N Sync Larger Than Life

This timely tribute to the popular boy-band features inside scoop on the band's tours, profiles on each member and 80 photos. Illustrations.

This nostalgic, fully-illustrated history of boy bands -- written by culture critic and boy band stan Maria Sherman -- is a must-have for diehard fans of the genre and beyond. The music, the fans, the choreography, the clothes, the merch, the hair. Long after Beatlemania came and went, a new unstoppable boy band era emerged. Fueled by good looks and even greater hooks, the pop phenomenon that dominated the '80s, '90s, and 2000s has left a long-lasting mark on culture, and it's time we celebrate it. Written by super fan Maria Sherman for stans and curious parties alike, Larger Than Life is the definitive guide to boy bands, delivered with a mix of serious obsession and tongue-in-cheek humor. Larger Than Life begins with a brief history of male vocal groups, spotlighting The Beatles, the Jackson 5, and Menudo before diving into the building blocks of these beloved acts in "Boy Bands 101." She also focuses on artists like New Edition, New Kids on the Block, Backstreet Boys, *NSYNC, One Direction, and BTS before ending with an interrogation into the future of boy bands. Included throughout are Tiger Beat-inspired illustrations, capsule histories of the swoon-iest groups, in-depth investigations into one-hit wonders, and sidebars dedicated to conspiracy theories, dating, in-fighting, haters, fan fiction, fashion (Justin and Britney in denim, of course), and so much more. Informative, affectionate, funny, and never, ever fan-shaming, Larger Than Life is the first and only text of its kind: the ultimate celebration of boy bands and proof that this once maligned music can never go unappreciated.

This nostalgic, fully-illustrated history of boy bands -- written by culture critic and boy band stan Maria Sherman -- is a must-have for diehard fans of the genre and beyond. The music, the fans, the choreography, the clothes, the merch, the hair. Long after Beatlemania came and went, a new unstoppable boy band era emerged. Fueled by good looks and even greater hooks, the pop phenomenon that dominated the '80s, '90s, and 2000s has left a long-lasting mark on culture, and it's time we celebrate it. Written by super fan Maria Sherman for stans and curious parties alike, Larger Than Life is the definitive guide to boy bands, delivered with a mix of serious obsession and tongue-in-cheek humor. Larger Than Life begins with a brief history of male vocal groups, spotlighting The Beatles, the Jackson 5, and Menudo before diving into the building blocks of these beloved acts in "Boy Bands 101." She also focuses on artists like New Edition, New Kids on the Block, Backstreet Boys, *NSYNC, One Direction, and BTS before ending with an interrogation into the future of boy bands. Included throughout are Tiger Beat-inspired illustrations, capsule histories of the swoon-iest groups, in-depth investigations into one-hit wonders, and sidebars dedicated to conspiracy theories, dating, in-fighting, haters, fan fiction, fashion (Justin and Britney in denim, of course), and so much more. Informative, affectionate, funny, and never, ever fan-shaming, Larger Than Life is the first and only text of its kind: the ultimate celebration of boy bands and proof that this once maligned music can never go unappreciated.

In Terminated for Reasons of Taste, veteran rock critic Chuck Eddy writes that "rock'n'roll history is written by the winners. Which stinks, because the losers have always played a big role in keeping rock interesting." Rock's losers share top billing with its winners in this new collection of Eddy's writing. In pieces culled from outlets as varied as the Village Voice, Creem magazine, the streaming site Rhapsody, music message boards, and his high school newspaper, Eddy covers everything from the Beastie Boys to 1920s country music, Taylor Swift to German new wave, Bruce Springsteen to occult metal. With an encyclopedic knowledge, unabashed irreverence, and a captivating style, Eddy rips up popular music histories and stitches them back together using his appreciation of the lost, ignored, and maligned. In so doing, he shows how pop music is bigger, and more multidimensional and compelling than most people can imagine.

