My Brother Slaves

Trapped in a world of brutal physical punishment and unremitting, back-breaking labor, Frederick Douglass mused that it was the friendships he shared with other enslaved men that carried him through his darkest days. In this pioneering study, Sergio A. L

Trapped in a world of brutal physical punishment and unremitting, back-breaking labor, Frederick Douglass mused that it was the friendships he shared with other enslaved men that carried him through his darkest days. In this pioneering study, Sergio A. Lussana offers the first in-depth investigation of the social dynamics between enslaved men and examines how individuals living under the conditions of bondage negotiated masculine identities. He demonstrates that African American men worked to create their own culture through a range of recreational pursuits similar to those enjoyed by their white counterparts, such as drinking, gambling, fighting, and hunting. Underscoring the enslaved men's relationships, however, were the sex-segregated work gangs on the plantations, which further reinforced their social bonds. Lussana also addresses male resistance to slavery by shifting attention from the visible, organized world of slave rebellion to the private realms of enslaved men's lives. He reveals how these men developed an oppositional community in defiance of the regulations of the slaveholder and shows that their efforts were intrinsically linked to forms of resistance on a larger scale. The trust inherent in these private relationships was essential in driving conversations about revolution. My Brother Slaves fills a vital gap in our contemporary understanding of southern history and of the effects that the South's peculiar institution had on social structures and gender expression. Employing detailed research that draws on autobiographies of and interviews with former slaves, Lussana's work artfully testifies to the importance of social relationships between enslaved men and the degree to which these fraternal bonds encouraged them to resist.

Fifteen years after its hardcover debut, the FSG Classics reissue of the celebrated work of narrative nonfiction that won the National Book Award and changed the American conversation about race, with a new preface by the author The Ball family hails from South Carolina—Charleston and thereabouts. Their plantations were among the oldest and longest-standing plantations in the South. Between 1698 and 1865, close to four thousand black people were born into slavery under the Balls or were bought by them. In Slaves in the Family, Edward Ball recounts his efforts to track down and meet the descendants of his family's slaves. Part historical narrative, part oral history, part personal story of investigation and catharsis, Slaves in the Family is, in the words of Pat Conroy, "a work of breathtaking generosity and courage, a magnificent study of the complexity and strangeness and beauty of the word ‘family.'"

"This book details the abolition of the slave trade in Spanish America to the 1860s"--

Matthew V. Johnson is senior pastor at The Good Shepherd Church (Baptist) in Atlanta. --

"My folks allus belongs to the Cavins and wore their name till after 'mancipation. Pa and ma was named Freeman and Amelia Cavin and Massa Dave fotches them to Texas from Alabama, along with ma's mother, what we called Maria. "The Cavins allus thunk lots of their niggers and Grandma Maria say, 'Why shouldn't they—it was their money.' She say there was plenty Indians here when they settled this country and they bought and traded with them without killin' them, if they could. The Indians was poor folks, jus' pilfer and loaf 'round all the time. The niggers was a heap sight better off than they was, 'cause we had plenty to eat and a place to stay. "Young Massa Tom was my special massa and he still lives here. Old Man Dave seemed to think more of his niggers than anybody and we thunk lots of our white folks. My pa was leader on the farm, and there wasn't no overseer or driver. When pa whip a nigger he needn't go to Massa Dave, but pa say, 'Go you way, you nigger. Freeman didn't whip you for nothin'.' Massa Dave allus believe pa, 'cause he tells the truth. "One time a peddler come to our house and after supper he goes to see 'bout his pony. Pa done feed that pony fifteen ears of corn. The peddler tell massa his pony ain't been fed nothin', and massa git mad and say, 'Be on you way iffen you gwine 'cuse my niggers of lyin'.' "We had good quarters and plenty to eat. I 'members when I's jus' walkin' round good pa come in from the field at night and taken me out of bed and dress me and feed me and then play with me for hours. Him bein' leader, he's gone from 'fore day till after night. The old heads got out early but us young scraps slep' till eight or nine o'clock, and don't you think Massa Dave ain't comin' round to see we is fed. I 'members him like it was yest'day, comin' to the quarters with his stick and askin' us, 'Had your breakfas'?' We'd say, 'Yes, suh.' Then he'd ask if we had 'nough or wanted any more. It look like he taken a pleasure in seein' us eat. At dinner, when the field hands come in, it am the same way. He was sho' that potlicker was fill as long as the niggers want to eat. "The hands worked from sun to sun. Massa give them li'l crops and let them work them on Saturday. Then he bought the stuff and the niggers go to Jefferson and buy clothes and sech like. Lots saved money and bought freedom 'fore the war was over. "We went to church and first the white preacher preached and then he larns our cullud preachers. I seed him ordain a cullud preacher and he told him to allus be honest. When the white preacher laid his hand on him, all the niggers git to hollerin' and shoutin' and prayin' and that nigger git scart mos' to death.

After the end of Civil War in 1865, more than four million slaves were set free. There were several efforts to record the remembrances of the living former slaves. The Federal Writers' Project was one such project by the United States federal government to support writers during the Great Depression by asking them to interview and record the myriad stories and experiences of slavery of former slaves. The resulting collection preserved hundreds of life stories from 17 US states that would otherwise have been lost in din of modernity and America's eagerness to deliberately forget the blot on its recent past. This edition brings to you the complete collection of first hand experiences and voices from the past that makes one question whether is it safe to forget or keep the memories alive for bigger battles ahead. A must read for everyone who is interested in US History, race relations and authentic historical research. Contents: Alabama Arkansas Florida Georgia Indiana Kansas Kentucky Maryland Mississippi Missouri North Carolina Ohio Oklahoma South Carolina Tennessee Texas Virginia

DigiCat presents to you this meticulously collection of hundreds of life stories, recorded interviews and incredible vivid testimonies of former slaves from the American southern states, including photos of the people being interviewed and their extraordinary narratives. After the end of Civil War in 1865, more than four million slaves were set free. There were several efforts to record the remembrances of the former slaves. The Federal Writers' Project was one such project by the United States federal government to support writers during the Great Depression by asking them to interview and record the myriad stories and experiences of slavery of former slaves. The resulting collection preserved hundreds of life stories from 17 U.S. states that would otherwise have been lost in din of modernity and America's eagerness to deliberately forget the blot on its recent past. Contents: Alabama Arkansas Florida Georgia Indiana Kansas Kentucky Maryland Mississippi Missouri North Carolina Ohio Oklahoma South Carolina Tennessee Texas Virginia