My Begging Chart

Keiler Roberts mines the passing moments of family life to deliver an affecting and funny account of what it means to simultaneously exist as a mother, daughter, wife, and artist. Drawn in an unassuming yet charming staccato that mimics the awkward rhythm of life, no one’s foibles are left unspared, most often the author’s own. When Roberts considers whether or not to dust the ceiling fan, it’s effectively relevant. She can get lost in the rewarding melodrama of playing Barbies with her daughter and will momentarily snap out of her depression. Her harmless fibs to get through the moment are brought up by her daughter a year or two later, yet without hesitation Roberts will request that her daughter’s imaginary friend not visit when she is around. Her MS diagnosis lingers in the background, never taking center stage. In My Begging Chart, her most encompassing work yet, Keiler meditates on routine and stillness. The vignettes of her everyday life exude immense presence, making her comics thoroughly relatable and reflective of our all-too-human lives as they unfold with humour, sadness, and relieving joy. In transporting these stories onto paper, Keiler observes, and at times relishes, a fleeting present.

There once was a lady who was very creepy. She moved about the world in seemingly normal ways, except for one tremendously bizarre tic. First she sought out kids transfixed by their screens, staring blindly and blank-faced at nearly any device, and then she would snatch something precious from them. In this picture book for grown-ups, sibling duo Keiler Roberts and Lee Sensenbrenner render a compelling—and downright creepy—modern fable about kids who are hooked on their digital devices. Creepy is the contemporary answer to the shocking tales of the Brothers Grimm and bedtime moral stories like the boy who cried wolf or the princess and the pea: in it, Roberts and Sensenbrenner provide a shrewd and comical commentary on the increasing digitization of childhood. Known for her award-winning autobiographical comics, Roberts’s signature deadpan humor is on full display in these vibrantly painted pages. It’s safe to say that no one tackles the peril of screen time as vividly or absurdly as this pair.

Keiler Roberts affirms her status as one of the best autobiographical cartoonists working today with The Joy of Quitting, a work encompassing 8 years of hilarious moments in the author’s life, mined from the universal. It spans her frantic child-rearing, misfires in the workplace, and frustrating experiences with the medical system. In one strip, the author and her daughter Xia have itchy scalps. Roberts asks her husband to check her hair and all she gets is the cursory remark that he just sees "a bunch of bugs.” In another, Xia describes her oddly shaped poop in precise detail. We then see Xia sitting at the breakfast table telling the family that she recently learned the word “nuisance” and everyone agrees it’s a good word for her to know. As Xia grows from toddler to big kid, the family evolves and its dynamics shift in subtle ways, changes that pass all too suddenly in real life captured forever with Roberts’s keen observational humour. The Joy of Quitting is Roberts’ magnum opus of domestic comedy, highlighting how she continues to work within and expand the rich tradition of autobiographical comics. Again and again, Roberts shows us that most meaningful moments or gestures often don’t have any meaning at all.

The Hugo Award-winning author of The Delirium Brief reveals the secrets of The Laundry Files in an adventure of Lovecraftian horror and espionage hi-jinks... As a newly appointed junior manager within the Laundry—the clandestine organization responsible for protecting Britain against supernatural threats—Bob Howard is expected to show some initiative to help the agency battle the forces of darkness. But shining a light on what’s best left in the shadows is the last thing Bob wants to do—especially when those shadows hide an occult parasite spreading a deadly virus. Traders employed by a merchant bank in London are showing signs of infection—an array of unusual symptoms such as super-strength and -speed, an uncanny talent for mind control, an extreme allergic reaction to sunlight, and an unquenchable thirst for blood. While his department is tangled up in bureaucratic red tape (and Buffy reruns) debating how to stop the rash of vampirism, Bob digs deeper into the bank’s history—only to uncover a blood-curdling conspiracy between men and monsters...

As Lina steps into adulthood, she turns to the work of Virginia Woolf and Patricia Highsmith for insight into who she--and her friends--will become It's a typically sticky Toronto summer and Lina's spending her first couple of weeks after graduation reading and hanging out with her best friend Cara. Everything's calm--until she finds out that her childhood friend Alicia has died. With her high school friends quickly drifting apart and her parents out of town, Lina tries to make sense of what has happened on her own. Hoping for answers, she turns to Virginia Woolf's To The Lighthouse and Patricia Highsmith's The Price of Salt. As Lina reunites with her friends for a final party on the shores of Lake Ontario, she finds herself wondering what it means to have known someone, and who they'll all become when they're no longer anchored to each other. Winner of the Expozine Awards, July Underwater is an early work of Tiohtià ke (Montreal) based artist Zoe Maeve, now available to widespread audiences for the first time. "A beautifully illustrated, poetic, at times impressionistic yet straightforward tale that is strongly evocative of the kind of reminiscences and reflections experienced during summer beachfront escapes."--Juror comments, 2016 Expozine Awards

When Susan MacLeod accompanied her 90-year-old mother through a labyrinthine long-term care system, it was a nine-year journey navigating a government within a heart in a system without compassion. Her family, much like the system, erected walls rather than opening arms. She found herself involuntarily placed at the pivot point between her frail, elderly mother's need for love and companionship, the system's inability to deliver, and her brother's indifference. She had also spent three years as a government spokesperson enthusiastically defending the very system she now experienced as brutally cold. MacLeod's tone is defined by a gentle, self-effacing humour touched by exasperation for the absurdities and the newfound wisdom around expectations.Dying for Attention is the latest memoir in the graphic medicine field, shelved alongside My Begging Chart by Keiler Roberts and Tangles by Sarah Leavitt. MacLeod includes helpful tips for communicating with nursing homes, as well as background research, to provide a larger context for this under-discussed experience.

A recovering alcoholic lives in the shadow of a world famous comic strip and its tyrannical creator Caleb is a middle-aged painter with a non-starter career and a checkered past. He also happens to be the only child of one of the world’s most famous cartoonists, Jimmi Wyatt. Known for the internationally beloved father and son comic Sonny Side Up, Jimmi made millions drawing saccharine family stories while neglecting his own son. Now sober, Caleb is haunted by his wasted past and struggling to take responsibility for his present before it’s too late. His always patient boyfriend, James, is reaching the end of his rope. When Caleb gets the chance to step out from his father’s shadow and shape the most public aspect of the family business, he makes every bad decision and watches his life fall apart. Is it too late to repair the harm? Are we forever doomed to make the same mistakes our parents did?

One of the Best 5 Books of 2014 — Esquire "I’ve been waiting for this book for a long time. Well, not this book, because I never imagined that the book I was waiting for would be so devastatingly smart and funny, so consistently entertaining and unflinchingly on target. In fact, I would like to have written it myself – if, that is, I had lived Linda Tirado’s life and extracted all the hard lessons she has learned. I am the author of Nickel and Dimed, which tells the story of my own brief attempt, as a semi-undercover journalist, to survive on low-wage retail and service jobs. Tirado is the real thing." —from the foreword by Barbara Ehrenreich, New York Times bestselling author of Nickel and Dimed We in America have certain ideas of what it means to be poor. Linda Tirado, in her signature brutally honest yet personable voice, takes all of these preconceived notions and smashes them to bits. She articulates not only what it is to be working poor in America (yes, you can be poor and live in a house and have a job, even two), but what poverty is truly like—on all levels. Frankly and boldly, Tirado discusses openly how she went from lower-middle class, to sometimes middle class, to poor and everything in between, and in doing so reveals why “poor people don’t always behave the way middle-class America thinks they should.”