My Soul Is A Witness

This special collection assembles some of the most pre-eminent scholars in the field in African, African American, and American Studies to explore the ways writers reclaim the Black female body in African American literature using the theoretical, social, cultural, and religious frameworks of spirituality and religion. Central to these discussions is Black women’s agency within these realms—their uncanny ability to invent and reinvent themselves within individual and communal spaces that frame them as both outsider and insider, unworthy and worthy, deviant and sacred, excess and minimal. Scholars have sought to discuss these tensions, acknowledged and affirmed in prose, poetry, music, essays, speeches, written plays, or short stories. Forgiveness, healing, redemption, and reclamation provide entry into these vibrant explorations of self-discovery, passion, and self-creation that interrogate traditional views of what is spiritual and what is religious. Discussed writers include Toni Morrison, Phillis Wheatley, James Baldwin, Tina McElroy Ansa, Toni Cade Bambara, and Thomas Dorsey.

An intimate look at the afterlife of lynching through the personal stories of Black victims and survivors who lived through and beyond its trauma Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. She unearths how African American victims and survivors found ways to live through and beyond the horrors of lynching, offering a theory of African American collective trauma and memory rooted in the ironic spirit of the blues sensibility--a spirit of misdirection and cunning that blends joy and pain. Black southerners often shielded their loved ones from the most painful memories of local lynchings with strategic silences but also told lynching stories about vengeful ghosts or a wrathful God or the deathbed confessions of a lyncher tormented by his past. They protested lynching and its legacies through art and activism, and they mourned those lost to a mob's fury. They infused a blues element into their lynching narratives to confront traumatic memories and keep the blues at bay, even if just for a spell. Telling their stories troubles the simplistic binary of resistance or submission that has tended to dominate narratives of Black life and reminds us that amid the utter devastation of lynching were glimmers of hope and an affirmation of life.

Chronicles the American civil rights movement and discusses the issues of the times

Brian Ward is Lecturer in American History at the University of Newcastle upon Tyne .; This book is intended for american studies, American history postwar social and cultural history, political history, Black history, Race and Ethnic studies and Cultural studies together with the general trade music.

My Soul Is a Witness is a powerful collection of poetry, prose, reflections, prayer, and song celebrating spirituality in the lives of African-American women. Featuring a variety of voices including Johnetta B. Cole, Marsye Conde, Rita Dove, Nikki Giovanni, Akasha (Gloria) Hull, Toni Morrison, Iyanla Vanzant, and Alice Walker, this collection demonstrates the diverse ways that women connect with the Spirit. Exploring faiths ranging from Islam to Buddhism to Christianity, these writings illustrate the importance of religion and spirituality in the women of the African-American community. No matter how the Spirit expresses itself in these women's lives, their faith is experienced not just as individuals but also as an inheritance from the women in their community. This anthology will surely touch every sister of the Spirit.

Hansen combines her voice and insights into the history, the people, and the circumstances from which spiritual songs arose with the powerful music of six professional musicians, including her brother-in-law Keith Richards on lead guitar. Each chapter closes with a Bible passage for reflection.

My Soul is a Witness, a collection of poems that reminds us that there is still hope in our darkest moments. Nothing we go through is without a purpose. No pain we suffer and no trial we experience happens without reason. It all ministers to our education and the development of ourselves into the people we are ordained to become. It helps to cultivate in us a spirit of patience, faith, humility, and self-control. I hope these poems will do that for you. I hope this piece will invigorate and restore your Soul.

In this accessible and provocative study, Brian Blount reads the book of Revelation through the lens of African American culture, drawing correspondences between Revelation's context and the long-standing suffering of African Americans. Applying the African American social, political, and religious experience as an interpretive cipher for the book's complicated imagery, he contends that Revelation is essentially a story of suffering and struggle amid oppressive assimilation. He examines the language of "martyr" and the image of the lamb, and shows that the thread of resistance to oppressive power that runs through John's hymns resonates with a parallel theme in the music of African America.