Music Contexts A Concise Dictionary Of Hindustani Music

This book features original papers from 25th International Symposium on Frontiers of Research in Speech and Music (FRSM 2020), jointly organized by National Institute of Technology, Silchar, India, during 8–9 October 2020. The book is organized in five sections, considering both technological advancement and interdisciplinary nature of speech and music processing. The first section contains chapters covering the foundations of both vocal and instrumental music processing. The second section includes chapters related to computational techniques involved in the speech and music domain. A lot of research is being performed within the music information retrieval domain which is potentially interesting for most users of computers and the Internet. Therefore, the third section is dedicated to the chapters related to music information retrieval. The fourth section contains chapters on the brain signal analysis and human cognition or perception of speech and music. The final section consists of chapters on spoken language processing and applications of speech processing.

The book studies the evolution of the ancient drum mṛdaṅga into the pakhāvaj, crossing more than 2,000 years of history. While focusing on the Nathdwara school of pakhāvaj, the author joins ethnographic, historical, religious and iconographic perspectives to argue a multifaceted interpretation of the role and function of the pakhāvaj in royal courts, temples and contemporary stages. Furthermore, he offers the first analysis of the visual and narrative contents of its repertoire.

An annotated translation of Nandadasa’s poetic rendition of the five chapters of rasa-lila in the Bhagavata, highlighting the text’s musical legacy, devotional worship, and Vedantic foundations. Maharasa Manjusa: Sacred Poetry of the Divine Dance provides translation and scholarly commentary of Nandadasa’s five chapters of rasa-lila, collectively known as the rasapancadhyayi. In the Vaisnava tradition propounded by Vallabhacarya, Nandadasa is considered to be one of the eight devotional poets, whose compositions are exquisitely detailed with description of both Krsna’s cosmic form and his divine play. This gradually developed into a distinctive style of performing art, haveli-sangita, which is practiced even today. Maharasa Manjusa: Sacred Poetry of the Divine Dance brings out the poetics, narrative style, and idiosyncrasies of the recitation of devotional poems from the region of Vraja in the 16th Century. An exquisite specimen of devotional poetics, Nandadasa’s Rasapancadhyayi is a Braja-Bhasa rendition of the Bhagavata’s quintet of Maharasa written in Sanskrit verse. The Bhagavata is one of the most beloved texts of Krsna-devotional traditions and the foundational scripture of Braja Vaisnavism and its five chapters describing the divine dance illustrate the ecstatic fruit of devotion. Presenting a devotee’s execution of the Maharasa while examining its interpretative themes underpinned in the epistemology of Vallabhacarya, Maharasa Manjusa: Sacred Poetry of the Divine Dance offers an intensive view of the musical legacy, a devotee’s worshipful interactions, and Vedantic foundations of the ecstatic devotion expressed by Nandada¯sa. The introductory chapters provide first compendious study of the theo-aesthetic, epistemic, and liturgical framework of Pustimarga’s orthopraxis that have fuelled this lyrical delivery. Enriched with annotations, the translations are literal while offering nuanced insights into the colloquial intricacies of Braja-Bhasa poetics and the cultural expressions of the Braja region. EXPERT SCHOLARLY ANALYSIS: Prakriti Goswami is a doctoral candidate at Indiana University who studies the role of poetics, music, and aesthetics within Hinduism. Foreword author David Haberman is a professor of religious studies at Indiana University who has written multiple books on northern Indian religious traditions. EDUCATION AID: Maharasa Manjusa: Sacred Poetry of the Divine Dance is a rich source of knowledge which can supplement academic coursework or provide guidance for independent study of Hinduism. FIRST BOOK IN SERIES: This book is the first in a series of academic texts by the Bhaktivedanta Research Center, an academic institute which offers forums, conferences, courses, and other resources on Vaishnavism.

George Harrison was one of the most prolific popular music composers of the late 20th century. During his tenure with the Beatles, he caught the wave of 1960s pop culture and began channeling its pervasive influence through his music. Often described as "The Invisible Singer," his solo recordings reveal him to be an elusive, yet essential, element in the Beatles’ sound. The discussion of George Harrison’s Beatle tracks featured in the text employs a Songscape approach that blends accessible music analysis with an exploration of the virtual space created on the sound recording. This approach is then used to explore Harrison’s extensive catalog of solo works, which, due to their varied cultural sources, seem increasingly like early examples of Global Pop. In that sense, the music of George Harrison may ultimately be viewed as an important locus for pan-cultural influence in the 20th century, making this book essential reading for those interested in the history of songwriting and recording as well as the cultural study of popular music.

The Routledge International Handbook of Clinical Hypnosis explores and clarifies the challenge of defining what hypnosis is and how best to integrate it into treatment. It contains state-of-the-art neuroscience, cutting-edge practice, and future-oriented visions of clinical hypnosis integrated into all aspects of health and clinical care. Chapters gather current research, theories, and applications in order to view clinical hypnosis through the lens of neurobiological plasticity and reveal the central role of hypnosis in health care. This handbook catalogs the utility of clinical hypnosis as a biopsychosocial intervention amid a broad range of treatment modalities and contexts. It features contributions from esteemed international contributors, covering topics such as self-hypnosis, key theories of hypnosis, hypnosis and trauma, hypnosis and chronic pain management, attachment, and more. This handbook is essential for researchers, clinicians, and newcomers to clinical hypnosis, in medical schools, hospitals, and other healthcare settings. Chapters 4, 35, 62 and 63 of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.