My Dearest Julia The Wartime Letters Of Ulysses S Grant To His Wife

The Civil War's greatest general as you've never seen him before, in a revealing collection of letters to his wife Julia introduced by Ron Chernow. Ulysses S. Grant is justly celebrated as the author of one of the finest military autobiographies ever written, yet many readers of his Personal Memoirs are unaware that during his army years Grant wrote hundreds of intimate and revealing letters to his wife, Julia Dent Grant. Presented with an introduction by acclaimed biographer Ron Chernow, My Dearest Julia collects more than eighty of these letters, beginning with their engagement in 1844 and ending with the Union victory in 1865. They record Grant's first experience under fire in Mexico ("There is no great sport in having bullets flying about one in evry direction but I find they have less horror when among them than when in anticipation"), the aching homesickness that led him to resign from the peacetime army, and his rapid rise to high command during the Civil War. Often written in haste, sometimes within the sound of gunfire, his wartime letters vividly capture the immediacy and uncertainty of the conflict. Grant initially hoped for an early conclusion to the fighting, but then came to accept that the war would have no easy end. "The world has never seen so bloody or so protracted a battle as the one being fought," he wrote from Spotsylvania in 1864, "and I hope never will again."

An excellent and diligently researched biography of Julia Boggs Dent Grant (1826-1902), the wife of the 18th President of the United States, Ulysses S. Grant, and First Lady of the United States from 1869 to 1877. An active participant in presidential matters, The First Lady was widely regarded to possess tremendous strength of character, sharing in the mixed fortunes of her husband, promoting his welfare, loved and cared for her family, and fulfilled her patriotic duty as First Lady. She reveled in her role as hostess to the nation, and by all accounts brought warmth and a home-like atmosphere to the White House. Includes over 15 B&W illustrations.

On the Boston Common stands one of the great Civil War memorials, a magnificent bronze sculpture by Augustus Saint-Gaudens. It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune." In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex--though no less heroic--than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me." When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched." Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized. A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.

Grant was the most famous person in America, considered by most citizens to be equal in stature to George Washington and Abraham Lincoln. Yet today his monuments are rarely visited, his military reputation is overshadowed by that of Robert E. Lee, and his presidency is permanently mired at the bottom of historical rankings. In an insightful blen...

NEW YORK TIMES BESTSELLER • From the author of A. Lincoln, a major new biography of one of America’s greatest generals—and most misunderstood presidents Winner of the William Henry Seward Award for Excellence in Civil War Biography • Finalist for the Gilder-Lehrman Military History Book Prize In his time, Ulysses S. Grant was routinely grouped with George Washington and Abraham Lincoln in the “Trinity of Great American Leaders.” But the battlefield commander–turned–commander-in-chief fell out of favor in the twentieth century. In American Ulysses, Ronald C. White argues that we need to once more revise our estimates of him in the twenty-first. Based on seven years of research with primary documents—some of them never examined by previous Grant scholars—this is destined to become the Grant biography of our time. White, a biographer exceptionally skilled at writing momentous history from the inside out, shows Grant to be a generous, curious, introspective man and leader—a willing delegator with a natural gift for managing the rampaging egos of his fellow officers. His wife, Julia Dent Grant, long marginalized in the historic record, emerges in her own right as a spirited and influential partner. Grant was not only a brilliant general but also a passionate defender of equal rights in post-Civil War America. After winning election to the White House in 1868, he used the power of the federal government to battle the Ku Klux Klan. He was the first president to state that the government’s policy toward American Indians was immoral, and the first ex-president to embark on a world tour, and he cemented his reputation for courage by racing against death to complete his Personal Memoirs. Published by Mark Twain, it is widely considered to be the greatest autobiography by an American leader, but its place in Grant’s life story has never been fully explored—until now. One of those rare books that successfully recast our impression of an iconic historical figure, American Ulysses gives us a finely honed, three-dimensional portrait of Grant the man—husband, father, leader, writer—that should set the standard by which all future biographies of him will be measured. Praise for American Ulysses “[Ronald C. White] portrays a deeply introspective man of ideals, a man of measured thought and careful action who found himself in the crosshairs of American history at its most crucial moment.”—USA Today “White delineates Grant’s virtues better than any author before. . . . By the end, readers will see how fortunate the nation was that Grant went into the world—to save the Union, to lead it and, on his deathbed, to write one of the finest memoirs in all of American letters.”—The New York Times Book Review “Ronald White has restored Ulysses S. Grant to his proper place in history with a biography whose breadth and tone suit the man perfectly. Like Grant himself, this book will have staying power.”—The Wall Street Journal “Magisterial . . . Grant’s esteem in the eyes of historians has increased significantly in the last generation. . . . [American Ulysses] is the newest heavyweight champion in this movement.”—The Boston Globe “Superb . . . illuminating, inspiring and deeply moving.”—Chicago Tribune “In this sympathetic, rigorously sourced biography, White . . . conveys the essence of Grant the man and Grant the warrior.”—Newsday

