Music On The Internet

These are exciting times for musicians, record companies, fans - in fact, for anyone with a passion for music. The internet is bringing about a revolution in the way we produce, distribute and listen to music, and new rules, new deals, new players and new opportunities weem to be apperaing every day. Where will it end? Will record companies survive? Will MP3 bring down the industry? Can today's musicians use the net to go it alone and make a living? How are the record deals of the future going to look? How do you run your own internet record label or online radio station? Is Napster here to stay? Music & The Internet Revolution contains all of the answers, tips and know-how you need to fully embrace the Digital Age, from webcasting live concerts to reaching fans by e-mail to setting up your own website. Packed with advice, and with a fully comprehensive appendix of important web sites, it is the first definitive guide to the net's extraordinary impact on the music business.

If you're in a band, you need the Internet. Whether it's building a Web site to showcase your music, downloading free drum loops from online sample libraries or just getting into huge sweary fights with complete strangers, the Net is the best thing that's happened to music since Phil Collins stopped touring. everything from how to build a Web site (find a geek and give him beer) to practical advice on making money and staying out of trouble. Detailed advice about what works and what doesn't features, together with some sneaky tips to help you along the way

From Internet radio services to online jukeboxes and music download stores, there are scores of new options for music lovers. Breeding makes sense of these options and shows readers how to make savvy use of these services. (Technology & Industrial Arts)

Explains what happened to music—for both artists and fans—when music went online. Playing to the Crowd explores and explains how the rise of digital communication platforms has transformed artist-fan relationships into something closer to friendship or family. Through in-depth interviews with musicians such as Billy Bragg and Richie Hawtin, as well as members of the Cure, UB40, and Throwing Muses, Baym reveals how new media has facilitated these connections through the active, and often required, participation of the artists and their devoted, digital fan base. Before the rise of social sharing and user-generated content, fans were mostly seen as an undifferentiated and unidentifiable mass, often mediated through record labels and the press. However, in today’s networked era, musicians and fans have built more active relationships through social media, fan sites, and artist sites, giving fans a new sense of intimacy and offering artists unparalleled information about their audiences. However, this comes at a price. For audiences, meeting their heroes can kill the mystique. And for artists, maintaining active relationships with so many people can be both personally and financially draining, as well as extremely labor intensive. Drawing on her own rich history as an active and deeply connected music fan, Baym offers an entirely new approach to media culture, arguing that the work musicians put in to create and maintain these intimate relationships reflect the demands of the gig economy, one which requires resources and strategies that we must all come to recognize and appreciate.

Berklee Book Trade This hands-on guide is essential for any musician who wants to build a fan base and increase profits through the Internet. Peter Spellman, Director of the Career Development Center at Berklee College of Music, guides the self-managed musician through successful strategies to promote music online, reach new audiences, and maximize income. Readers will learn how to: create a professional website; share music downloads; sell and license music online; broadcast on Internet radio; webcast live concerts; create streaming audio; get an online record deal; and much more. Includes an invaluable listing of more than 300 music-related websites!