My Name Is Leilani And This Is My Life Journey

My book is about a woman with many emotional traumas about the lost of her children from a previous marriage, the death of her father, and in the process of a divorce from her husband of twelve years. He travels extensively for his job and she finds herself alone in a foreign country as an expat must of the time. As a consequence of the distance, they experience emotional detachment and lack of communication. He made excuses not to attend her father's funeral which deeply hurt her feelings, and brought much anger into her life. She was unable to be present when her father passed on while living in Dubai, which made her feel quilt and anger; she then settles all the emotions by connecting to herself and returning to her passion for writing. After twelve years of marriage, she felt that something was missing in her life and she had to find it. When they finally get divorced, she begins to explore all of her talents, painting, writing, dancing and traveling. Despite all her efforts to move on after her divorce, she finds herself stock in Dubai without much hope and friends to relay on. She returns to the US where she meets an Italian man who reminded her of her ex-husband. In her relationship with him, she finds that he is the perfect image of her ex-husband. She felt as if the spirit of her ex-husband has return to hunt her as a ghost. During her meditation, she can see the image of the man from India she so much admire not knowing that this feelings she is experiencing is nothing more than the ghost of her ex-husband. One day, she seeks out to continue her dream of publishing a book about the power of the mind were she finds the courage to succeed and move on with her life. She leaves the past behind her and finds true love. Today, Leilani is sixty five years old, and has published five books and continues her creative passion for writing.

My book is about a woman with many emotional traumas about the lost of her children from a previous marriage, the death of her father, and in the process of a divorce from her husband of twelve years. He travels extensively for his job and she finds herself alone in a foreign country as an expat must of the time. As a consequence of the distance, they experience emotional detachment and lack of communication. He made excuses not to attend her father's funeral which deeply hurt her feelings, and brought much anger into her life. She was unable to be present when her father passed on while living in Dubai, which made her feel quilt and anger; she then settles all the emotions by connecting to herself and returning to her passion for writing. After twelve years of marriage, she felt that something was missing in her life and she had to find it. When they finally get divorced, she begins to explore all of her talents, painting, writing, dancing and traveling. Despite all her efforts to move on after her divorce, she finds herself stock in Dubai without much hope and friends to relay on. She returns to the US where she meets an Italian man who reminded her of her ex-husband. In her relationship with him, she finds that he is the perfect image of her ex-husband. She felt as if the spirit of her ex-husband has return to hunt her as a ghost. During her meditation, she can see the image of the man from India she so much admire not knowing that this feelings she is experiencing is nothing more than the ghost of her ex-husband. One day, she seeks out to continue her dream of publishing a book about the power of the mind were she finds the courage to succeed and move on with her life. She leaves the past behind her and finds true love. Today, Leilani is sixty five years old, and has published five books and continues her creative passion for writing.

Have you ever been in so much pain that sometimes it’s hard to breathe? Spiritual pain? Mental pain? Physical pain? I write this story to give you the hope no one was able to give me because people didn’t understand. Just about every character you read about is someone I know and the struggles they had in their lives. From divorce to panic attacks, it’s all here. The characters in From Death to Life are all in heaven, and they each have a job to do. Walking into the spiritual world can be fascinating and scary at the same time. They are waiting for Christ to return, but in the meantime, their jobs are complicated. From heaven to hell on earth, it’s a complex military structure. A thought can become an action. Action becomes a habit. Habit becomes a serious addiction. Let this story take you in and see that it does get better. God promised us, and he doesn’t lie.

Pacific Voices Talk Story invites Pacific Americans to record their hearts and minds to be turned into pages not only Pacific Americans want to read, but our neighbors up the street. We ve much to learn about ourselves, other Islanders here, and the diversity of America. If we re not talking to each other now, reading Pacific Voices Talk Story will tell you that tribalism and village mentalities followed us to the mainland. Read and join the dialogue of Pacific Americans claiming new identities and finding a place in the mainland that trumps their nostalgic past.

