My Heart Became Attached

Understanding the "American Taliban." Provides an intimate exploration of the motivation and beliefs of the radical Islamists and their most famous American adherent.

An angry prophet. A feared and loathsome enemy. A devastating storm. And the surprising message of a merciful God to his people. The story of Jonah is one of the most well-known parables in the Bible. It is also the most misunderstood. Many people, even those who are nonreligious, are familiar with Jonah: A rebellious prophet who defies God and is swallowed by a whale. But there's much more to Jonah's story than most of us realize. In The Prodigal Prophet, pastor and New York Times bestselling author Timothy Keller reveals the hidden depths within the book of Jonah. Keller makes the case that Jonah was one of the worst prophets in the entire Bible. And yet there are unmistakably clear connections between Jonah, the prodigal son, and Jesus. Jesus in fact saw himself in Jonah. How could one of the most defiant and disobedient prophets in the Bible be compared to Jesus? Jonah's journey also doesn't end when he is freed from the belly of the fish. There is an entire second half to his story--but it is left unresolved within the text of the Bible. Why does the book of Jonah end on what is essentially a cliffhanger? In these pages, Timothy Keller provides an answer to the extraordinary conclusion of this biblical parable--and shares the powerful Christian message at the heart of Jonah's story.

After 9/11, there was an increase in both the incidence of hate crimes and government policies that targeted Arabs and Muslims and the proliferation of sympathetic portrayals of Arabs and Muslims in the U.S. media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of “the enemy” during the War on Terror. Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as “simplified complex representations.” This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a “positive” representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype. Analyzing how TV dramas such as West Wing, The Practice, 24, Threat Matrix, The Agency, Navy NCIS, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.

In The Longest WarPeter Bergen offers a comprehensive history of the war on terror and its evolution, from the strategies devised in the wake of the 9/11 attacks to the fighting in Afghanistan, Pakistan, and beyond. Unlike any other book on this subject, Bergen tells the story of this shifting war's failures and successes from both the perspective of the United States and al-Qaeda and its allies. He goes into the homes of al-Qaeda members, rooting into the source of their devotion to terrorist causes, and he spends time in the offices of the major players shaping the U.S. strategic efforts in the region. At a time when many are frustrated or fatigued with what has become an enduring multigenerational conflict, this book will provide an illuminating narrative that not only traces the arc of the fight, but projects its likely future. At a critical moment in world history The Longest Warprovides the definitive account of the ongoing battle against terror.

Reproduction of the original.

This scandalous gothic horror novel is a thinly veiled portrayal of early nineteenth-century England’s members of high society, which ultimately destroyed the reputation of its author Lady Caroline Lamb. Lamb disguises herself as the alluring and impulsive Lady Calantha, who’s married to the respectable Lord Avondale (William Lamb). Yet when the lady meets the seductive Lord Glenarvon, an unflattering depiction of Lord Byron, her life takes a tumultuous turn and they fall into a passionate and destructive relationship while trying to evade ruin. Set during the Irish rebellion of 1798, Glenarvon was first published in 1816 to great commercial success. The sensation novel caused an intense stir amongst England’s high society, with even Queen Victoria requesting a copy. This volume is part of the Mothers of the Macabre series, celebrating the gothic horror masterpieces of pioneering women writers who played a pivotal role in shaping and advancing the genre. Combining political unrest, emotional intensity, and vivid descriptions, this volume is not to be missed by fans of gothic literature.

Apparently, in 1338 and well into 1339, Death showed up for a grand performance at a little village of Nestorian Christians. The village was known as Issyk-Kul; it lay south of Lake Balkhash, Russia. The cemetery headstones made clear a major work of the macabre had taken place in that short year. Three of the stones actually told us that the THE PLAGUE killed the people buried there. It was etched into their epitaph. THE PLAGUE. And so it began. One of Europe's largest choreographed pieces--composed by Death--began in a humble village and played over and over again through towns and cities until two thirds of human life within her boundaries was buried from dancing so well with Death. We have danced with Death all our lives: as individuals and as a people.

If you are struggling to make sense of this life, it may be that you arent thinking of heaven as your permanent home. The world may disappoint you, but God will never let you down; you just have to receive His embrace and thereby avoid wasting your pain. In this inspirational memoir, author Emilia En Lair shares her transformation through tribulation, recalling how she turned to God during every single hardship. The trials of her life did not destroy but rather defined her, as God restored her and healed all her wounds and unbearable heartaches. As a consequence, everything she has gained and lost in this world has brought her closer to God by filling her void with spiritual gifts. In addition to her own journey of faith, hope, and miracles, she also offers guided prayers, self-reflections, and further reading from the Scriptures. No matter what trials or pains you are experiencing, you can find healing in Gods love, forgiveness, and faith. Suitcase to Heaven reminds you that you have not yet reached your final destination and that you are still a traveler with some distance yet to go.