Narrating The Global Financial Crisis

This book analyzes how the Global Financial Crisis is portrayed in contemporary popular culture, using examples from film, literature and photography. In particular, the book explores why particular urban spaces, infrastructures and aesthetics – such as skyline shots in the opening credits of financial crisis films – recur in contemporary crisis narratives. Why are cities and finance connected in the cultural imaginary? Which ideologies do urban crisis imaginaries communicate? How do these imaginaries relate to the notion of crisis? To consider these questions, the book reads crisis narratives through the lens of myth. It combines perspectives from cultural, media and communication studies, anthropology, philosophy, geography and political economy to argue that the concept of myth can offer new and nuanced insights into the structure and politics of popular financial crisis imaginaries. In so doing, the book also asks if, how and under what conditions urban crisis imaginaries open up or foreclose systematic and political understandings of the Global Financial Crisis as a symptom of the broader process of financialization.

The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.

Medical Journals of Tanzir Islam Britto takes readers on a captivating journey into the world of healthcare through the eyes of Tanzir Islam Britto, a renowned Bangladeshi blogger, activist, and physician. Published on May 17, 2023, and presented in English, this enlightening book offers a unique blend of personal anecdotes, insightful analysis, and thought-provoking observations. Within its concise 130 pages, Medical Journals of Tanzir Islam Britto sheds light on the challenges, triumphs, and intricacies of the medical profession. Drawing from his wealth of experience and expertise, Britto shares captivating stories from the frontlines of healthcare, providing readers with an intimate glimpse into the lives of doctors and patients alike. Through his engaging narratives, Britto explores a range of medical topics, delving into the complexities of diagnosing and treating various conditions. From puzzling diagnostic dilemmas to the emotional toll of delivering life-altering news, he presents an authentic portrayal of the realities physicians face daily. Beyond the clinical aspects, Medical Journals delves into the social and ethical issues intertwined with healthcare. Britto reflects on the challenges of delivering medical care in resource-limited settings, shedding light on the dire need for healthcare reform and equitable access to treatment. As a dedicated activist, Tanzir Islam Britto advocates for patient rights, ethical medical practices, and a compassionate approach to healthcare. His poignant reflections on these topics invite readers to question prevailing norms and inspire change within the medical community and society at large. Medical Journals of Tanzir Islam Britto is an invaluable resource for medical professionals, students, and anyone with an interest in healthcare. Britto's articulate storytelling, coupled with his genuine empathy and passion for patient care, make this book a captivating and enlightening read. Whether you are a healthcare practitioner seeking to broaden your understanding or an individual curious about the intricacies of medicine, this book offers a window into the world of medicine unlike any other. Published by Fact Sider, it is a testament to the power of personal narratives and the potential for positive change within the field of healthcare.

Written in the voice of the mythical atheist, naysayer, and general all-purpose heretic of Indian philosophy, The Truths and Lies of Nationalism as Narrated by Charvak presents a completely new way of telling the history of Indian nationalism. Severely criticizing the doctrines of both Hindu nationalism and pluralist secularism, it examines the ongoing debates over Indian civilization and recounts in detail how the present borders of India were defined by British colonial policy, the partition of 1947, and the integration of the princely states and the French and Portuguese territories. The emphasis is not so much on the state machinery inherited from colonial times but on the moral foundation of a new republic based on the solidarity of different but equal formations of the people. After a trenchant critique of the present-day conflicts over religion, caste, class, gender, language, and region in India, the book proposes a new politics of revitalized federalism. Intended for a general readership, and eschewing academic jargon, this book will be of interest to anyone concerned about the future of India.

This book demonstrates the importance of understanding how political rhetoric, financial reporting and media coverage of austerity in transnational contexts is significant to the communicative, social and economic environments in which we live. It considers how aspects of moral storytelling, language, representation and ideology operate through societies in financial crisis and through governments that impose austerity programmes on public spending. Whilst many of the debates covered here are concerned with UK economic policy and British social contexts, the contributions also consider examples from other countries that reflect similar concerns on the ideological operations of austerity and financial discourse. The multiple discursive contexts of austerity demonstrate the breadth of social concerns and conflicts that have developed in societies and institutions following the global economic crisis of 2008. Through its interdisciplinary focus on this topic, this book provides an important contribution across multiple subject areas, with shared interests in critical and analytical approaches to discourse, power and language in social contexts reflecting the healthy collaborative scope of critical discourse studies as a field of research. This book was originally published as a special issue of Critical Discourse Studies.

Culture studies try to understand how people assume identities and perceive reality. In this light narration is a fundamental cultural technique. What is considered "fictitious" or "real" no longer separates narratives from an "outside" they refer to, but rather represents different narratives. The book’s unique interdisciplinary approach shows how the implications of this fundamental insight go far beyond the sphere of literature and carry weight for both scholarly and scientific disciplines.

Vocal Projections: Voices in Documentary examines a previously neglected topic in the field of documentary studies: the political, aesthetic, and affective functions that voices assume. On topics ranging from the celebrity voice over to ventriloquism, from rockumentary screams to feminist vocal politics, these essays demonstrate myriad ways in which voices make documentary meaning beyond their expository, evidentiary and authenticating functions. The international range of contributors offers an innovative approach to the issues relating to voices in documentary. While taking account of the existing paradigm in documentary studies pioneered by Bill Nichols, in which voice is equated with political rhetoric and subjective representation, the contributors move into new territory, addressing current and emerging research in voice, sound, music and posthumanist studies.