My Days

"I am inclined to call this the last chapter, but how can an autobiography have a final chapter? At best, it can only be a penultimate one; nor can it be given a rounded-off conclusion, as is possible in a work of fiction." So begins the last chapter of My Days, the only memoir from R. K. Narayan, hailed as "India's most notable novelist and short-story writer" by the New York Times Book Review. In his usual winning, humorous style, R. K. Narayan shares his life story, beginning in his grandmother's garden in Madras with his ferocious pet peacock. As a young boy with no interest in school, he trains grasshoppers, scouts, and generally takes part in life's excitements. Against the advice of all, especially his commanding headmaster father, the dreaming Narayan takes to writing fiction, and one of his pieces is accepted by Punch magazine (his "first prestige publication"). Soon his life includes bumbling British diplomats, curious movie moguls, evasive Indian officials, eccentric journalists, and "the blind urge" to fall in love. R. K. Narayan's larger-than-life perception of the human comedy is at once acute and forgiving, and always true to it.

At eighty-two, Florida Scott-Maxwell felt impelled to write about her strong reactions to being old, and to the time in which we live. Until almost the end this document was not intended for anyone to see, but the author finally decided that she wanted her thoughts and feelings to reach others. Mrs. Scott-Maxwell writes: “I was astonished to find how intensely one lives in one’s eighties. The last years seemed a culmination and by concentrating on them one became more truly oneself. Though old, I felt full of potential life. It pulsed in me even as I was conscious of shrinking into a final form which it was my task and stimulus to complete.” The territory of the old is not Scott-Maxwell’s only concern. In taking the measure of the sum of her days as a woman of the twentieth century, she confronts some of the most disturbing conflicts of human nature—the need for differentiation as against equality, the recognition of the evil forces in our nature—and her insights are challenging and illuminating. The vision that emerges from her accumulated experience of life makes this a remarkable document that speaks to all ages.

For eleven seasons, she was head of one of America's favorite television households. Now meet the lovable real-life woman behind the Happy Days mom. Before she was affectionately known to millions as “Mrs. C.,” Marion Ross began her career as a Paramount starlet who went on to appear in nearly every major TV series of the 1950s and 1960s—including Love, American Style, in which she donned an apron that would cinch her career. Soon after came the phone call that changed her life . . . In this warm and candid memoir, filled with recollections from the award-winning Happy Days team—from break-out star Henry Winkler to Cunningham “wild child” Erin Moran—Ross shares what it was like to be a starry-eyed young girl with dreams in poor, rural Minnesota, and the resilience it took to make them come true. She recalls her early years in the business, being in the company of such luminaries as Humphrey Bogart and Lauren Bacall, yet always feeling the Hollywood outsider—an invisibility that mirrored her own childhood. She reveals the joys of playing a wife and mother on TV, and the struggles of maintaining those roles in real life. But among Ross's most heart-rending recollections are those of finally finding a soulmate—another hope made true beyond her expectations. Featuring producer Garry Marshall's final interview—as well as a touching foreword from her “TV son” Ron Howard, and a conversation with her real-life son and daughter, Marion Ross's inspiring story is also a glowing tribute to all those who fulfilled her dreams—and in turn, gave us some of the happiest days of our own lives.

This is an absorbing autobiographical work by Ernest Alfred Vizetelly. He was present with his father at the Siege of Paris during the Franco-Prussian War in 1870-71 and wrote this memoir of his unusual experiences during that tumultuous period.

In a world where everyone seems to be preoccupied with "living their best life," some of us are just trying to make it through the day. We find ourselves in a season of life where the bad days seem to outnumber the good . . . by a wide margin. We remember what the prime of our life looked like, and we know that what we're experiencing today isn't it. The good news is, we're not alone. Someone has walked this road before. His name was Job, and he literally had it all . . . until he lost it. As Job looked back on the "prime of my days," he offers us a glimpse into the type of life that is both pleasing to live and pleasing to God. And he points to a resurrection of our prime. Are you curious as to what this sort of life looks like? If yes, then this book is for you.

Thirtysomething Cara Foster is, one might say, eco-anxious—perhaps even eco-neurotic. She eats out of dumpsters (not because she wants to but because it’s the right thing to do), does laundry as seldom as possible, takes navy showers every couple of days, and is reevaluating her boyfriend for killing a spider instead of saving a life. Cara has never met her six (soon to be seven) nephews and nieces because she doesn’t fly domestic (unless it’s an emergency) or international (ever). She longs for a carbon footprint so light you’d hardly know she exists. Then, during a mimosa-soaked Sunday brunch, she meets her boyfriend’s alluring mother, Millie, and Cara finds herself mesmerized. Millie represents everything Cara’s against: She eats meat, has cowhide rugs, drives a car the size of a small yacht, and blithely travels the world by boat, plane, and train—without any guilt whatsoever. In fact, Cara soon admits this may be why she finds herself so drawn to Millie. As they begin spending time together, getting pedicures and drinking sixteen-olive martinis, Cara becomes hooked on Millie and this new freedom from the harsh realities of life in the twenty-first century. Yet before long, Cara risks losing everything to be close to the mundane extravagance of Millie’s world—her career, her best friend, and her identity all hang in the balance as she struggles to disentangle from this intoxicating muse. Irreverent, witty, and provocative, My Days of Dark Green Euphoria is a satirical novel of how a life on the edge of eco-anxiety can spiral wildly out of control, as well as how promising and inspiring a commitment to saving our planet can be.

Miner's son David Powlett-Jones returns from the carnage of the Western Front in 1918, shell-shocked and bitterly hardened by the violence of war. He begins life again as a master at a remote Devon school, controlling the destiny of boys barely his junior. As the years pass David becomes a teacher of rare talent, begins to find peace, and is able to adjust to the changes which are overwhelming society. But soon he will have to face up to the prospect of another terrible war...

My Days and Nights on the Battle-Field is a war biography by Charles Carleton Coffin. Coffin was a politician and one of the best-known newspaper correspondents of the American Civil War.