My Dear Detective Mitsuko S Case Files Vol 3

Mitsuko is Japan’s first woman detective in the turbulent 1930s! With the handsome college student Saku as her assistant, the two continue to tackle mysteries at the Ginza Detective Bureau while uncovering glimpses of Saku's past. Join Mitsuko and Saku as they solve cases, explore the changing cultural landscape of early Showa-era Japan, and perhaps grow a little closer in this fashionable mystery series.

Mitsuko is Japan’s first woman detective in the turbulent 1930s! When a handsome college student shows up with a new case, he ends up assigned as her new assistant! Join Mitsuko and Saku as they solve cases, explore the changing cultural landscape of early Showa-era Japan, and maybe grow a little closer along the way in this fashionable mystery series.

Mitsuko is Japan's first woman detective in the turbulent 1930s! When a handsome college student shows up with a new case, he ends up assigned as her new assistant! Join Mitsuko and Saku as they solve cases, explore the changing cultural landscape of early Showa-era Japan, and maybe grow a little closer along the way in this fashionable mystery series.

Mitsuko is Japan’s first woman detective in the turbulent 1930s! With the handsome college student Saku as her assistant, the two continue to tackle mysteries at the Ginza Detective Bureau while uncovering glimpses of Saku's past. Join Mitsuko and Saku as they solve cases, explore the changing cultural landscape of early Showa-era Japan, and perhaps grow a little closer in this fashionable mystery series.

Nao's mother's best friend decided to move into the house next door after her divorce, bringing along her son, Kyosuke-kun, who's around Nao's age. She couldn't be more excited when she finds out he's handsome—more so than his little brother, the reticent Tomoyasu. Nao's not sure how to handle the excitement of living next to these handsome siblings, but little does she know, the excitement is just getting started...!

Stylistically intermingling themes of gentrification and rebirth within the setting of a classic yakuza crime drama, Children of Mu-Town follows the course charted by youths of an aging residential housing complex who are struggling for their lives: burdened by financial issues, peer pressure, and uncertain futures, ensnared in the clutches of organized crime, they are searching for a way to survive. When a municipal renovation project seems to offer a future of stability for their dilapidated town, the mysterious and far-reaching consequences that their actions set into motion may leave Juichi and his friends with no option but annihilation..... A stunning modern "tenement masterpiece" work of manga, Mu-Town is a story of small town gang intimidation, escalating immigration tensions, political intrigue, and the yearning desperation of youth.

Even though Ran looks like an adult during her transformation, she doesn’t really know what perils the outside world holds. When she meets rich playboy Otaro Mikado, does she gain a friend or foe? -- VIZ Media

First published in Japan in 1983, this book is now a classic in modern Japanese literary studies. Covering an astonishing range of texts from the Meiji period (1868–1912), it presents sophisticated analyses of the ways that experiments in literary language produced multiple new—and sometimes revolutionary—forms of sensibility and subjectivity. Along the way, Kamei Hideo carries on an extended debate with Western theorists such as Saussure, Bakhtin, and Lotman, as well as with such contemporary Japanese critics as Karatani Kojin and Noguchi Takehiko. Transformations of Sensibility deliberately challenges conventional wisdom about the rise of modern literature in Japan and offers highly original close readings of works by such writers as Futabatei Shimei, Tsubouchi Shoyo, Higuchi Ichiyo, and Izumi Kyoka, as well as writers previously ignored by most scholars. It also provides a new critical theorization of the relationship between language and sensibility, one that links the specificity of Meiji literature to broader concerns that transcend the field of Japanese literary studies. Available in English translation for the first time, it includes a new preface by the author and an introduction by the translation editor that explain the theoretical and historical contexts in which the work first appeared.