The New York Times best-selling biography of one of America’s most storied military figures. General William Tecumseh Sherman’s 1864 burning of Atlanta solidified his legacy as a ruthless leader. Evolving from a spirited student at West Point, Sherman became a general who fought in some of the Civil War’s most decisive campaigns—Shiloh, Vicksburg, Atlanta—until finally, seeking a swift ending to the war’s horrendous casualties, he devastated southern resources on his famous March to the Sea across the Carolinas. Later, as general-in-chief of the U.S. Army, Sherman relentlessly paved the way west during the Indian wars. James Lee McDonough’s fresh insight reveals a man tormented by fears that history would pass him by and that he would miss his chance to serve his country. Drawing on years of research, McDonough delves into Sherman’s dramatic personal life, including his strained relationship with his wife, his personal debts, and his young son’s death. The result is a remarkable, illuminating portrait of an American icon.

Shortly after losing all of his wealth in a terrible 1884 swindle, Ulysses S. Grant learned he had terminal throat and mouth cancer. Destitute and dying, Grant began to write his memoirs to save his family from permanent financial ruin. As Grant continued his work, suffering increasing pain, the American public became aware of this race between Grant's writing and his fatal illness. Twenty years after his respectful and magnanimous demeanor toward Robert E. Lee at Appomattox, people in both the North and the South came to know Grant as the brave, honest man he was, now using his famous determination in this final effort. Grant finished Memoirs just four days before he died in July 1885. Published after his death by his friend Mark Twain, Grant's Memoirs became an instant bestseller, restoring his family's financial health and, more importantly, helping to cure the nation of bitter discord. More than any other American before or since, Grant, in his last year, was able to heal this—the country's greatest wound.

The New York Times bestselling author of Mrs. Lincoln's Dressmaker and Mrs. Lincoln's Rival imagines the inner life of Julia Grant, beloved as a Civil War general’s wife and the First Lady, yet who grappled with a profound and complex relationship with the slave who was her namesake—until she forged a proud identity of her own. In 1844, Missouri belle Julia Dent met dazzling horseman Lieutenant Ulysses S Grant. Four years passed before their parents permitted them to wed, and the groom’s abolitionist family refused to attend the ceremony. Since childhood, Julia owned as a slave another Julia, known as Jule. Jule guarded her mistress’s closely held twin secrets: She had perilously poor vision but was gifted with prophetic sight. So it was that Jule became Julia’s eyes to the world. And what a world it was, marked by gathering clouds of war. The Grants vowed never to be separated, but as Ulysses rose through the ranks—becoming general in chief of the Union Army—so did the stakes of their pact. During the war, Julia would travel, often in the company of Jule and the four Grant children, facing unreliable transportation and certain danger to be at her husband’s side. Yet Julia and Jule saw two different wars. While Julia spoke out for women—Union and Confederate—she continued to hold Jule as a slave behind Union lines. Upon the signing of the Emancipation Proclamation, Jule claimed her freedom and rose to prominence as a businesswoman in her own right, taking the honorary title Madame. The two women’s paths continued to cross throughout the Grants’ White House years in Washington, DC, and later in New York City, the site of Grant’s Tomb. Mrs. Grant and Madame Jule is the first novel to chronicle this singular relationship, bound by sight and shadow.