to shrines and temples, religion itself has mostly been ignored in museums, even those displaying works originally created for purely religious purposes. In recent years, however, there has been increased interest in the study of spiritual values, particularly those of non-Western cultures. Fourteen contributors from museums and universities worldwide look at the themes and artifacts of religion and examine how museums handle and present this subject, which although often difficult to grasp has pervaded every human society. The first three chapters examine, from different perspectives, the principal religious themes and rituals. Then, a series of chapters looks at how religions-from Methodism to Voodou-have been presented in museums, from Belfast to Taiwan. This book will be essential reading for all who work in museums as curators, conservators, or exhibition designers; it will be equally important for students of religion, art history, and cultural>

This book reexamines the meaning and significance of the first World's Parliament of Religions and its impact on the development of the academic study of religion. Held in Chicago in 1893, the Parliament attracted the participation of religious leaders from different faiths and a smaller number of academics who studied religion from what they called "scientific" perspectives. Following an introduction by the editor, the essays are organized into three sections. Part I reissues six papers on comparative religion from the Parliament's original proceedings. Part II contains two articles, both written within a year of the Parliament, that express an early appraisal of the significance of the Parliament for world religious history and the comparative study of religion. A third and final Part contains eight contemporary essays reassessing the Parliament itself and its impact on interfaith dialogue and comparative religion.