The New York Times–bestselling debut story of four superfan friends whose devotion to their favorite band has darkly comical and deadly results. Just know from the start that it wasn’t supposed to go like this. All we wanted was to get near them. That’s why we got a room in the hotel where they were staying. We were not planning to kidnap one of them. Especially not the most useless one. But we had him—his room key, his cell phone, and his secrets. We were not planning on what happened next. We swear. Praise for Kill the Boy Band “Moldavsky’s sharp, shocking debut is like no other.” —Entertainment Weekly “Fiercely entertaining . . . One of the smartest YA releases of the year.” —New York Daily News “Misery for the Belieber generation.” —Observer.com “Boy bands gets the Heathers treatment in this madcap macabre . . . A sendup of the artificiality of the fame-making machine from both sides, the novel’s humor is mercilessly black, and no one comes up smelling like roses.” —Kirkus Reviews “Wickedly funny.” —NPR.org “Bitingly satirical.” —Publishers Weekly “[For] anyone who’s ever had the fortune-or misfortune-of being a fan.” —Booklist “Hilarious . . . A must-have.” —School Library Journal

These two electric pieces of work originated from Brixton House's Housemates Festival in summer 2023, back to grace the stage for Housemates Returns in 2024. Is Dat U Yh? by dkfash: A time where laughter was free and nonsense was all we knew. Tamagotchis, Pokémon and alien babies. Tolu and the 'Back Of the Bus Queens' relive and rediscover their love of home, in this joyous and wacky adventure down memory lane. Surreal memories, short stories and nonsense! Theatre. Dance. Lyricism and school daze nostalgia! Before I Go by Tobi King Bakare: Ajani can talk. He can host parties, talk to girls, charm any living being. However, he finds it hard to express himself to the people he cares about the most. When he dies and gets stuck in Limbo, he is given an ultimatum: 'Learn how to "properly" communicate or remain here forever'. Ajani takes on the quest and embarks on a poetic journey of discovery, unlearning and healing. This edition was published to coincide with the start of the Housemates Returns productions at London's Brixton House Theatre in April 2024.

"My name is Justin. I guess I should go ahead and tell you I sing." -- Justin Timberlake at age eleven The meteoric rise of Justin Timberlake from one-fifth of boy band *NSYNC to one of the world's top male solo artists has been nothing short of extraordinary. But how did this precocious curly-haired boy from the Tennessee Bible Belt and former Mickey Mouse Club member transform himself into "The New King of Pop" (Rolling Stone) and one of the most respected young R & B artists around? Bestselling author Sean Smith has traveled across the country to discover the real Justin. Through a series of exclusive interviews, he assembles a rich portrait of Justin's rural childhood outside Memphis, the talent show years, the Mickey Mouse Club era -- when he met Britney Spears and Christina Aguilera -- the rise of *NSYNC, and the breakthrough solo album, Justified, that brought Timberlake critical acclaim and superstar status all his own. Justin: The Unauthorized Biography also uncovers the truth about the women in Justin's life -- from first love all the way to Cameron Diaz -- and offers fascinating insights on why his first three serious relationships, including his most famous affair with Britney, ended with Justin crying "she cheated!" With over twenty pages of full-color photographs, an exclusive birth chart, complete discography, and updates on his thrilling new film-acting career, Justin: The Unauthorized Biography is a must-have biography of the man the NME has dubbed "the coolest man in pop."

The career of Claude Rains is often, and unfairly, overshadowed by the careers of the ever-popular Karloff, Lugosi, Chaney and Rathbone, but few can dispute that he was truly one of the world’s foremost character actors. The Invisible Man, ironically, made him quite the visible star. In his own inimitable way, Rains later became John Jasper (in Mystery of Edwin Drood), Louis Renault (Casablanca), Julius Caesar (Caesar and Cleopatra), and Mr. Dryden (Lawrence of Arabia). While concentrating on Rains’ more than fifty films, this book also comprehensively examines his work in other media: the stage, radio, television and recordings. His only child, Jessica, in the foreword, provides a brief biography of her father. There are many rare photographs.