My Big Toe

Section 1 provides a biography of the author pertinent to the creation of this trilogy. This look at the author's unique experience sheds light upon the origins of this work. Section 2 logically justifies the basic conceptual building blocks needed to construct My Big TOE's foundation. It discusses the cultural beliefs that trap our thinking into a narrow and limited conceptualization of reality, defines the fundamentals of Big Pictureepistemology and ontology, and examines the inner-workings and practice of meditation. It defines and develops the two basic assumptions upon which this trilogy is based. From these two assumptions, time, space, consciousness, and the basic properties, purpose, and mechanics of our reality are logically inferred.Section 3 develops the interface and interaction between "we the people"and our digital consciousness reality. It derives and explains the characteristics,origins, dynamics, and function of ego, love, free will, and our larger purpose. It develops the psi uncertainty principle as it explains and interrelates psi phenomena, free will, love, consciousness evolution, physics, reality, human purpose, digital computation, and entropy.Section 4 describes a model of consciousness that develops the results of Section 3 and supports the conclusions of Section 5. The origins and nature of digital consciousness are described along with how artificial intelligence (AI) leads to artificial consciousness, which leads to actual consciousness and to us. It derives our physical universe, our science, and our perception of a physical reality. The physical reality is directly derived from the nature of digital consciousness.Section 5 pulls together Sections 2, 3, and 4 into a model of reality that describes how an apparent nonphysical reality works, interacts, and interrelates with our experience of physical reality. Probable realities, predicting and modifying the future, teleportation, telepathy, multiple physical and nonphysical bodies, and the fractal nature of an evolving digital consciousness reality are explained and described in detail.Section 6 is the wrap-up that puts everything into a personal perspective. It points out My Big TOE's relationship with contemporary science and philosophy. It solidly integrates My Big TOE into traditional Western scientific and philosophical thought.

A young boy stubs his toe, which leads to a sequence of silly events and a delicious ending

Before there was anything, there was God, and a few angels, and a huge swirling glob of rocks and water with no place to go. The angels asked God, "Why don't you clean up this mess?" This collection of short, funny stories is one man's interpretation of how God did just that -- with some very unlikely help. There was Adam, who decided to number the animals instead of giving them names -- until he lost count. There was Max, a matchmaking angel disguised as a camel. And who could forget the kindly dolphins of the Red Sea or the builders of the spectacularly chaotic Tower of Babel, whose foundation rests in one small girl's question: "Mommy, does God have a big toe?" Reflecting Mr. Gellman's lifelong love for his subject, this witty collection of midrashim provides a wonderful way to learn about and to share the stories of the Bible. Distinguished artist Oscar de Mejo brings the right blend of reverence and humor with his magnificent oil paintings. Notable Books of 1989 (NYT) Best Illustrated Children's Books of 1989 (NYT) Children's Books of 1989 (Library of Congress)

How I Got My Big Toe Stuck in My Nose was born from the creativity and humor of one busy mom doing her best to entertain her kids while schlepping them to and from soccer and ballet practice. Before the days of tablets and smartphones, the story-told in song-delighted three lucky kids. Now, more than 30 years after its first telling, one of those kids has expanded the tale and written it down for other children to love.

In this spine-tickling traditional tale, an old woman finds a hairy toe - and soon the owner comes looking for it!While out picking beans an old woman finds a hairy toe - and soon wishes she hadn't - especially when its owner comes looking for it... Humorously illustrated by Daniel Postgate this spine-tickling traditional tale is perfect for halloween and shouts to be read out loud!

In this quirky and surprising history, Alan Krell addresses the absurd and abject, the banal and the nastily subversive, and the romantic and the fetishistic, as he describes the appearance of the foot in literature, photography, art, sport and film. Discover the gothic tales of French writer Théophile Gautier, the disturbing photographs of Jacques-André Boiffard and the religious paintings by Giotto, Tintoretto and Caravaggio that exalt the foot. Marvel at the sporting exploits of the elite runners such as Abede Bikila and Zola Budd, and the surprising representation of the foot in film such as The Adventures of Huckleberry Finn and Kill Bill: Volume 1. Presenting new images and ideas of the foot in a tantalizing way, The Mummy's Foot and the Big Toe is for all those with an interest in the humanities, languages, social sciences and anthropology. --From front flap.

An old man known for taking what isn't his picks up the wrong thing one Halloween night, and its owner wants it back.