Music And Fantasy In The Age Of Berlioz

An exploration of fantastic soundworlds in nineteenth-century France, providing a fresh aesthetic and compositional context for Berlioz and others.

In this abridgment of his monumental study, Berlioz and the Romantic Century, Jacques Barzun recounts the events and extraordinary achievements of the great composer's life against the background of the romantic era. As the author eloquently demonstrates, Berloiz was an archetype whose destiny was the story of an age, the incarnation of an artistic style and a historical spirit. "In order to understand the nineteenth century, it is essential to understand Berlioz," notes W. H. Auden, "and in order to understand Berlioz, it is essential to read Professor Barzun."

In this delightful and now classic narrative, written by the brilliant composer and critic Hector Berlioz, readers are made privy to 25 highly entertaining evenings with a fascinating group of distracted performers.

Inge van Rij's book demonstrates how Berlioz used the sights and sounds of the orchestra to explore other worlds.

Berlioz's Symphonie Fantastique is a key work in the understanding of romanticism, programme music, and the development of the orchestra, post-Beethoven. It is noted for having a title and a detailed programme, and for its connection with the composer's personal life and loves. This handbook situates the symphony within its time, and considers influences, literary as well as musical, that shaped its conception. Providing a close analysis of the symphony, its formal properties and melodic and textural elements (including harmony and counterpoint), it is a rich but accessible study which will appeal to music lovers, scholars, and students. It contains a translation of the programme, which sheds light on the form and character of each movement, and the unusual use of a melodic idée fixe representing a beloved woman. The unusual five-movement design permits a range of musical topics to be discussed and related to traditional symphonic elements: sonata form, a long Adagio, dance-type movements, and thematic development.

A collection of essays and short object lessons on the composer Hector Berlioz, published in collaboration with the Bard Music Festival. Hector Berlioz (1803-1869) has long been a difficult figure to place and interpret. Famously, in Richard Wagner's estimation, he hovered as a "transient, marvelous exception," a composer woefully and willfully isolated. In the assessment of German composer Ferdinand Hiller, he was a fleeting comet who "does not belong in our musical solar system," the likes of whom would never be seen again. For his contemporaries, as for later critics, Berlioz was simply too strange--and too noisy, too loud, too German, too literary, too cavalier with genre and form, and too difficult to analyze. He was, in many ways, a composer without a world. Berlioz and His World takes a deep dive into the composer's complex legacy, tracing lines between his musical and literary output and the scientific, sociological, technological, and political influences that shaped him. Comprising nine essays covering key facets of Berlioz's contribution and six short "object lessons" meant as conversation starters, the book reveals Berlioz as a richly intersectional figure. His very difficulty, his tendency to straddle the worlds of composer, conductor, and critic, is revealed as a strength, inviting new lines of cross-disciplinary inquiry and a fresh look at his European and American reception.

A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.

French composer Hector Berlioz believed in love at first sight. When he was 23, he attended a performance of Shakespeare s play Hamlet and fell head over heels in love with Harriet Smithson, an English actress who had a leading role. Harriet didn t show any interest in him. She ignored his letters. When he tried to meet her backstage, she ordered the guard to throw him out.Berlioz was hurt and angry. He wanted revenge. He got it by murdering Harriet �musically. She inspired Symphonie fantastique, his most famous work. The hero kills his beloved, is executed for the crime, and the symphony ends with a bizarre dance of ghosts, goblins, and other monsters.