A TIME OF PROPHECY FULFILLMENT IS AT HAND AND THE WOMEN WISDOM KEEPERS OF EARTH step forward to request our assistance in making Earth a Place of Respect. These womenof great power and knowledge have long waited for the moment in time when reverence,responsibility, nurturing and life affi rmation of the future would signal the re-turning of Earth'¦ respected feminine in all areas ' from healing and spirituality to peace education and cooperative lifestyle changes, the teachings being presented here are fundamental elements of earth wisdom, including actualization of common nobility, individual potential recognition, and the interconnection with Earth. The teachings refl ect the proud andancient truth of Now.Ω

As Hawaiians continue to recover their language and culture, the voices of kupuna (elders) are heard once again in urban and rural settings, both in Hawai‘i and elsewhere. How do kupuna create knowledge and “tell” history? What do they tell us about being Hawaiian? Adopted by a Midwestern couple in the 1950s as an infant, Leilani Holmes spent much of her early life in settings that offered no clues about her Hawaiian past—images of which continued to haunt her even as she completed a master’s thesis on Hawaiian music and identity in southern California. Ancestry of Experience documents Holmes’ quest to reclaim and understand her own origin story. Holmes writes in two different and at times incongruent voices—one describing the search for her genealogy, the other critiquing Western epistemologies she encounters along the way. In the course of her journey, she finds that Hawaiian oral tradition links identity to the land (‘aina) through ancestry, while traditional, scholarly theories of knowing (particularly political economy and the discourse of the invention of tradition) textually obliterate land and ancestry. In interviews with kupuna, Holmes learns of the connectedness of spirituality and ‘aina; through her study and practice of hula kahiko comes an understanding of ancient hula as a conversation between ‘aina and the dancer’s body that has the power to activate historical memory. Holmes’ experience has special relevance for indigenous adoptees and indigenous scholars: Both are distanced from the knowledge agendas and strategies of their communities and are tasked to speak in languages ill-suited to the telling of their own stories and those of their ancestors. In addition to those with an interest in Hawaiian knowledge and culture, Ancestry of Experience will appeal to readers of memoirs of identity, academic and personal accounts of racial identity formation, and works of indigenous epistemologies. A website (www.ancestryofexperience.com) will include supplementary material.

Retold Stories, Untold Histories concentrates on how challenging questions concerning the nature of historical representation, the formation of national/ethnic identities, and creative agendas are addressed in the diverse and inspiring writings of Maxine Hong Kingston and Leslie Marmon Silko. The rationale behind juxtaposing two writers coming from diverse cultural contexts originates in the fact that both Kingston and Silko share the experience of historical and cultural marginalization and, more importantly, devise similar methods of rendering it in creative writing. Writing from the perspective of two distinct marginalized groups, Kingston and Silko share the view that the official version of national history may be seen as a narrative of misrepresentation and the exclusion of people who either greatly contributed to the building of the country or occupied the territory of the present United States long before its creation. In their texts, both writers engage in a polemic against a history that, using its legitimizing power as a scientific discipline, produces and perpetuates stereotypical images of Chinese and Native Americans, and, more importantly, eliminates the two groups from the process of constructing the national narratives of origins that monitor and control the borders of what constitutes American identity. Despite apparent differences in cultural and historical contexts, Kingston and Silko share an enthusiasm for employing unconventional tools and sources for offering creative reconstructions of a past which had been silenced or repressed.

We do not get to choose our parents or the families into which we are born. That is predestined by God, for those who believe it. We are all born innocent, but for many, that time of innocence passes much too quickly. Such was the case for Laura Faye Flannery (Red), nicknamed for her thick copper red mane. Her days of childhood innocence came to an abrupt ending when she was thrown into a life that she did not want or ask for. Red would spend the next twenty-five years trying to escape from her life, living on daydreams and secrets to ease her sadness, while raising the children that were brought into that life. They too were innocent. Red had hoped that she might write a book one day about what had transpired from the first day she married Louk Papadakas, a domineering Greek man, who had many secrets of his own. But as the years disappeared, so did Red's mind. As dementia and later full Alzheimer's took over the memory of this brave and determined woman, her daughter, Melina, decided to write the story for her. Melina and her siblings had been raised in this fallacious marriage but held a loyalty for both parents, even though they had each suffered the brunt of it. Though Melina had lived through much of it herself, there were missing pieces that still lay hidden in her mother's memory. As Melina wrote the final chapters of her mother's story, she received a great gift, a deeper love and forgiveness, and she knew that God had shown her the reason for it all. Your eyes saw my unformed body; all the days ordained for me were written in your book before one of them came to be. (Psalm 139:16)