Nanban

Ramen, gyoza, fried chicken, udon, pork belly buns, and other boldly flavored, stick-to-your ribs dishes comprise Southern Japanese soul food. The antidote to typical refined restaurant fare, this hearty comfort food has become popular in the US as street food and in ramen bars. In a unique package that includes a cool exposed binding, Nanban brings home cooks the best of these crave-inducing treats. From pungent kimchi to three types of Japanese fried chicken, and with a primer on Japanese ingredients and substitutions, Nanban is the perfect cookbook for any lover of Asian food.

Image, Text and Audience is the first book dealing with paintings related to Taishokan, the most popular ballad-drama of the 16th century. Key narrative elements in the story include the transmission of a magic jewel from China to Japan and the succession of the Fujiwara family. The narrative provided motifs for historical accounts, Buddhist proselytising texts, a n play, puppet theatre plays, and satirical novels of the 18th century. This lavishly illustrated book is of interest to scholars of various disciplines including art history, literature, and religious studies. It offers the first annotated translation of the 1632 printed edition of the Taishokan and analyses painted versions on screens, scrolls, fans and manuscripts based on critical concepts and methodologies. The importance of the painting medium in shaping the visual content of each work is a pivotal aspect discussed in the book, along with questions of patronage, reception and gender.

The Akita Ranga art school is a by-product of rangaku, 'Dutch learning', an important intellectual movement in eighteenth-century Japan. Akita Ranga artists, highly influenced by illustrations in Western books, created a new direction in Japanese art by using Western techniques such as chiaroscuro (shading) and perspective. Odano Naotake (1750-80), a leading Akita Ranga artist, illustrated Kaitai shinsho, Japan's first anatomy book. Dr. Johnson first analyses how Naotake applied new techniques to traditional Japanese art and created a quasi-Western style of painting. Secondly, she focuses on Lord Satake Shozan (1748-85), who wrote Japan's first art theory and criticism on Western art and whose complete text is translated and incorporated in this book. Shozan also based his three sketchbooks on foreign books, especially the Schouwtoneel der Natuur by Noel A. Pluche, and wrote an encyclopaedia of scientific lore. By focusing on the influence of illustrations in foreign books, Johnson brings a new perspective to Japanese art history.

Conquering Demons examines the origins and influence of three popular anti-Kirishitan (anti-Christian) works from the seventeenth and eighteenth centuries. These sensational fictional accounts of a near conquest of Japan by a kind of mythical Kirishitan, who used money and magic to gain converts in their attempt to take over Japan, are studied in the context of the publication trends of the time they were produced, as well as of the cultural and political attitudes toward Christianity that prevailed when they were written. The book also analyzes the representations of Japan and the Kirishitan that appear in these texts in the context of contemporary discourses on the world and Japan's place in it. New maps and information brought by the missionaries and traders to Japan reflected a world that looked very different from the traditional Sino-centric one. These anti-Kirishitan popular narratives meet the challenge of this new world by expelling it and reasserting the conventional three-realms world order, in which Japan plays an influential role. This is done most obviously in the expulsion of the Kirishitan that is narrated in the texts, but it is also achieved on another level by the representation of the Kirishitan as uncouth and very common villains. Conquering Demons features a new look at anti-Kirishitan works from a literary perspective, examining them in the context of developments in the publishing industry and in the broader discourses on Japan and its many Others in the world. It should be of interest most broadly to scholars and teachers of Japanese history and literature, but also to those dealing with questions of identity and Othering, issues of ""mapping"" Japan and the world, and the role of manuscript culture in Edo-period literature. The translations provide an entertaining and relatively rare look at some Japanese representations of Westerners and would be useful in undergraduate classes on Japanese history, culture, and literature.